Creator Gender: male / Work Type: intaglio print / Subject Terms: broom - YCBA Collections Search Search Results

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Creator Gender male

Work Type intaglio print

Subject Terms broom

1. The Man Sweeping the Interpreter's Parlour

The Man Sweeping the Interpreter's Parlour

Creator:: William Blake, 1757–1827, British
Date:: ca. 1822
Medium:: White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Damnation of Obadiah

The Damnation of Obadiah

Creator:: Print made by James Bretherton, ca. 1730–1806, British
Date:: 1773
Medium:: Etching on moderately thick, rough, cream laid paper
Dimensions:: Sheet: 12 1/16 x 15 11/16 inches (30.6 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Part of Balliol College Quadrangle

Part of Balliol College Quadrangle

Creator:: Print made by James S. Storer, 1771–1853, British
Date:: 1809
Medium:: Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 × 18 3/8 inches (36.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Part of Balliol College Quadrangle

Part of Balliol College Quadrangle

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: 1820
Medium:: Line engraving, published state on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"

Creator:: James Gillray, 1756–1815, British
Date:: 1806
Medium:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 13 7/8 inches (24.7 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."

Creator:: James Gillray, 1756–1815, British
Date:: 1806
Medium:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 13/16 × 13 7/8 inches (25 × 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

Creator:: Print made by Thomas Gaugain, 1748–1812, French
Date:: 1797
Medium:: Stipple engraving, open letter proofs
Dimensions:: Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

8. The Damnation of Obadiah

The Damnation of Obadiah

Creator:: Print made by Henry William Bunbury, 1750–1811, British
Date:: between 1773 and 1817
Medium:: Hand-colored etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 17 1/2 inches (27.5 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Spectrum Dioneum

No cover image available

Creator:: Print made by Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Date:: 1768
Medium:: Etching with hand coloring in watercolor
Dimensions:: Frame: 34 1/2 × 30 3/4 × 1 1/4 inches (87.6 × 78.1 × 3.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968