Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
2
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
3
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
4
Print made by John Boydell, 1720–1804, British
Night
1756
5
Print made by John Boydell, 1720–1804, British
A Calm
1754
6
Print made by John Boydell, 1720–1804, British
The Wreck of the Nuestra Senora de los Remedios
1753
7
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
8
Print made by George Cooke, 1781–1834, British
Gledhow
1816
9
Print made by John Le Keux, 1783–1846, British
St. Agatha's Abbey, Easby
1818-1823
10
Print made by Charles Heath, 1785–1848, British
Kirkby Lonsdale Churchyard
1818-1823
11
Francis David Soiron, Born 1764
A Tea Garden
1793
12
Print made by William Say, 1768–1834, British
Mrs. Siddons
1810
13
Print made by James Basire the younger, 1769–1822, British
A View of Worcester College &c
1804
14
Print made by Edward Goodall, 1795–1870, British
Rye, Sussex
1814 to 1826
15
Print made by William Bernard Cooke, 1778–1855, British
East & West Looe, Cornwall
1818
16
Print made by W. R. Smith, active 1819–1851
The Entrance to Fowey Harbour, Cornwall
1829
17
Print made by James T. Willmore, 1800–1863, British
Penmaen Mawr, Caernarvonshire
1832
18
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
19
Print made by Joseph Smith, active 1697–1732, British
The South West Prospect of Ludlow Town & Castle
1719
20
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
21
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
22
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
23
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
24
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
25
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
26
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
27
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
28
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
29
Adrian Wisniewski, Born 1958, British
Plate 10
1991
30
Adrian Wisniewski, Born 1958, British
Plate 8
1991
31
Print made by B. Winkles, active 1830–1840, British
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
32
John Robert Cozens, 1752–1797, British
Elm
1789
33
Print made by John Robert Cozens, 1752–1797, British
Spruce Fir
1789
34
Print made by John Robert Cozens, 1752–1797, British
Oak
1789
35
Richard Banks Harraden, 1778–1862, British
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
36
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Moonlight
1745
37
Print made by Robert Pollard, 1755–1838, British
View of London Bloomsbury Square
1787
38
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1802
39
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1802
40
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
41
Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
42
Print made by John Robert Cozens, 1752–1797, British
Palm
1789
43
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
44
Print made by Thomas Talbot Bury, 1811–1877, British
Elevation of the River Front
ca. 1835
45
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
The Right Honorable William Pitt
1799
46
Samuel Middiman, ca. 1750–1831, British
The Catholic College of Stonyhurst Lancashire
ca. 1830
47
Print made by Peter P. Benazech, 1767–1794
The Monmouth of 64 Guns, taking the Foudroyant a French Man of War of 84 Guns on the 28th of Feb. 1758 in the Mediterranean,...
ca. 1760
48
Print made by Jean B. C. Chatelain, 1710–1771, French
A Prospect of the Royal House at Richmond
ca. 1740
49
Print made by Johann Jacobé, 1733–1797, Austrian
Hebe
1780
50
Print made by William Say, 1768–1834, British
Cupid and Psyche
1816
51
Print made by William Ward, 1766–1826, British
John Philip Kemble as Cato
between 1800 and 1820
52
Print made by Richard Earlom, 1743–1822, British
Susanna and the Elders
1769
53
Print made by James Watson, 1740–1790, British
A Storm
1767
54
Richard Earlom, 1743–1822, British
Henry D'Esterre Darby, Esq
1801
55
Print made by Ambrogio Brambilla, active ca. 1579–1599, Italian
Pantheum Romanum nunc Mariae Cognomento
between 1581 and 1586
56
William Say, 1768–1834, British
Mrs. Siddons
1810
57
Print made by Edward Goodall, 1795–1870, British
Oxford from North Hinksey
1841
58
Print made by Thomas Girtin, 1775–1802, British
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
59
Print made by Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
60
Print made by Thomas Girtin, 1775–1802, British
Views of the Pantheon, taken from the Arsenal
1803
61
Print made by Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
62
Print made by William Sharp, 1749–1824, British
John Hunter, F.R.S
1788
63
Print made by Thomas Watson, 1743–1781, British
Lady Rushout and Children
1778
64
Print made by Thomas Girtin, 1775–1802, British
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
65
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
66
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Noon
1745
67
Print made by Pierre Charles Canot, ca. 1710–1777, French, active in Britain
Evening
1745
68
Sutton Nicholls, active 1725, British
Southampton or Bloomsbury Square
1754
69
William Ward, 1766–1826, British
Children Birdsnesting
1789
70
Francis David Soiron, Born 1764
A Tea Garden
1790
71
Francis David Soiron, Born 1764
St. James's Park
1790
72
Robert Thew, 1758–1802, British
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
73
William Woollett, 1735–1785, British
The Rural Cott
1797
74
Simon François Ravenet, 1706–1774, French, active in Britain
The Good Samaritan
1772
75
Print made by Joseph Ryland, active ca. 1775–1790
A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers
undated
76
Etched by Thomas Rowlandson, 1756–1827, British
French Barracks
1791
77
Simon François Ravenet, 1706–1774, French, active in Britain
The Pool of Bethesda
1772
78
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
The Great Bridge over the Taafe
1775
79
William Byrne, 1743–1805, British
Carnarvon Castle
1775
80
William Woollett, 1735–1785, British
A View of the Great Room, etc. at Hall-Barn
1760
81
Print made by Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
82
Print made by Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
83
Print made by Thomas Girtin, 1775–1802, British
The Water Works at Marli and St. German en Laye seen in the distance
1803
84
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
A View of the Palace from the South side of the Lake with the Temples of Bellona and AEolus and the House of Confucius in the Royal Gardens at Kew
ca. 1764
85
Print made by Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
86
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
87
Print made by Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Cavalary taken from Pont de Seve
88
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
A Brisk Gale
ca. 1765
89
William Woollett, 1735–1785, British
Snowden Hill
1775
90
William Elliot, active 1774, died 1792, British
Kilgarren Castle, South Wales
1765
91
Print made by Ralph Hudson, active ca. 1820, British
The Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
92
Print made by Ralph Hudson, active ca. 1820, British
Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
93
Published by John Jones, ca. 1745–1797, British
Black Monday or the Departure for School
1790
94
Print made by John Robert Cozens, 1752–1797, British
Aspin
1789
95
Print made by John Robert Cozens, 1752–1797, British
Beech
1789
96
Print made by John Robert Cozens, 1752–1797, British
Weeping Willows
1789
97
Print made by John Robert Cozens, 1752–1797, British
Cedar
1789
98
Print made by John Robert Cozens, 1752–1797, British
Birch
1789
99
Print made by John Robert Cozens, 1752–1797, British
Italian Pine and Cypress
1789
100
Print made by John Robert Cozens, 1752–1797, British