Creator Gender: male / Work Type: intaglio print / Width [cm]: 48

Print made by George Stubbs, 1724–1806, British

A Horse Affrighted by a Lion

1777

William Hogarth, 1697–1764, British

Analysis of Beauty, Plate I: A Statuary's Yard

1753

Newton Limbird Smith Fielding, 1799–1856, British

Le Crotoy from the Mouth of the Somme

1825

Print made by Charles William Cain, 1893–1962, British

The Nautch Dancers

ca. 1925

Print made by James Clark, 19th century

Cowdray Ruins

1824

William James Ward, ca. 1800–1840, British

David Wilkie, R.A

1818

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1814 to 1826

Print made by Robert Wallis, 1794–1878, British

Folkstone, Kent

1826

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by John Landseer, 1769–1852, British

Fall of the Tees

1818-1823

Print made by William Radclyffe, 1780–1855, British

Hornby Castle from Tatham Church

1822

Print made by Samuel Middiman, ca. 1750–1831, British

Weathercote Cave when Half Filled with Water

1821

Print made by Stanley Anderson, 1884–1966, British

Somerset House, London

1910

Print made by Paul Angier, active 1749, French (active in London)

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by Charles William Cain, 1893–1962, British

Burmese Dancers

between 1920 and 1924

Print made by James Basire the younger, 1769–1822, British

View of the Cathedral of Christ Church and Part of Corpus Christi College

1808

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1814 to 1826

Print made by Robert Wallis, 1794–1878, British

Ramsgate

1814 to 1826

Print made by James C. Allen, active 1821–1831, British

Dunbar

1824

Print made by James Basire the younger, 1769–1822, British

South View of Christ Church, etc. from the Meadows

1799

Print made by James Caldwall, 1739–1819, British

The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812

1800

Print made by Joseph Pennell, 1860–1926, American

The Choir or The Nave, Washington Cathedral

1923

Print made by Johannes Kip, 1653–1722, Dutch

St James's House, Le Palais Royal de St James

1707

Print made by John Russell, 1745–1806, British

Lunar Planisphere, Flat Light

1805

Johannes Kip, 1653–1722, Dutch

Fair Lawn in ye County of Kent

1707

Thomas Girtin, 1775–1802, British

View of St. Cloud and Mount Calvary taken from Pont de Seve

1802

Thomas Girtin, 1775–1802, British

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

1803

Print made by Samuel Cousins, 1801–1887, British

Field Marshal the Duke of Wellington, K. G

1848

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

Thomas Girtin, 1775–1802, British

View of the Village of Chaillot and &c., taken from Pont de la Concorde

1803

Thomas Girtin, 1775–1802, British

View of the Village of Chaillot &c., taken from Pont de la Concorde

1802

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770, French

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Thomas Girtin, 1775–1802, British

View of St. Cloud and Mount Calvary taken from Pont de Seve

1802

Print made by Henry Hulsberg, active 1700s–died 1729, Netherlandish, active in London

Design for a House in a "Theatrical Style" for Paul Methuen

undated

Print made by Axel Herman Haig, 1835–1921, British

Gefaler Cathedral

1901

Print made by Frederick Stacpoole, 1813–1907, British

The Palm Offering

1868

Print made by William Wynne Ryland, 1732–1783, British

A Hawking Party

1765

Sir Frank Short, 1857–1945, British

Screel Hill, Kippford

ca. 1934

Sir Francis Seymour Haden, 1818–1910, British

The Breaking Up of the Agamemnon, no. 1

1870

Print made by Sir Francis Seymour Haden, 1818–1910, British

The Breaking Up of the Agamemnon, no. 2

after 1880

Sir Francis Seymour Haden, 1818–1910, British

The Breaking Up of the Agamemnon, no. 2

after 1880

Francesco Bartolozzi Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

1788

James Gillray, 1756–1815, British

A Morning Ride

1804

Print made by William James Ward, ca. 1800–1840, British

The Infant Hercules

1819

Print made by William Whiston Barney, active 1805–1817, British

Her Grace the Duchess of Devonshire

1808

Print made by John Finlayson, 1730–1776, British

The Tinker

1770

G. T. Payne, active 1837–1850

Admiral Sir E.W.C.R. Owen

1849

Print made by unknown artist, sixteenth century

Panthei Fidelissime Dimensi Exterior et Interior

1553

Print made by James T. Willmore, 1800–1863, British

Mercury and Argus

1841

Print made by John Cousen, 1804–1880, British

Mercury and Herse

1842

William S. Leney, 1769–1831, British

Taming the Shrew, Act III, Scene II

1793

Robert Mitchell Meadows, Died before 1812, British

Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II

1794

Print made by Thomas Macklin, active 1779–1793, British

Fallstaff Playing the Prince, The Prince Playing the King

1796

Peltro W. Tomkins, 1760–1840, British

Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III

1792

Print made by John Browne, 1741–1801, British

The Sportsman

1775

Print made by John Raphael Smith, 1752–1812, British

George, Prince of Wales

1783

Print made by William Dickinson, 1746–1823, British

Duchess of York

1795

Print made by Leopold Flameng, 1831–1911, French

Grolier with the Printer Aldus Manutius

1882

Print made by Edward Fisher, 1722–1785, British

John Viscount Ligonier

after 1761

Print made by William Ward, 1766–1826, British

The Daughters of Sir Thomas Frankland

1797

Print made by unknown artist, (Bernard)

Helene Apollonie Princesse de Ligne

1795

Print made by Frederick Christian Lewis the Elder, 1779–1856, British

View of the Village of Chaillot & C. taken from Pont de la Concorde

1803

Print made by Thomas Girtin, 1775–1802, British

View of St. Cloud and Mt. Calvary taken from Pont de Seve

1802

John Harris, active 1686–1740

The Revolt of the Fleet, 1642

ca. 1710

Print made by John Boydell, 1720–1804, British

The Boscawen and Sheerness Privateers

1753

Print made by Charles Turner, 1774–1857, British

Okehampton Castle, on the River Okement

1825

Print made by James Bretherton, ca. 1730–1806, British

Englishman at Paris, 1767

1799

Print made by Thomas Girtin, 1775–1802, British

View of the Village of Chaillot Taken from the Pont de la Concorde

1800 to 1802

John Maurer, active 1713–1761

Royal Exchange, London

1741

Richard Earlom, 1743–1822, British

The West Window of the Chapel, New College Oxford

1785

William Ward, 1766–1826, British

Daughters of Sir Thomas Frankland

1797

William Ward, 1766–1826, British

Daughters of Sir Thomas Frankland

1797

Charles Rosenberg, active 1828–1848

Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.

1831

Print made by Thomas Malton the Younger, 1748–1804, British

The Bank

1781

William Ward, 1766–1826, British

Industry and Economy

1794

Print made by William Strang, 1859–1921, British

John Masefield No. 3

1909

Print made by Caroline Watson, 1760–1814, British

The Tempest, Act V, Scene I

1795

Niccoló Schiavonetti, 1771–1813, Italian

Rustic Benevolence

1804

William Byrne, 1743–1805, British

Chinese Pavilion in European Landscape

1792

Print made by Thomas Girtin, 1775–1802, British

View of St. Cloud and Mount Cavalary taken from Pont de Seve

Thomas Malton the Younger, 1748–1804, British

Hall's Library at Margate

1789

John William Edy, 1760–1820, Danish

View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

1797

John Whessell, 1760–ca. 1823, British

The Woodman's Return

1797

Print made by R. F. Cahusac, active 1830, British

Athenaeum

1830

Print made by Thomas Girtin, 1775–1802, British

View of the Village of Chaillot and etc. taken from Pont de la Concorde

1803

Print made by Arthur John Reginald Trevor Briscoe, 1873–1943, British

Outward Bound

1927

Edward W. Trendall, active 1816–1848

Grandstand on the Race Ground at Epsom

undated

Print made by William Dent, active 1784–1793

Spirit of Aristocracy enforcing Reform, or, The Rights of Kings maintained

1792

Hedley Fitton, 1859–1929, British

The Shrine of Edward the Confessor, Westminster

1910

Print made by Sir Frank William Brangwyn, 1867–1956, British

Cornfield, Montreuil

1907

George Percival Gaskell, 1868–1934, British

Sunset, St. Albans

undated

Print made by Valentine Green, 1739–1813, British

The Salutation

1778

Charles Turner, 1774–1857, British

William Hawley

1817

Charles Turner, 1774–1857, British

Lord Viscount Castlereagh

1814

Print made by Robert Wallis, 1794–1878, British

Lake of Lucerne

1854

Samuel William Reynolds, 1773–1835, British

George Elphinstone, 1st Viscount Keith

1801

Print made by Simon François Ravenet, 1706–1774, French, active in Britain

The Druids: or, the Conversion of the Britons to Christianity

1752

Charles Potter, Born 1878, British

Temple of Power, Battersea Power Station

1935

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Width [cm] 48

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