Creator Gender: male / Work Type: frontispiece / Classification: Prints

after William Hogarth, 1697–1764, British

Frontispiece to Leveridge's Songs

1799

after William Hogarth, 1697–1764, British

Frontispiece to Hogarth's Works, The Milk Maid

1850

Etched by Joseph Mallord William Turner, 1775–1851, British

Frontispiece

1812

Print made by William Hogarth, 1697–1764, British

Frontispiece: A Seated Roman General on a Camp Stool

1725

William Blake, 1757–1827, British

Illustrations of Imitation of Eclogue I, Frontispiece

1821

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Frontispiece Proof Impression

ca. 1820

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 1, Frontispiece

1793

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 1, Frontispiece

1804 to 1820

Print made by William Blake, 1757–1827, British

What is Man!, Frontispiece; Plate 1

1793

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

1794

William Blake, 1757–1827, British

Visions of the Daughters of Albion, Plate 1, Frontispiece

1793

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 1, Frontispiece

1794

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

1821, reprinted 1977

Robert White, 1645–1703, British

Frontispiece to John Nalson's "Impartial Collection of the Great Affairs of State"

1682

Print made by Frederick Christian Lewis the Elder, 1779–1856, British

Frontispiece to Mr. Fawkes Catalogue

1820

Print made by George Cooke, 1781–1834, British

Antiquities at Pola, Frontispiece

1818

Print made by George Cooke, 1781–1834, British

Antiquities at Pola, Frontispiece

1818

Print made by Edward Goodall, 1795–1870, British

Frontispiece for 'Pilgrim's Progress'

1836

Print made by Francesco Curti, 1610–1690, Italian

Frontispiece: Hercules Fighting the Hydra

ca. 1633

Print made by David Allan, 1744–1796, British, born in Scotland

Alan Ramsay Scotus

1808

John Romney, 1786–1863, British

Frontispiece to Rasselas' Tale by Dr. Johnson

1820

Print made by James Girtin, ca. 1780–after 1820

Dedication Page for: to the Right Honorable George Earl of Essex

1803

Print made by George Cruikshank, 1792–1878, British

Frontispiece: The Progress of a Midshipman

1820

Print made by Thomas Cook, 1744–1818, British

Frontispiece to the Artist's Catalogue, 1761

1807

Print made by Thomas Cook, 1744–1818, British

Frontispiece to the Artist's Catalogue, 1761

1807

Print made by unknown artist

Frontispiece to the Artist's Catalogue

1850

Print made by unknown artist

Frontispiece to the Artist's Catalogue

1850

Print made by William C. Wilson, active 1798–1836

Frontispiece, Monument to John Gay

1793

Print made by George Cruikshank, 1792–1878, British

Count Bertram's Shipwreck

1816

Print made by David Lucas, 1802–1881, British

Frontispiece, Artist's Home at East Bergholt, Suffolk

1831

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"

1782

Print made by Luigi Schiavonetti, 1765–1810, Italian

William Blake, Frontispiece

1808, published 1813

Print made by Cornelis Apostool, 1762–1844, Dutch

Here Nature List'ning Stood

1795

Samuel Rawle The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)

Samuel Rawle, 1771–1860, British

The County Fire and Provident Life Office, Regent Street, Piccadilly (published for the European Magazine - Frontispiece, Volune 77, by J. Asperne); page 71 (Volume One)

1820

James Heath, 1757–1834, British

Frontispiece Vol. I

Thomas Cook, 1744–1818, British

Frontispiece to the Artist's Catalogue, 1761

1807

Print made by Edward Goodall, 1795–1870, British

Frontispiece (Fisher's `Pilgrim's Progress)

1838

John Hamilton Mortimer, 1740–1779, British

Frontispiece dedicated to Sir Joshua Reynolds (no. 1 from Fifteen Etchings dedicated to Sir Joshua Reynolds)

1778

Print made by Edward Goodall, 1795–1870, British

The Lake of Geneva; Frontispiece, Title Page, and Index

1830

Philippe Soye Frontispiece, Fratris Eremitae Augustiniani XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae

Print made by Philippe Soye, active 1565–1568, French

Frontispiece, Fratris Eremitae Augustiniani XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae

1568

Print made by Thomas Rowlandson, 1756–1827, British

Frontispiece, All Hail Dalblair!

1786

Printed by Charles J. Hullmandel, 1789–1850, British

Groups of Cattle Drawn from Nature, Frontispiece

1839

Edward Fisher, 1722–1785, British

Paul Sandby

1742

Print made by Luigi Schiavonetti, 1765–1810, Italian

William Blake, Frontispiece

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

William Blake, Frontispiece

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

William Blake, Frontispiece

1808

Print made by F. Emeric de St. Dalmas, 19th century

When Winter's Boughs Are Bare, Frontispiece

ca. 1881

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