Creator Gender: male / Image Available: Unavailable / Width [cm]: 15

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Willow

1850

Edward Lear, 1812–1888, British

West Bank near Howatke; 8:15 A.M., 8 Jan. 1867 (95)

1867

Edward Lear, 1812–1888, British

Above Kalabashe; 12:20 P.M., 31 Jan. 1867 (297)

1867

Edward Lear, 1812–1888, British

Dishne; 4:30 P.M., 27 Feb. 1867 (554)

1867

George Romney, 1734–1802, British

Ms. notes

undated

George Romney, 1734–1802, British

Ms. notes

undated

William Blake, 1757–1827, British

The Pastorals of Virgil, London, 1821

1821, reprinted 1977

Print made by William Blake, 1757–1827, British

William Cowper

1803-1804

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

1821, reprinted 1977

William Blake, 1757–1827, British

Each creature, Thenot, to his task is born

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

1821, reprinted 1977

William Blake, 1757–1827, British

Or blasting winds o'er blossom'd hedge-rows pass

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

1821, reprinted 1977

William Blake, 1757–1827, British

My sheep quite spent through travel and ill fare

1821, reprinted 1977

William Blake, 1757–1827, British

And now behold the sun's departing ray

1821, reprinted 1977

William Blake, 1757–1827, British

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '

1821, reprinted 1977

Sir David Young Cameron, 1865–1945, British

Ralia

1912

John Moran, 1831–1902, American, born in Britain

Sea Scene

1874

Henry Phillip Hope, active 1799–1818

Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration

undated

Henry Shaw, 1800–1873, British

Greek Armour

undated

unknown artist

Plan and Apse of Roman Church

undated

Thomas Hosmer Shepherd, 1792–1864, British

The Tower of London

Thomas D. W. Dearn, 1777–1853

Cottage with Sawhorse in the Front Yard

J. J. Rurie, active 1843

Six Prisoners

J. J. Rurie, active 1843

Prison Yard with Many Figures July 14, 1843

1843

unknown artist

Copy of Man, 1549 (with Beham's monogram)

undated

James R. G. Exley, 1878–1967

"No Bird can with the well-bred cock compare..."

1924

Gilbert Adams, 1906–1996, British

Two girls

1934

John Golding, 1929–2012, British

Untitled

1954

George Percival Gaskell, 1868–1934, British

Peacocks in the Wood

undated

Sir Howard Hodgkin, 1932–2017, British

Cardo's Bar (Black)

1979

Print made by Thomas Goff Lupton, 1791–1873, British

The Shores of Wharfe

1856

unknown artist, ( Rogers )

National Gallery, Trafalgar Square, London

unknown artist

Dr. Johnson

unknown artist

Samuel Johnson

1785

unknown artist

Samuel Johnson

Print made by Samuel Freeman, 1773–1857, British

Samuel Johnson

1813

Sir Frank William Brangwyn, 1867–1956, British

Air I: The Hunters

ca. 1915

Roger Fenton, 1819–1869, British

General Bosquet & Captain Dampierre

1855

Frederick Henry Evans, 1853–1943, British

Durham Cathedral, across Nave

1912

Emil Otto Hoppé, 1878–1972, British

Royal Naval College, Ships Models, Greenwich, London

1931

Emil Otto Hoppé, 1878–1972, British

Leonard Merrick

1918

Emil Otto Hoppé, 1878–1972, British

Mary Sinclair

1920

C. R. W. Nevinson, 1889–1946, British

Temples of New York

1919

Martin Hardie, 1875–1952, British

Porte des Dunes, Boulogne

1917

Robert Cockburn, 1812–1836

Bridge of Antioch, Oct. 1835

1835

Robert Cockburn, 1812–1836

Aleppo - Jan. 1836

1836

Patrick Procktor, 1936–2003, Irish

The charmed water burnt alway a still and awful red

1992

Print made by Lucian Freud, 1922–2011, British

Lawrence Gowing

1982

Sir Howard Hodgkin, 1932–2017, British

Cardo's Bar (Red)

1979

unknown artist

Samuel Johnson

undated

unknown artist

Samuel Johnson

Mrs. P. D. H. Page, 20th century

Mayflower and Meadow Brown Butterfly, After the original by Jacques Le Moyne de Morgues in the Victoria & Albert Museum [No. 45]

undated

D. P. Pariset, born 1740, active in Britain from 1767, French

Portrait of Sandby