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The Taking of the Nuestra Senora de los Remedios
Creator:
Print made by John Boydell, 1720–1804, British
Date:
1753
Medium:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 13 7/16 × 18 5/8 inches (34.2 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tom Jones Assisting Molly Seagrim
Creator:
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Date:
1782
Medium:
Line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 x 15 7/16 inches (53.4 x 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Elephant Battery
Creator:
William Simpson, 1823–1899, British
Date:
1864
Medium:
Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 14 1/4 inches (27 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Shah Nujeef
Creator:
William Simpson, 1823–1899, British
Date:
1861
Medium:
Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 14 5/8 x 20 7/8 inches (37.1 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stephen Brought Prisoner to Empress Mathilda
Creator:
Henry Singleton, 1766–1839, British
Date:
undated
Medium:
Black chalk and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 15 5/8 inches (26 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Smugglers Defeated
Creator:
Print made by Richard Earlom, 1743–1822, British
Date:
ca. 1798
Medium:
Color mezzotint
Dimensions:
Sheet: 20 x 26 1/4 inches (50.8 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection