Frederick Christian Lewis the Elder, 1779–1856, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
2
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
3
Print made by Robert Brandard, 1805–1862, British
Quilleboeuf
1834
4
Print made by John Cousen, 1804–1880, British
Château Gaillard, from the South (Vignette)
1835
5
Print made by Robert Wallis, 1794–1878, British
Havre
1832
6
Print made by James Baylis Allen, 1803–1876, British
Havre
1834
7
Print made by Robert Wallis, 1794–1878, British
Havre, Tower of Francis I
1834
8
Print made by John Cousen, 1804–1880, British
Harfleur
1834
9
Print made by John Cousen, 1804–1880, British
Light Towers of the Heve
1834
10
Print made by James Baylis Allen, 1803–1876, British
Caudebec
1834
11
Print made by James T. Willmore, 1800–1863, British
Lillebonne, Château
1834
12
Print made by Robert Brandard, 1805–1862, British
La Chaise de Gargantua near Duclair
1834
13
Print made by James Charles Armytage, 1802–1897, British
Jumièges
1834
14
Print made by William Miller, 1796–1882, British
Rouen, looking down the river
1834
15
Print made by Robert Brandard, 1805–1862, British
Rouen, looking up the river
1834
16
Print made by James T. Willmore, 1800–1863, British
Vernon
1835
17
Print made by James T. Willmore, 1800–1863, British
Pont de l'Arche
1835
18
Print made by Robert Brandard, 1805–1862, British
View on the Seine between Mantes and Vernon
1835
19
Print made by James Baylis Allen, 1803–1876, British
St. Germains
1835
20
Print made by John Horsburgh, 1791–1869, British
Napoleon's Logement, Quai Conti
1834-1836
21
Print made by William Miller, 1796–1882, British
Pont-Neuf, Paris
1835
22
Print made by William Miller, 1796–1882, British
St. Cloud
1834
23
Print made by Robert Brandard, 1805–1862, British
Château de Tancarville with Town of Quilleboeuf
1834
24
Print made by James T. Willmore, 1800–1863, British
Tancarville
1834
25
Thomas Girtin, 1775–1802, British
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
26
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Notre Dame
1908
27
Thomas Girtin, 1775–1802, British
View of the Pantheon, Paris
1802
28
Thomas Girtin, 1775–1802, British
View of the Pantheon from the Arsenal
1802
29
Print made by Robert Brandard, 1805–1862, British
Château de la Mailleraie
1834
30
Print made by James T. Willmore, 1800–1863, British
The Lanterne of St. Cloud
1835
31
Print made by John Horsburgh, 1791–1869, British
Napoleon's Logement, Quai Conti
1834
32
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1828-1837
33
Print made by John Cousen, 1804–1880, British
Honfleur
1834
34
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1828-1837
35
Print made by William Miller, 1796–1882, British
Palace of La Belle Gabrielle
1828-1837
36
Print made by William Miller, 1796–1882, British
Palace of La Belle Gabrielle
1828-1837
37
Print made by James Charles Armytage, 1802–1897, British
Confluence of the Seine and Marne
1835
38
Print made by William Miller, 1796–1882, British
Pont-Neuf, Paris
1835
39
Print made by William Miller, 1796–1882, British
Melun
1835
40
Print made by James Charles Armytage, 1802–1897, British
Confluence of the Seine and Marne
1835
41
Print made by James Charles Armytage, 1802–1897, British
Troyes
1834
42
Print made by William Miller, 1796–1882, British
Melun
1835
43
Print made by James Charles Armytage, 1802–1897, British
Troyes
1834
44
Print made by John Cousen, 1804–1880, British
Château Gaillard, from the South (Vignette)
1835
45
Print made by Robert Brandard, 1805–1862, British
Rouen, looking up the river
1834
46
Print made by Robert Brandard, 1805–1862, British
Rouen, looking up the river
1834
47
Thomas Girtin, 1775–1802, British
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
48
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1831
49
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-Laye
1826-1837
50
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
51
etching by Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1803
52
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1803
53
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
54
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
55
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
56
Thomas Girtin, 1775–1802, British
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
57
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
58
Thomas Girtin, 1775–1802, British
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
59
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
60
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
61
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
62
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
63
Print made by John Sell Cotman, 1782–1842, British
Castle at Tancarville
1821
64
Print made by James T. Willmore, 1800–1863, British
Paris from the Barriere de Passy
1835
65
Print made by William Miller, 1796–1882, British
Pont-Neuf, Paris
1835
66
Print made by Robert Wallis, 1794–1878, British
St. Germain-en-laye
1831
67
Print made by Thomas Jeavons, ca. 1800–1867, British
Hotel de Ville and Pont d'Arcole
1835
68
Print made by William Radclyffe, 1780–1855, British
Marche aux Fleurs and Pont-au-Change
1835
69
Print made by James Baylis Allen, 1803–1876, British
Caudebec
1834
70
Print made by James Baylis Allen, 1803–1876, British
Caudebec
1834
71
Print made by James Baylis Allen, 1803–1876, British
Caudebec
1834
72
Print made by James Baylis Allen, 1803–1876, British
Caudebec
1834
73
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
Île de la Cité, Paris
1859
74
Print made by John Cousen, 1804–1880, British
Harfleur
1834
75
Print made by Robert Brandard, 1805–1862, British
Château de Tancarville with Town of Quilleboeuf
1834
76
Print made by James T. Willmore, 1800–1863, British
Tancarville
1834
77
Print made by James T. Willmore, 1800–1863, British
Lillebonne, Château
1834
78
James Charles Armytage, 1802–1897, British
Jumièges
1834
79
Thomas Girtin, 1775–1802, British
A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
1802
80
Print made by John Cousen, 1804–1880, British
Light Towers of the Heve, vignette for title page
1834
81
Print made by James Baylis Allen, 1803–1876, British
Havre
1834
82
Richard Banks Harraden, 1778–1862, British
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
83
Print made by Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, & c
1803
84
Print made by John Cousen, 1804–1880, British
Light Towers of the Heve
1834
85
Print made by Robert Wallis, 1794–1878, British
Havre, Tower of Francis I
1834
86
Print made by James Baylis Allen, 1803–1876, British
Havre
1834
87
Print made by Robert Wallis, 1794–1878, British
Havre, Tower of Francis I
1834
88
Print made by Robert Wallis, 1794–1878, British
Havre, Tower of Francis I
1834
89
Print made by James T. Willmore, 1800–1863, British
Tancarville
1834
90
Print made by James T. Willmore, 1800–1863, British
Tancarville
1834
91
Print made by James T. Willmore, 1800–1863, British
Lillebonne, Château
1834
92
Print made by James Charles Armytage, 1802–1897, British
Jumièges
1834
93
Print made by James Charles Armytage, 1802–1897, British
Jumièges
1834
94
Print made by Robert Brandard, 1805–1862, British
Between Quilleboeuf and Villequier
1834
95
Print made by John Cousen, 1804–1880, British
Honfleur
1834
96
Print made by John Cousen, 1804–1880, British
Honfleur
1834
97
Print made by John Cousen, 1804–1880, British
Château Gaillard, from the South (Vignette)
1835
98
Print made by James T. Willmore, 1800–1863, British