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Creator Gender male

Genre religious and mythological subject

Subject Terms trees

John Atkinson Grimshaw "The Lady of Shalott"

John Atkinson Grimshaw, 1836–1893, British

"The Lady of Shalott"

ca. 1875

Not on view

Henry Howard Venus and Cupid

Henry Howard, 1769–1847, British

Venus and Cupid

1809

Not on view

Michael Chuke The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus

Attributed to Michael Chuke, 1679–1742, British

The Stowe Reliefs: Mercury conducting Tragic and Comic Poetry to the Hill of Parnassus

ca. 1715

Not on view

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Vine

1852

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Samuel Palmer The Morning of Life

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Samuel Palmer The Morning of Life

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Christ and the Woman of Samaria

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Joseph Mallord William Turner Glaucus and Scylla

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

1813 to 1823

Joseph Mallord William Turner The Deluge

Engraved by Joseph Mallord William Turner, 1775–1851, British

The Deluge

between 1813 and 1823

Joseph Mallord William Turner Procris and Cephalus

Print made by Joseph Mallord William Turner, 1775–1851, British

Procris and Cephalus

1812

Joseph Mallord William Turner Rispah: 2nd Book of Samuel, Chap. 21

Etched by Joseph Mallord William Turner, 1775–1851, British

Rispah: 2nd Book of Samuel, Chap. 21

1812

Joseph Mallord William Turner Jason

Etched by Joseph Mallord William Turner, 1775–1851, British

Jason

1807

William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 35, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 45, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 65, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 65, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 97, "Ode for Music."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 97, "Ode for Music."

between 1797 and 1798

William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827, British

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake Jerusalem, Plate 11, "To labours mighty...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 11, "To labours mighty...."

1804 to 1820

William Blake Jerusalem, Plate 38, "His face and bosom...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 38, "His face and bosom...."

1804 to 1820

William Blake America. A Prophecy, Plate 14, "So Cried He...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 14, "So Cried He...."

1793

William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 16, "In the Flames Stood...."

1793

William Blake America. A Prophecy, Plate 18, "Over the Hills...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 18, "Over the Hills...."

1793

William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 3, "Ode on the Spring."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 5, "Ode on the Spring."

between 1797 and 1798

William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

1789

William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

1793

William Blake America. A Prophecy, Plate 4, "Silent as despairing love...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 4, "Silent as despairing love...."

1793

William Blake Jerusalem, Plate 37, "And One stood forth...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 37, "And One stood forth...."

1804 to 1820

William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 49, "The secret coverts of Albion...."

1804 to 1820

William Blake Jerusalem, Plate 76

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 76

1804 to 1820

William Blake The Poems of Thomas Gray, Design 53, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 53, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 55, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 55, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 57, "The Bard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 57, "The Bard."

between 1797 and 1798

William Blake Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

1789

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

Print made by William Blake, 1757–1827, British

America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."

1793

William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Print made by William Blake, 1757–1827, British

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

1789

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

1794

William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

William Blake The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

John Smith Tobias and the Angel

Print made by John Smith, 1652–1743, British

Tobias and the Angel

ca. 1685

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Sir James Thornhill Diana and Actaeon: A Study for a Panel on a Staircase

follower of Sir James Thornhill, 1675–1734, British

Diana and Actaeon: A Study for a Panel on a Staircase

undated

Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis

Hablot Knight Browne, 1815–1882, British

One of eighteen designs for a series of plates illustrating Venus and Adonis

undated

Hablot Knight Browne One of eighteen designs for a series of plates illustrating Venus and Adonis

Hablot Knight Browne, 1815–1882, British

One of eighteen designs for a series of plates illustrating Venus and Adonis

undated

John Martin Cain and Abel

Attributed to John Martin, 1789–1854, British

Cain and Abel

undated

John Martin The Rescue of Lot

John Martin, 1789–1854, British

The Rescue of Lot

1833

John Martin The Daughters of Jerusalem Weeping by the Waters of Babylon

John Martin, 1789–1854, British

The Daughters of Jerusalem Weeping by the Waters of Babylon

1834

John Martin The Woman at the Well

Attributed to John Martin, 1789–1854, British

The Woman at the Well

undated

John Martin Christ with Three Figures

Attributed to John Martin, 1789–1854, British

Christ with Three Figures

undated

John Martin The Baptism of Christ

Attributed to John Martin, 1789–1854, British

The Baptism of Christ

undated

Robert Sargent Austin Romance

Print made by Robert Sargent Austin, 1895–1973, British

Romance

1922

Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2

Thomas Carwitham, active 1723, British

Jupiter and Callisto: Ovid, Metamorphoses, Book 2

ca. 1723

John Martin The Rising of the Waters

Attributed to John Martin, 1789–1854, British

The Rising of the Waters

undated

Master of the Giants Apollo and Daphne

Master of the Giants, active 1779, British

Apollo and Daphne

between 1770 and 1799

William P. Sherlock The Rape of Persephone

William P. Sherlock, c.1780–1850

The Rape of Persephone

undated

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

John Martin Adam and Eve

attributed to John Martin, 1789–1854, British

Adam and Eve

undated

William Callow Madonna with a Rabbit

William Callow, 1812–1908, British, active in France

Madonna with a Rabbit

undated

unknown artist Classical Scene: Minerva as the Goddess of Arts and Sciences

unknown artist

Classical Scene: Minerva as the Goddess of Arts and Sciences

undated

John Alexander Lot and His Family

Print made by John Alexander, 1686–before 1768, British

Lot and His Family

ca. 1718

unknown artist A Large Christmas Card

Print made by unknown artist

A Large Christmas Card

1895

George Cooke Florence, from the Chiesa al Monte

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

George Baxter The Miraculous Draught of Fishes

after George Baxter, 1804–1867, British

The Miraculous Draught of Fishes

after 1855

George Baxter The Miraculous Draught of Fishes

after George Baxter, 1804–1867, British

The Miraculous Draught of Fishes

after 1855

George Baxter The Death of Ananias

after George Baxter, 1804–1867, British

The Death of Ananias

after 1855

John Fayram Frontispiece design for John Fayram's "Eight Views after Nature"

John Fayram, op.1713–1743, British

Frontispiece design for John Fayram's "Eight Views after Nature"

ca. 1739

Francesco Bartolozzi Mrs. Abington as Thalia

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Mrs. Abington as Thalia

1783

David Roberts The Holy Tree of Metereeah

Print made by David Roberts, 1796–1864, British

The Holy Tree of Metereeah

1856

John Martin Expulsion from Eden

John Martin, 1789–1854, British

Expulsion from Eden

undated

Richard Earlom Sensibility

Print made by Richard Earlom, 1743–1822, British

Sensibility

1789

Richard Earlom Sensibility

Print made by Richard Earlom, 1743–1822, British

Sensibility

1789

Edward Fisher Hope Nursing Love

Edward Fisher, 1722–1785, British

Hope Nursing Love

1771

Richard Earlom A Landscape, with the Story of Europa

Print made by Richard Earlom, 1743–1822, British

A Landscape, with the Story of Europa

1802

Frederick Landseer Maur Griggs Epiphany

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Epiphany

1919

John Smith Maria Magdilena

Print made by John Smith, 1652–1743, British

Maria Magdilena

undated

James Johnson Venus Bathing

Print made by James Johnson, 1803–1834, British

Venus Bathing

undated