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George Stubbs Self-Portrait
George Stubbs, 1724–1806, British
Self-Portrait
ca. 1759
Not on view
William Hogarth Colombus breaking the Egg
William Hogarth, 1697–1764, British
Colombus breaking the Egg
1753
George Romney Figure Composition Study 12
George Romney, 1734–1802, British
Figure Composition Study 12
undated
George Romney Figure Composition Study 22
George Romney, 1734–1802, British
Figure Composition Study 22
undated
George Romney Figure Composition Study 29
George Romney, 1734–1802, British
Figure Composition Study 29
undated
George Romney Figure Composition Study 32
George Romney, 1734–1802, British
Figure Composition Study 32
undated
George Romney Figure Composition Study 33
George Romney, 1734–1802, British
Figure Composition Study 33
undated
George Romney Study of a Male Figure
George Romney, 1734–1802, British
Study of a Male Figure
undated
George Romney Figure Composition Study 41
George Romney, 1734–1802, British
Figure Composition Study 41
undated
George Romney Figure Composition Study 42
George Romney, 1734–1802, British
Figure Composition Study 42
undated
George Romney Figure Composition Study 43
George Romney, 1734–1802, British
Figure Composition Study 43
undated
George Romney Figure Composition Study 47
George Romney, 1734–1802, British
Figure Composition Study 47
undated
George Romney Figure Composition Study 46
George Romney, 1734–1802, British
Figure Composition Study 46
undated
George Romney Figure Composition Study 31
George Romney, 1734–1802, British
Figure Composition Study 31
undated
George Romney Figure Composition Study 34
George Romney, 1734–1802, British
Figure Composition Study 34
undated
George Romney Paradise Lost Sketchbook
George Romney, 1734–1802, British
Paradise Lost Sketchbook
ca. 1793
George Romney The Witches' Cavern
George Romney, 1734–1802, British
The Witches' Cavern
between 1792 and 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Devils for the Temptation of Christ
George Romney, 1734–1802, British
Devils for the Temptation of Christ
1793
George Romney Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
George Romney, 1734–1802, British
Wolgemuth Rescuing the Shipwrecked off the Cape of Good Hope
1793
George Romney The Banquet Scene
George Romney, 1734–1802, British
The Banquet Scene
ca. 1792
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Two Standing Figures Wearing Tall Hats
George Romney, 1734–1802, British
Two Standing Figures Wearing Tall Hats
undated
George Romney Three Sketches of a Figure Asleep, Probably Adam and Eve for "Satan Discovered at the Ear of Eve"
George Romney, 1734–1802, British
Three Sketches of a Figure Asleep, Probably Adam and Eve for "Satan Discovered at the Ear of Eve"
undated
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802, British
Sketchbook Drawing
ca. 1793
George Romney The Croquet Match Gone Awry
George Romney, 1734–1802, British
The Croquet Match Gone Awry
ca. 1770
George Romney The Temptation of Christ
George Romney, 1734–1802, British
The Temptation of Christ
ca. 1796
George Romney Figure Composition Study 7
George Romney, 1734–1802, British
Figure Composition Study 7
undated
George Romney Figure Composition Study 2
George Romney, 1734–1802, British
Figure Composition Study 2
undated
George Romney Figure Composition Study 3
George Romney, 1734–1802, British
Figure Composition Study 3
undated
William Blake For Children. The Gates of Paradise, London, by William Blake
William Blake, 1757–1827, British
For Children. The Gates of Paradise, London, by William Blake
1793
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827, British
"There is No Natural Religion", London, by William Blake
ca. 1788
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake For Children. The Gates of Paradise, Title Page; Plate 2
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Title Page; Plate 2
1793
William Blake I Found Him Beneath a Tree; Plate 3
Print made by William Blake, 1757–1827, British
I Found Him Beneath a Tree; Plate 3
1793
William Blake Air; Plate 6
Print made by William Blake, 1757–1827, British
Air; Plate 6
1793
William Blake Fire; Plate 7
Print made by William Blake, 1757–1827, British
Fire; Plate 7
1793
William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8
Print made by William Blake, 1757–1827, British
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
William Blake Alas!; Plate 9
Print made by William Blake, 1757–1827, British
Alas!; Plate 9
1793
William Blake I Want! I Want!; Plate 11
Print made by William Blake, 1757–1827, British
I Want! I Want!; Plate 11
1793
William Blake My Son! My Son!; Plate 10
Print made by William Blake, 1757–1827, British
My Son! My Son!; Plate 10
1793
William Blake Help! Help!; Plate 12
Print made by William Blake, 1757–1827, British
Help! Help!; Plate 12
1793
William Blake Does Thy God O Priest Take such Vengeance as This?; Plate 14
Print made by William Blake, 1757–1827, British
Does Thy God O Priest Take such Vengeance as This?; Plate 14
1793
William Blake Fear & Hope Are -- Vision; Plate 15
Print made by William Blake, 1757–1827, British
Fear & Hope Are -- Vision; Plate 15
1793
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
Print made by William Blake, 1757–1827, British
I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
1793
William Blake What is Man!, Frontispiece; Plate 1
Print made by William Blake, 1757–1827, British
What is Man!, Frontispiece; Plate 1
1793
William Blake Water; Plate 4
Print made by William Blake, 1757–1827, British
Water; Plate 4
1793
William Blake Earth; Plate 5
Print made by William Blake, 1757–1827, British
Earth; Plate 5
1793
William Blake Aged Ignorance; Plate 13
Print made by William Blake, 1757–1827, British
Aged Ignorance; Plate 13
1793
William Blake The Traveller Hasteth in the Evening; Plate 16
Print made by William Blake, 1757–1827, British
The Traveller Hasteth in the Evening; Plate 16
1793
William Blake Death's Door; Plate 17
Print made by William Blake, 1757–1827, British
Death's Door; Plate 17
1793
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)
1794
Henry Swinburne Beziers, France
Henry Swinburne, 1743–1803, British
Beziers, France
undated
Luigi Balugani Bohur
Luigi Balugani, 1737–1770, Italian
Bohur
undated
Charles Grignion A Macarony at a Sale of Pictures
Charles Grignion, 1717–1810, British
A Macarony at a Sale of Pictures
1771
Henry Swinburne The Most Considerable Remains of the Walls of Gnatia
Henry Swinburne, 1743–1803, British
The Most Considerable Remains of the Walls of Gnatia
1777 to 1778
Henry Swinburne Welden, Germany
Henry Swinburne, 1743–1803, British
Welden, Germany
1779
Henry Swinburne View of Maison From Le Mesnil-le-Roi
Henry Swinburne, 1743–1803, British
View of Maison From Le Mesnil-le-Roi
undated
Henry Swinburne Wooded Landscape, Showing a View of a City, Built on a Hillside, in the background, and Two Figures Walking up a Dirt Path, in the Foreground
Henry Swinburne, 1743–1803, British
Wooded Landscape, Showing a View of a City, Built on a Hillside, in the background, and Two Figures Walking up a Dirt Path, in the Foreground
undated
James Bruce Abyssinian Lady of Quality
James Bruce, 1730–1794, British
Abyssinian Lady of Quality
undated
Luigi Balugani Guizotia Abyssinica
Luigi Balugani, 1737–1770, Italian
Guizotia Abyssinica
undated
Richard Brookes Woodpecker and Two Birds
Richard Brookes, 1721–1763
Woodpecker and Two Birds
1760
Richard Brookes Crowned Eagle and Two Birds
Richard Brookes, 1721–1763
Crowned Eagle and Two Birds
1760
Richard Brookes The Humble Bee and Insects
Richard Brookes, 1721–1763
The Humble Bee and Insects
1760
James Ward Study of a Kid
James Ward, 1769–1859, British
Study of a Kid
1796
Luigi Balugani Secretary Bird
Luigi Balugani, 1737–1770, Italian
Secretary Bird
undated