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Kenmare Road Tunnel, Killarney
Creator:
Capt. Thomas Hastings, 1778–1854, British
Date:
1841
Medium:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lown Bridge Leading to the Gap of Dunloh
Creator:
Capt. Thomas Hastings, 1778–1854, British
Date:
1841
Medium:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Entrance to the Gap of Dunloh, Killarney, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854, British
Date:
1841
Medium:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Taken From the Dunloh Road, 6 September 1841
Creator:
Capt. Thomas Hastings, 1778–1854, British
Date:
1841
Medium:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Road Between Aghadoe and Dunloh, Killarney, September 1841
Creator:
Capt. Thomas Hastings, 1778–1854, British
Date:
1841
Medium:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for Grosvenor House, London: Plan
Creator:
Thomas Cundy, 1790–1867, British
Date:
1841
Medium:
Graphite, pen and black ink and wash on moderately textured, moderately thick, cream wove paper
Dimensions:
Sheet: 13 1/4 × 20 1/4 inches (33.7 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection