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Frederick Christian Lewis the Elder The Field of Waterloo
Print made by Frederick Christian Lewis the Elder, 1779–1856, British
The Field of Waterloo
1830
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
William Davison Fishing Boats off Calais (The Pas de Calais)
Print made by William Davison, active 1813–1843
Fishing Boats off Calais (The Pas de Calais)
1830
J. P. Quilley Boccaccio, the Bird Cage
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
J. P. Quilley Boccaccio, the Bird Cage
Print made by J. P. Quilley, active 1828
Boccaccio, the Bird Cage
1830
Thomas D. W. Dearn Two Small Cottages
Thomas D. W. Dearn, 1777–1853
Two Small Cottages
1830
Richard Banks Harraden Downing College, Cambridge
Richard Banks Harraden, 1778–1862, British
Downing College, Cambridge
1830
Thomas D. W. Dearn A Country House
Thomas D. W. Dearn, 1777–1853
A Country House
1830
unknown artist Charge of the 21st Lancers at Omdurman, 2nd September 1898
Print made by unknown artist
Charge of the 21st Lancers at Omdurman, 2nd September 1898
undated
Thomas Jones Barker The Relief of Lucknow
after Thomas Jones Barker, 1815–1882, British
The Relief of Lucknow
undated
Edward Goodall The Lake of Geneva; Frontispiece, Title Page, and Index
Print made by Edward Goodall, 1795–1870, British
The Lake of Geneva; Frontispiece, Title Page, and Index
1830
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."
ca. 1835
Richard Ansdell Rabbit Shooting
Richard Ansdell, 1815–1885, British
Rabbit Shooting
undated
John Scott The Spaniel
John Scott, 1774–1828, British
The Spaniel
1830
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 5. "The Scent is breast high, 'tis a burst from the find / ... When the Squire on his gallant Grey leading the group / ..."
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 5. "The Scent is breast high, 'tis a burst from the find / ... When the Squire on his gallant Grey leading the group / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 4. "Our horses thus all of the very best blood, / ... Thus having described you dogs, horses and crew, / ..."
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 4. "Our horses thus all of the very best blood, / ... Thus having described you dogs, horses and crew, / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 6. "Sly Reynard's brought home, while the horns sound a call / ... Come on then, do honour to this Jovial place, /..."
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 6. "Sly Reynard's brought home, while the horns sound a call / ... Come on then, do honour to this Jovial place, /..."
ca. 1835
Thomas Cundy Design for Grosvenor House, London: Chamber Floor Plan
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Chamber Floor Plan
1830
John Doyle ('H.B.') Make Way for the Speaker
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Make Way for the Speaker
1830
Charles Nicholls Woolnoth Study from Nature – A Scottish Burn
Charles Nicholls Woolnoth, 1815-1906, British
Study from Nature – A Scottish Burn
undated
Thomas Cundy Design for Grosvenor House, London: Principal Floor Plan
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Principal Floor Plan
1830
Charles West Cope Entrance to the Tesoro, San Marco Basilica, Venice
Charles West Cope, 1811–1890, British
Entrance to the Tesoro, San Marco Basilica, Venice
ca. 1835
Thomas Cundy Design for Grosvenor House, London: Principal Floor Plan
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Principal Floor Plan
1830
Thomas Cundy Design for Grosvenor House, London: Principal Floor Plan
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Principal Floor Plan
1830
Sir Jeffry Wyatville Windsor Castle, Berkshire: View
Studio of Sir Jeffry Wyatville, 1766–1840, British
Windsor Castle, Berkshire: View
after 1830
George Johann Scharf A View of High Street, Southwark, being the ancient Roadway leading from Old London Bridge taken July, 1830, previous to its Removal to the New Line of Approach
George Johann Scharf, 1788–1860, British
A View of High Street, Southwark, being the ancient Roadway leading from Old London Bridge taken July, 1830, previous to its Removal to the New Line of Approach
1830
George Johann Scharf A View of High Street, Southwark, being the ancient Roadway leading from Old London Bridge taken July, 1830, previous to its Removal to the New Line of Approach
George Johann Scharf, 1788–1860, British
A View of High Street, Southwark, being the ancient Roadway leading from Old London Bridge taken July, 1830, previous to its Removal to the New Line of Approach
1830
Samuel Cousins Robert Burns
Print made by Samuel Cousins, 1801–1887, British
Robert Burns
1830
Richard James Lane Chas. Kemble Esqr., 1798
Richard James Lane, 1800–1872, British
Chas. Kemble Esqr., 1798
1830
William Sharp A Study, 1830
Print made by William Sharp, active 1819–ca. 1837, British
A Study, 1830
1830
William Sharp Master Williams Wynn (Volume of 102 lithographs)
Print made by William Sharp, active 1819–ca. 1837, British
Master Williams Wynn (Volume of 102 lithographs)
1830
William Sharp The Bower (Volume of 102 Lithographs)
Print made by William Sharp, active 1819–ca. 1837, British
The Bower (Volume of 102 Lithographs)
1830
Richard James Lane Mrs. Siddons
Richard James Lane, 1800–1872, British
Mrs. Siddons
1830
Richard James Lane From a Drawing in the Possession of Mrs. Farr
Richard James Lane, 1800–1872, British
From a Drawing in the Possession of Mrs. Farr
1830
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 1. "To Bachelor's Hall we good fellows invite, / Did you see us you'd swear, as we mount with a grace, / ..."
Thomas Fairland, 1804–1852, British
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 1. "To Bachelor's Hall we good fellows invite, / Did you see us you'd swear, as we mount with a grace, / ..."
ca. 1835
Richard James Lane Miss Siddons, 1800
Richard James Lane, 1800–1872, British
Miss Siddons, 1800
1830
Richard James Lane Miss Siddons, 1797
Richard James Lane, 1800–1872, British
Miss Siddons, 1797
1830
William Sharp Miss Mordaunt (Volume of 102 Lithographs)
Print made by William Sharp, active 1819–ca. 1837, British
Miss Mordaunt (Volume of 102 Lithographs)
1830
Weld Taylor The Faithful Playmate (Volume of 102 Lithographs)
Weld Taylor, active 1830–1840
The Faithful Playmate (Volume of 102 Lithographs)
1830
William Sharp Amy Robsart (Volume of 102 Lithographs)
Print made by William Sharp, active 1819–ca. 1837, British
Amy Robsart (Volume of 102 Lithographs)
1830
William Westall The Annunciation (Volume of 102 Lithographs)
William Westall, 1781–1850, British
The Annunciation (Volume of 102 Lithographs)
1830
Henry Humphreys Nicholas i, Emperor of all the Russias (Volume of 102 lithographs)
Henry Humphreys, 1810–1879, British
Nicholas i, Emperor of all the Russias (Volume of 102 lithographs)
1830
Henry Humphreys Louis Xivand La Valliere (Volume of 102 lithographs)
Henry Humphreys, 1810–1879, British
Louis Xivand La Valliere (Volume of 102 lithographs)
1830
William Sharp The Landlord, Souter Johnny, Tam O'Shanter, The Landlady (Volume of 102 lithographs)
Print made by William Sharp, active 1819–ca. 1837, British
The Landlord, Souter Johnny, Tam O'Shanter, The Landlady (Volume of 102 lithographs)
1830
Charles W. Marr Village Festival
Charles W. Marr, active 1821–1836, German
Village Festival
1830
William Sharp Miss Mordaunt (Volume of 102 Lithographs)
Print made by William Sharp, active 1819–ca. 1837, British
Miss Mordaunt (Volume of 102 Lithographs)
1830
Richard James Lane The Rt. Hon. Lady Nugent (Volume of 102 Lithographs)
Richard James Lane, 1800–1872, British
The Rt. Hon. Lady Nugent (Volume of 102 Lithographs)
1830
Richard James Lane Miss Cecilia Siddons, 1798
Richard James Lane, 1800–1872, British
Miss Cecilia Siddons, 1798
1830
Richard James Lane Lady Charlotte Campbell, 1795
Richard James Lane, 1800–1872, British
Lady Charlotte Campbell, 1795
1830
James Thomas Linnell Two Children Feeding Rabbits in a Farmyard
James Thomas Linnell, 1826–1905, British
Two Children Feeding Rabbits in a Farmyard
1830s
unknown artist St. Martin, Outwich, Bishopsgate Street
unknown artist, (A. Cruse)
St. Martin, Outwich, Bishopsgate Street
1830
George Gladwin Plans and Elevation of Goldsmiths Hall, erected 1835
George Gladwin, active 1820s–1830s
Plans and Elevation of Goldsmiths Hall, erected 1835
ca. 1835