Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
2
William Blake, 1757–1827, British
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
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William Blake, 1757–1827, British
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
4
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
5
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
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William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
7
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
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William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
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Print made by George Richmond, 1809–1896, British
The Fatal Bellman
1827
10
Robert Smirke, 1752–1845, British
She Never Told Her Love, But Sat Like Patience on a Monument