Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Harvest under a Crescent Moon
ca. 1826
2
Print made by Joseph Mallord William Turner, 1775–1851, British
Ship in a Storm
ca. 1826
3
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 17
1821
4
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 18
1821
5
William Blake, 1757–1827, British
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
6
William Blake, 1757–1827, British
Epicurus
1821
7
William Blake, 1757–1827, British
Theocritus
1821
8
William Blake, 1757–1827, British
Octavius Augustus Cæsar
1821
9
William Blake, 1757–1827, British
From Antique Coins
1821
10
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 16
1821
11
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 15
1821
12
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 14
1821
13
William Blake, 1757–1827, British
Caius Julius Cæsar
1821
14
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Frontispiece
1821
15
William Blake, 1757–1827, British
Publius Virgilius Maro
1821
16
William Blake, 1757–1827, British
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
17
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
18
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
19
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
20
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
21
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
22
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
23
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
24
William Blake, 1757–1827, British
Each creature, Thenot, to his task is born
1821, reprinted 1977
25
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
26
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
27
William Blake, 1757–1827, British
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
28
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
29
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
30
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
31
William Blake, 1757–1827, British
My sheep quite spent through travel and ill fare
1821, reprinted 1977
32
William Blake, 1757–1827, British
And now behold the sun's departing ray
1821, reprinted 1977
33
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
34
Charles Augustus Busby, 1788–1834, British
Description of the Celebrated Suspended Wooden Bridge
1821
35
Print made by unknown artist, nineteenth century
The Three Swords
1821
36
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Citadel
1821
37
Print made by John Scott, 1774–1828, British
Aske Hall
1821
38
Print made by John Landseer, 1769–1852, British
Fall of the Tees
1821
39
Print made by John Landseer, 1769–1852, British
Fall of the Tees
1821
40
Print made by Samuel Rawle, 1771–1860, British
Brignall Church
1821
41
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
42
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
43
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
44
unknown artist, (J Warren)
Mr. Thomas Hope's Picture Gallery, Duchess Street, London
1821
45
unknown artist, (J. Warren)
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
46
unknown artist, (J. Warren)
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
47
James Wyld, 1790–1836, British
Plan of Westminster Abbey and Environs for the Coronation of George IV
1821
48
Bartholomew Howlett, 1767–1827, British
The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey
1821
49
unknown artist, ( Dale )
Part of the Choir wiith the remains of the South Transept of St. Barts the Great
1821
50
Print made by William Bernard Cooke, 1778–1855, British
Torbay from Brixham
1821
51
Print made by William Bernard Cooke, 1778–1855, British
Parnassus
1821
52
Print made by unknown artist, nineteenth century
Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore
1821
53
Print made by James C. Allen, active 1821–1831, British
Addingham Mill on the Warfe
1821
54
Print made by John Wykeham Archer, 1808–1864, British
Crook of the Lune, Looking towards Hornby Castle
1821
55
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
56
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
57
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Sound
1821
58
Joseph Steuart, active 1821
Cavalrymen, etc
1821
59
Joseph Steuart, active 1821
Cavalrymen, etc
1821
60
Joseph Steuart, active 1821
Cavalrymen, etc
1821
61
Joseph Steuart, active 1821
Cavalrymen, etc
1821
62
Joseph Steuart, active 1821
Cavalrymen, etc
1821
63
Joseph Steuart, active 1821
Cavalrymen, etc
1821
64
Joseph Steuart, active 1821
Cavalrymen, etc
1821
65
Print made by John Sell Cotman, 1782–1842, British
Castle at Tancarville
1821
66
James Pollard, 1792–1867, British
Racing [set of four]: 3. Preparing to Start
1821
67
Thomas Sutherland, ca. 1785–1838, British
Set of six: 2. Cart Horse
1821
68
Thomas Sutherland, ca. 1785–1838, British
Set of six: 3. Hunter
1821
69
Thomas Sutherland, ca. 1785–1838, British
Set of six: 6. Hack
1821
70
Print made by Charles J. Hullmandel, 1789–1850, British
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
71
James Pollard, 1792–1867, British
Racing [set of four]: 1. Training
1821
72
Matthew Dubourg, active 1786–1838, British
Coaching: His Majesty King George IV. Travelling - View Hyde Park
1821
73
Print made by unknown artist, nineteenth century
The Sacred page Displayed
1821
74
Isaac Cruikshank, 1764–1811, British
Table D'Hote
1821
75
Samuel William Reynolds, 1773–1835, British
Sir Joshua Reynolds, P.R.A
1821
76
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
77
Joseph Steuart, active 1821
Cavalrymen, etc
1821
78
Joseph Steuart, active 1821
Cavalrymen, etc
1821
79
Joseph Steuart, active 1821
Cavalrymen, etc
1821
80
Print made by unknown artist, nineteenth century
View of the Bloody Tower
1821
81
Thomas Sutherland, ca. 1785–1838, British
Set of six: 4. Pilot
1821
82
Thomas Sutherland, ca. 1785–1838, British
Set of six: 5. Tilbury Horse
1821
83
James Pollard, 1792–1867, British
Racing [set of four]: 2. At the Post
1821
84
James Pollard, 1792–1867, British
Racing [set of four]: 4. Racing
1821
85
Print made by Rowney & Forster, active 1820–1822
The Show
after 1821
86
Print made by Rowney & Forster, active 1820–1822
May Day
after 1821
87
Print made by Rowney & Forster, active 1820–1822
Guy Fawkes
after 1821
88
Print made by Matthew Dubourg, active 1786–1838, British
Arrival at Brandenburgh House of the Watermen
1821
89
Print made by William Woolnoth, active 1806–1830, British
Suburbs of Strasbourg
1821
90
William Gauci, active 1825–1854, British
Dundry Tower, Leigh Wood, Hotwell House, Clifton
undated
91
Print made by Joseph C. Bentley, 1809–1851, British
Lac de Gaube, Pyrenees
undated
92
Print made by Joseph C. Bentley, 1809–1851, British
Mountain of the Grande Chartreuse, from Grenoble
undated
93
Print made by Joseph C. Bentley, 1809–1851, British
The Circle of Gavarnie, Pyrenees
undated
94
Print made by Edward John Roberts, 1793–1865, British
Munich
1821
95
Print made by Charles Heath, 1785–1848, British
Auxerre
1821
96
Print made by Charles Heath, 1785–1848, British
Strasbourg
1821
97
Print made by George Corbould, 1786–1846, British
Banks of the Garonne near Bordeaux
1821
98
after Peter DeWint, 1784–1849, British
Pass of Sant Alessio between Taormina and Messina, Sicily
1821
99
Print made by Samuel Bradshaw, 1830–1869, British
Grenoble, from the Fortress
undated
100
Print made by James H. Kernot, active early 19th century