Print made by Joseph Mallord William Turner, 1775–1851, British
Paestum
ca. 1825
2
Print made by Joseph Mallord William Turner, 1775–1851, British
Shields Lighthouse
1820 to 1826
3
Print made by Joseph Mallord William Turner, 1775–1851, British
Shields Lighthouse
1820 to 1826
4
Print made by Joseph Mallord William Turner, 1775–1851, British
The Evening Gun
ca. 1825
5
Print made by Joseph Mallord William Turner, 1775–1851, British
Study of Sea and Sky
1820 to 1826
6
Print made by Joseph Mallord William Turner, 1775–1851, British
St. Michael's Mount
1820 to 1826
7
Print made by Joseph Mallord William Turner, 1775–1851, British
Ship in a Storm
1820 to 1826
8
Print made by Joseph Mallord William Turner, 1775–1851, British
Bridge and Monument
1820 to 1825
9
Print made by Joseph Mallord William Turner, 1775–1851, British
Gloucester Cathedral
1820 to 1825
10
Print made by Joseph Mallord William Turner, 1775–1851, British
Bridge and Monument
1820 to 1825
11
Print made by Joseph Mallord William Turner, 1775–1851, British
Ship and Cutter
1820 to 1826
12
Print made by Joseph Mallord William Turner, 1775–1851, British
Ship and Cutter
1820 to 1826
13
Print made by Joseph Mallord William Turner, 1775–1851, British
The Evening Gun
ca. 1825
14
Print made by Joseph Mallord William Turner, 1775–1851, British
Catania, Sicily
ca. 1825
15
Print made by Joseph Mallord William Turner, 1775–1851, British
Catania, Sicily
ca. 1825
16
Print made by Joseph Mallord William Turner, 1775–1851, British
Paestum
between 1820 and 1826
17
Print made by Joseph Mallord William Turner, 1775–1851, British
Ship in a Storm
between 1820 and 1826
18
Print made by Joseph Mallord William Turner, 1775–1851, British
Shields Lighthouse
between 1820 and 1826
19
Print made by Joseph Mallord William Turner, 1775–1851, British
Gloucester Cathedral
between 1820 and 1826
20
Henry Cave, 1780–1836, British
York, the Old Bridge and St. William's Chapel
1820
21
Print made by George Cruikshank, 1792–1878, British
Fitting out. - Plate 1
1820
22
Print made by William Bernard Cooke, 1778–1855, British
Hurstmonceux Castle
1820
23
Print made by Samuel Rawle, 1771–1860, British
Raby Castle, County of Durham
1820
24
Print made by Samuel Rawle, 1771–1860, British
Hylton Castle, County of Durham
1820
25
Print made by John Byrne, 1786–1847, British
Rome from Monte Mario
1820
26
Print made by George Cooke, 1781–1834, British
Naples, from the Mole
1820
27
Print made by George Cooke, 1781–1834, British
Florence, from the Chiesa al Monte
1820
28
Print made by George Cooke, 1781–1834, British
Edinburgh from the Calton Hill
1820
29
Robert Havell, 1769–1832, British
View of Waterloo Bridge
1820
30
Capt. Thomas Hastings, 1778–1854, British
On Hounslow Heath, Outer Suburb, West
1820
31
unknown artist, ( Dale )
Inside of One of the Rooms Under the Hall, Bermondsey, Abbey
1820
32
unknown artist, ( Cook )
Inside of a Room and Saxon Ornaments of Bermondsey Abbey
1820
33
Bartholomew Howlett, 1767–1827, British
A General View of the Remains of Bermondsey Abbey, Surry
1820
34
unknown artist, ( Dale )
Southeast View of the Gateway of Bermondsey Abbey
1820
35
Bartholomew Howlett, 1767–1827, British
Facsimile from one of the Books of Indentures for the Foundation of King Henry VII's Chapel
1820
36
unknown artist, ( Dale )
Inside of the Hall, Bermondsey Abbey
1820
37
Print made by William Bernard Cooke, 1778–1855, British
Bridport, Dorsetshire
1820
38
Print made by William Bernard Cooke, 1778–1855, British
Fowey, Cornwall
1820
39
Print made by George Cooke, 1781–1834, British
Lulworth Castle, Dorsetshire
1820
40
Print made by William Bernard Cooke, 1778–1855, British
Minehead, Somersetshire
1820
41
Print made by William Bernard Cooke, 1778–1855, British
Minehead, Somersetshire
1820
42
Print made by George Cooke, 1781–1834, British
Florence from the Chiesa al Monte
1820
43
Print made by George Cooke, 1781–1834, British
Florence, from the Chiesa al Monte
1820
44
Print made by James Mitan, 1776–1822, British
Turin from the Portico of the Superga Church
1820
45
Print made by Frederick Christian Lewis the Elder, 1779–1856, British
Frontispiece to Mr. Fawkes Catalogue
1820
46
Print made by John Wykeham Archer, 1808–1864, British
Richmond Castle and Town
1820
47
Print made by John Wykeham Archer, 1808–1864, British
Richmondshire Castle and Town
1820
48
Print made by John Wykeham Archer, 1808–1864, British
Richmond Castle and Town
1820
49
Print made by Joseph Skelton, active 1820–1850
Christ Church from the Meadows
between 1820 and 1823
50
Print made by Joseph Skelton, active 1820–1850
Part of Balliol College Quadrangle
1820
51
Print made by Joseph Skelton, active 1820–1850
Christ Church Cathedral and Part of Corpus Christi College
1820
52
Print made by William Miller, 1796–1882, British
Plymouth Dock, from Mount Edgecumbe
1820
53
Print made by William Bernard Cooke, 1778–1855, British
Fowey, Cornwall
1820
54
Print made by William Bernard Cooke, 1778–1855, British
Bridport, Dorsetshire
1820
55
Print made by William Bernard Cooke, 1778–1855, British
Fowey, Cornwall
1820
56
Print made by John Pye, 1782–1874, British
The Rialto, Venice
1820
57
Print made by George Cooke, 1781–1834, British
Florence, from the Chiesa al Monte
1820
58
Print made by Charles Golding Constable, 1821–1879, British
Woolwich
between 1820 and 1835
59
Print made by John Byrne, 1786–1847, British
Rome, from Monte Testaccio
1820
60
Print made by Thomas A. Woolnoth, 1785–1857, British
Mrs. W. West as Cordelia
1820
61
Print made by George Cruikshank, 1792–1878, British
Mr. B seeking the Bubble reputation - Plate 5
1820
62
Print made by George Cruikshank, 1792–1878, British
Waiting Room at the Admiralty--.(No misnomer) - Plate 6
1820
63
Print made by George Cruikshank, 1792–1878, British
Mr. B Promoted to Lieut. & first putting on His Uniform - Plate 7
1820
64
Edward Hull, 1810–1877
Riding [a pair]: 2. Tilbury Fort
1820
65
John Romney, 1786–1863, British
Frontispiece to Rasselas' Tale by Dr. Johnson
1820
66
Samuel Freeman, 1773–1857, British
Samuel Johnson
1820
67
Samuel Freeman, 1773–1857, British
Rasselas, Prince of Abyssinia
1820
68
Engraved by Robert Havell, 1769–1832, British
A View of London taken from Greenwich Park
1820
69
George Hunt, active 1820–1840, British
Angling [a pair]: 1. Fly Fishing
undated
70
George Hunt, active 1820–1840, British
Angling [a pair]: 1. Fly Fishing
undated
71
Bradford Rudge, 1805–1885
"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin
undated
72
Henry Thomas Alken, 1785–1851, British
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a difficulty
1820
73
Henry Thomas Alken, 1785–1851, British
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting over a difficulty
1820
74
Henry Thomas Alken, 1785–1851, British
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Dead Beat
1820
75
Henry Thomas Alken, 1785–1851, British
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a fall
1820
76
Henry Thomas Alken, 1785–1851, British
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a Bog
1820
77
Henry Thomas Alken, 1785–1851, British
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Home
1820
78
Henry Thomas Alken, 1785–1851, British
[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a Dive
1820
79
Thomas Sutherland, ca. 1785–1838, British
[Fox-hunting] Going to Cover
1820-1821
80
Thomas Sutherland, ca. 1785–1838, British
[Fox-hunting] Breaking Cover
1820-1821
81
Thomas Sutherland, ca. 1785–1838, British
[Fox-hunting] Tree-ing the Fox
1820-1821
82
William Whiston Barney, active 1805–1817, British
Fox Hunting: [Tom Oldaker on Pickle...]
1820
83
John Harris, 1811–1865, British
The Four-in- Hunt Club-Hyde Park
1820
84
Thomas Sutherland, ca. 1785–1838, British
[Fox-hunting] Full Cry
1820-1821
85
Print made by George Cooke, 1781–1834, British
Humphry Repton, Esq
1820
86
James Thomson, 1789–1850, British
Benjamin Robert Haydon
1820
87
Thomas Sutherland, ca. 1785–1838, British
Morning of the Gale, November 23 1824 in Catwater at Plymouth
ca. 1825
88
Print made by John Sell Cotman, 1782–1842, British
Church of L'Ery, near Pont-de-l'Arche
1820
89
James Pollard, 1792–1867, British
Easter Monday. 2. A View of Fair Mead Bottom Epping Forest
1820
90
James Pollard, 1792–1867, British
Royal Hunt in Windsor Park
1820
91
James Pollard, 1792–1867, British
Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest
1820
92
Print made by George Cruikshank, 1792–1878, British
Finding things not exactly what he expected - Plate 2
1820
93
Print made by George Cruikshank, 1792–1878, British
Mr. B. Mastheaded -or, enjoying the fresh air for the 304th time - Plate 4
1820
94
Print made by George Cruikshank, 1792–1878, British
Frontispiece: The Progress of a Midshipman
1820
95
Print made by George Cruikshank, 1792–1878, British
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
96
Print made by James T. Willmore, 1800–1863, British
The Vulture Landing Despatches at Dantzic
undated
97
Print made by John J. Hinchliff, 1805–1875, British
Warwick Castle, The Seat of the Rt. Honble. the Earl of Warwick
undated
98
Print made by Alfred Adlard, 1803–1869, British
The New Square, Crescent & Terrace, Intended to Be Built at Warrior's Gate, in the Valley of Gensing, Hastings
1820
99
Print made by Robert Brandard, 1805–1862, British
Clifden, Connemara
undated
100
Print made by unknown artist
View of the Site of the Monastery of the Simplon, & of Mount Rosa