Creator Gender: male / Date: 1797 / Classification: Prints - YCBA Collections Search Search Results

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Creator Gender male

Date 1797

Classification Prints

William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'

William Blake, 1757–1827, British

Plate 33 (page 72): 'And vapid; sense and reason shew the door'

1797

William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

William Blake, 1757–1827, British

"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

1797

William Blake The Complaint and the Consolation; or Night Thoughts

William Blake, 1757–1827, British

The Complaint and the Consolation; or Night Thoughts

1797

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

William Blake, 1757–1827, British

Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

1797

William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

William Blake, 1757–1827, British

Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

1797

William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

William Blake, 1757–1827, British

Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

1797

William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

William Blake, 1757–1827, British

Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

1797

William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'

William Blake, 1757–1827, British

Plate 37 (page 86): 'His hand the good man fastens on the skies'

1797

William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

William Blake, 1757–1827, British

Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

1797

William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

William Blake, 1757–1827, British

Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

1797

William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

William Blake, 1757–1827, British

Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

1797

William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

William Blake, 1757–1827, British

Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

1797

William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

William Blake, 1757–1827, British

Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

1797

William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'

William Blake, 1757–1827, British

Plate 22 (page 40): ' Angels should paint it, angels ever there'

1797

William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

William Blake, 1757–1827, British

Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

1797

William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

William Blake, 1757–1827, British

Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

1797

William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

William Blake, 1757–1827, British

Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

1797

William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

William Blake, 1757–1827, British

Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

1797

William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'

William Blake, 1757–1827, British

Plate 21 (page 37): 'Love, and love only, is the loan for love'

1797

William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

William Blake, 1757–1827, British

Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

1797

William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

William Blake, 1757–1827, British

Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

1797

William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

William Blake, 1757–1827, British

Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

1797

William Blake Plate 13 (page 23): 'We censure nature for a span too short'

Engravings by William Blake, 1757–1827, British

Plate 13 (page 23): 'We censure nature for a span too short'

1797

William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'

William Blake, 1757–1827, British

Plate 15 (page 25): 'Behold him, when past by; what then is seen'

1797

William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

William Blake, 1757–1827, British

Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

1797

William Blake The Complaint and the Consolation; or Night Thoughts (and title page)

William Blake, 1757–1827, British

The Complaint and the Consolation; or Night Thoughts (and title page)

1797

William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

William Blake, 1757–1827, British

Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

1797

William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

William Blake, 1757–1827, British

Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

1797

William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'

William Blake, 1757–1827, British

Plate 41 (page 92): 'When faith is virtue, reason makes it so'

1797

William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

William Blake, 1757–1827, British

Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

1797

William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'

William Blake, 1757–1827, British

Plate 3 (page 4): 'What, though my soul fantastick measures trod'

1797

William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'

William Blake, 1757–1827, British

Plate 7 (page 12): 'Its favours here are trials, not rewards'

1797

William Blake Plate 9 (page 15):' The longest night though longer far, would fail'

Engravings by William Blake, 1757–1827, British

Plate 9 (page 15):' The longest night though longer far, would fail'

1797

William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

William Blake, 1757–1827, British

Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

1797

William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'

William Blake, 1757–1827, British

Plate 12 (page 19): 'Emblem of that which shall awake the dead'

1797

William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

William Blake, 1757–1827, British

Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

1797

William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

William Blake, 1757–1827, British

Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

1797

William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

William Blake, 1757–1827, British

Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

1797

William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'

William Blake, 1757–1827, British

Plate 6 (page 10): 'Disease invades the chastest temperence'

1797

William Blake Plate 8 (page 13): 'The present moment terminates our sight'

William Blake, 1757–1827, British

Plate 8 (page 13): 'The present moment terminates our sight'

1797

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

1797

William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

John Sell Cotman A Bridge

Print made by John Sell Cotman, 1782–1842, British

A Bridge

undated

John Sell Cotman Castle Above a Rocky Gorge

Print made by John Sell Cotman, 1782–1842, British

Castle Above a Rocky Gorge

undated

John Sell Cotman Harlech Castle

Print made by John Sell Cotman, 1782–1842, British

Harlech Castle

undated

Francis Jukes Cottage Scene Near Colchester, Essex

Francis Jukes, 1747–1812, British

Cottage Scene Near Colchester, Essex

1797

Francis Jukes Cottage Scene Near Colchester, Essex

Francis Jukes, 1747–1812, British

Cottage Scene Near Colchester, Essex

1797

William Nutter The Parent Restor'd or the Blessings of Peace

William Nutter, 1754–1802, British

The Parent Restor'd or the Blessings of Peace

1797

Thomas Gainsborough Wooded Landscape with Herdsman and Cows

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Herdsman and Cows

1797

James Walker Ely

Print made by James Walker, 1748–1808, British

Ely

1797

James Walker Westminster Bridge

Print made by James Walker, 1748–1808, British

Westminster Bridge

1797

William Henry Brooke Herstmonceux Castle from the South

William Henry Brooke, 1772–1860, Irish

Herstmonceux Castle from the South

undated

unknown artist St. Paul's from Ludgate Hill

unknown artist

St. Paul's from Ludgate Hill

1797

unknown artist St. Paul's Cathedral from the West Entrance

unknown artist

St. Paul's Cathedral from the West Entrance

1797

unknown artist Transept of St. Paul's from the North Entrance

unknown artist

Transept of St. Paul's from the North Entrance

1797

James Peller Malcolm Richmond Church, Surry, Western Outer Suburb

James Peller Malcolm, 1767–1815, American

Richmond Church, Surry, Western Outer Suburb

1797

unknown artist St. Dunstan's Fleet Street

unknown artist

St. Dunstan's Fleet Street

1797

James Peller Malcolm Wyer Hall, Edmonton, Outer Suburb - North

after James Peller Malcolm, 1767–1815, American

Wyer Hall, Edmonton, Outer Suburb - North

1797

James Peller Malcolm Mr. Alderman Curtis's Southgate Outer Suburb - North

James Peller Malcolm, 1767–1815, American

Mr. Alderman Curtis's Southgate Outer Suburb - North

1797

John Thomas Smith In Green Street, Enfield Highway, Outer Suburb North

John Thomas Smith, 1766–1833, British

In Green Street, Enfield Highway, Outer Suburb North

1797

John Thomas Smith In Green Street, Enfield Highway, Outer Suburb North

John Thomas Smith, 1766–1833, British

In Green Street, Enfield Highway, Outer Suburb North

1797