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William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
ca. 1797
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
William Blake Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
ca. 1797
William Blake Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
William Blake Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
ca. 1797
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
ca. 1797
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
ca. 1797
William Blake Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
William Blake Young's Night Thoughts, Page 27, "O treacherous conscience!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
William Blake Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
William Blake Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"
ca. 1797
William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"
ca. 1797
William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"
ca. 1797
William Blake Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
William Blake Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"
ca. 1797
William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"
ca. 1797
William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"
ca. 1797
William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801, British
Moon-Light
ca. 1797
John Browne After Sun-Set
Print made by John Browne, 1741–1801, British
After Sun-Set
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801, British
Evening
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801, British
Evening
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801, British
Moon-Light
ca. 1797
John Browne Morning
Print made by John Browne, 1741–1801, British
Morning
ca. 1797
Joseph Farington Windsor Bridge
Print made by Joseph Farington, 1747–1821, British
Windsor Bridge
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817, Swiss
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817, Swiss
Welgelegen: Vue Perspective de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Christian von Mechel Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
Christian von Mechel, 1737–1817, Swiss
Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam
1792
Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"
Robert Dodd, 1748–1816, British
"The Indian Emperor" or "The Conquest of Mexico"
1792
John James Chalon Portrait of a Man with Hat
Print made by John James Chalon, 1778–1854, French, active in Britain
Portrait of a Man with Hat
1792
W. Pyott The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792
Francesco Bartolozzi Mrs. Lenox
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Mrs. Lenox
1792
Francesco Bartolozzi Ticket for the Brandenbourg House Masquerade
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Ticket for the Brandenbourg House Masquerade
ca. 1797
John Chapman Angelica Kauffmann
Print made by John Chapman, active ca. 1792–1823, British
Angelica Kauffmann
undated
Robert Thew King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Print made by Robert Thew, 1758–1802, British
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
John Thomas Smith The Savoy in 1650
Print made by John Thomas Smith, 1766–1833, British
The Savoy in 1650
1792
Richard Newton The World As It Goes
Print made by Richard Newton, 1777–1798, British
The World As It Goes
1792
John Jones John the Second Surrendering to Denis de Morbec
Print made by John Jones, ca. 1745–1797, British
John the Second Surrendering to Denis de Morbec
1792
John Jones Queen Philippa Interceding for the Brave citizens of Calais
Print made by John Jones, ca. 1745–1797, British
Queen Philippa Interceding for the Brave citizens of Calais
1792
Francesco Bartolozzi Georgius Johannes Commes, Spencer
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Georgius Johannes Commes, Spencer
1792
Francesco Bartolozzi Lodona
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Lodona
1792
Francesco Bartolozzi The Freeing of Amoret
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
The Freeing of Amoret
1792
Francesco Bartolozzi Britannia Rewarding Music and Literature
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Britannia Rewarding Music and Literature
1792
Francesco Bartolozzi Andrew Kippis
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Andrew Kippis
1792
James Fittler 'The Gamester,' Act V, Scene IV
James Fittler, 1758–1835, British
'The Gamester,' Act V, Scene IV
1792
Francesco Bartolozzi Mrs. Montagu
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Mrs. Montagu
1792
Francesco Bartolozzi Thais
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Thais
1792
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Miss Farren
1792
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Miss Farren
1792
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Miss Farren
1792
John Condé Mrs. Fitzherbert
Print made by John Condé, 1765–1794, French, active in Britain
Mrs. Fitzherbert
1792
John Young Philip Affleck, Esq.
John Young, 1755–1825, British
Philip Affleck, Esq
1792
William Birch Mrs. Robinson
Print made by William Birch, 1755–1834, British
Mrs. Robinson
1792
Francesco Bartolozzi Funeral Card of Sir Joshua Reynolds
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Funeral Card of Sir Joshua Reynolds
1792
Francis Legat "King Lear", Act V, Scene III
Francis Legat, 1755–1809, British
"King Lear", Act V, Scene III
1792
unknown artist Falstaff Reproved by King Henry
unknown artist, ( Shenner )
Falstaff Reproved by King Henry
1792
Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Peltro W. Tomkins, 1760–1840, British
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
Francesco Bartolozzi To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
Richard Earlom Colonel Mordaunt's Cock Match at Lucknow
Richard Earlom, 1743–1822, British
Colonel Mordaunt's Cock Match at Lucknow
1792
unknown artist French Privateers, Cruising in the English Channel
Print made by unknown artist, eighteenth century
French Privateers, Cruising in the English Channel
1792
Richard Earlom Colonel Mordaunt's Cock Match at Lucknow
Richard Earlom, 1743–1822, British
Colonel Mordaunt's Cock Match at Lucknow
1792
Thomas Cheesman Marchioness of Townshend and Child
Print made by Thomas Cheesman, 1760–1834/35, British
Marchioness of Townshend and Child
1792
John Jones Reverend John Moore, Lord Archbishop of Canterbury
John Jones, ca. 1745–1797, British
Reverend John Moore, Lord Archbishop of Canterbury
1792
Thomas Trotter Jonathan Shipley, Bishop of St. Asaph
Thomas Trotter, ca. 1750–1803, British
Jonathan Shipley, Bishop of St. Asaph
1792
Thomas Ryder The Murder of James First, King of Scotland
Thomas Ryder, 1746–1810, Irish
The Murder of James First, King of Scotland
1792
unknown artist Arundel House in London 1646
unknown artist
Arundel House in London 1646
1792
unknown artist The Bank
unknown artist
The Bank
1792
Francesco Bartolozzi Thais
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Thais
1792
John Raphael Smith Eloisa
John Raphael Smith, 1752–1812, British
Eloisa
1792
John Raphael Smith His Royal Highness George, Prince of Wales
John Raphael Smith, 1752–1812, British
His Royal Highness George, Prince of Wales
1792
Francesco Bartolozzi Katherine, Duchess of Suffolk
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Katherine, Duchess of Suffolk
1792
Francesco Bartolozzi Katherine, Duchess of Suffolk
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Katherine, Duchess of Suffolk
1792
Francesco Bartolozzi Margaret, Lady Elyot
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Margaret, Lady Elyot
1792
Francesco Bartolozzi Sir John More
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Sir John More
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Jane, Lady Lister
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Jane, Lady Lister
1792
Francesco Bartolozzi Sir John More
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Sir John More
1792
Francesco Bartolozzi Jane, Lady Lister
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Jane, Lady Lister
1792
Francesco Bartolozzi Meditation
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Meditation
1792
Francesco Bartolozzi Admiration
Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Admiration
1792