Creator Gender: male / On-site Access: Accessible by appointment in the Study Room / Exhibition History: The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Bellman

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

1880

Joseph Mallord William Turner, 1775–1851, British

Folkestone Harbour and Coast to Dover

ca. 1829

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Frontispiece

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Peat Bog, Scotland

1812

William Blake, 1757–1827, British

Each creature, Thenot, to his task is born

1821, reprinted 1977

William Blake, 1757–1827, British

Or blasting winds o'er blossom'd hedge-rows pass

1821, reprinted 1977

William Blake, 1757–1827, British

My sheep quite spent through travel and ill fare

1821, reprinted 1977

William Blake, 1757–1827, British

And now behold the sun's departing ray

1821, reprinted 1977

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

James Barry, 1741–1806, Irish

The Phoenix or the Resurrection of Freedom

1776

Print made by George Cooke, 1781–1834, British

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1821

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by John Horsburgh, 1791–1869, British

Folkstone: Harbour, and Coast to Dover, Kent

1831

William Sharp, 1749–1824, British

Thomas Paine

1793

William Wynne Ryland, 1732–1783, British

King John Ratifying the Magna Charta

ca. 1783

Print made by Thomas Girtin, 1775–1802, British

A View of Pont Neuf, the Mint, & c

1803

Print made by Valentine Green, 1739–1813, British

Benjamin West and His Son Raphael

1775

John Keyse Sherwin, c.1751–1790, British

William Woollett

1784

Print made by David Lucas, 1802–1881, British

Frontispiece, Artist's Home at East Bergholt, Suffolk

1831

Print made by David Lucas, 1802–1881, British

Vignette, Hampstead Heath, Middlesex

1831

Abraham Raimbach, 1784–1868, British

Key To The Figures In "The Death Of Chatham"

1794

Print made by William Bernard Cooke, 1778–1855, British

Battle Abbey, The Spot where Harold Fell

1819

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Death of Chatham

1788

Print made by W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Print made by W. R. Smith, active 1819–1851

Chain Bridge over the River Tees

1838

Print made by Robert Wallis, 1794–1878, British

Dudley, Worcestershire

1835

Print made by Charles Turner, 1774–1857, British

Sir Walter Scott

1810

Print made by Luigi Schiavonetti, 1765–1810, Italian

William Blake, Frontispiece

1808, published 1813

Print made by Thomas Gainsborough, 1727–1788, British

Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church

1779 to 1780

Print made by James Hardy, active 1770s

Edmund Burke Esqr

ca. 1780

Print made by James Barry, 1741–1806, Irish

King Lear and Cordelia

1776

Print made by David Lucas, 1802–1881, British

Salisbury Cathedral

1837

Print made by David Lucas, 1802–1881, British

Old Sarum

1829 to 1830

Print made by Charles Turner, 1774–1857, British

Shields, on the River Tyne

1823

Print made by John Sell Cotman, 1782–1842, British

Tan-y-Bwlch, Merionethshire, North Wales

between 1810 and 1817

Figures engraved by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

The Death of Captain Cook

1783

Print made by Edward Calvert, 1799–1883, British

The Bride

1828

Print made by Edward Calvert, 1799–1883, British

The Sheep of His Pasture

ca. 1828

James Parker, 1750–1805, British

Fainasollis, Borbar and Fingal

1783

Print made by William Miller, 1796–1882, British

Modern Italy

1842

Johann Jacobé, 1733–1797, Austrian

Omai

1777

Print made by John Martin, 1789–1854, British

The Deluge

1828

Joseph Haynes, 1760–1829, British

Death on a Pale Horse

1784

William Woollett, 1735–1785, British

The Death of General Wolfe

1776

Print made by Robert Wallis, 1794–1878, British

Stone Henge

1829

James Gillray, 1756–1815, British

The Death of the Great Wolf

1795

James Gillray, 1756–1815, British

Presages of the Millenium

1795

James Gillray, 1756–1815, British

The Valley of the Shadow of Death

1808

James T. Willmore, 1800–1863, British

Byron's Dream

1833

Print made by Edward Goodall, 1795–1870, British

Fingal's Cave, Staffa

1833

Print made by Henry Le Keux, 1787–1868, British

Abbotsford, Vignette Title

1834

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

Print made by John Raphael Smith, 1752–1812, British

The Slave Trade

1791

Print made by John Raphael Smith, 1752–1812, British

African Hospitality

1791

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

A Cudgelling Match between English and French Negroes in the Island of Dominica

1779

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

Free Natives of Dominica

1780

Print made by Edward Calvert, 1799–1883, British

The Return Home

1830

Print made by Edward Calvert, 1799–1883, British

The Ploughman

1827

Thomas Girtin, 1775–1802, British

View of Pont Neuf, The Mint etc

1802

Print made by John Burnet, 1784–1868, British

Sir David Baird discovering the body of Tipu Sultan

1843

John Raphael Smith, 1752–1812, British

The Indian Widow

1789

William Sharp, 1749–1824, British

King Lear: Act III, Scene IV

1793

Print made by John Hall, 1739–1797, British

William Penn's Treaty with the Indians

1775

Thomas Girtin, 1775–1802, British

View of the Pont Neuf, The Mint & etc

c.1802

Print made by John Crome, 1768–1821, British

Composition: Sandy Road through Woodland

1813

Peter Simon, 1750–1810

A Midsummer Night's Dream, Act IV, Scene I

c.1796

Print made by Frederick Christian Lewis the Elder, 1779–1856, British

The Field of Waterloo

1830

Charles Heath, 1785–1848, British

Time holding a Lithographic Stone

1804

George Townly Stubbs, 1748–1815, British

The Horse and Lion

1770

Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Caractacus Delivered up to Ostorius

1788

Print made by John Crome, 1768–1821, British

Mousehold Heath, Norwich

between 1810 and 1811

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On-site Access Accessible by appointment in the Study Room

Exhibition History The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

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On-site Access Accessible by appointment in the Study Room

Exhibition History The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

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