A Bridge near Salisbury Court, Perhaps Milford Bridge
ca. 1829
2
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
A Cow Lodge with a Mossy Roof
ca. 1829
3
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Cornfields with Barn, Shoreham
ca. 1829
4
Joseph Mallord William Turner, 1775–1851, British
Folkestone Harbour and Coast to Dover
ca. 1829
5
Print made by John Sell Cotman, 1782–1842, British
Cader Idris
between 1824 and 1830
6
Print made by Charles Turner, 1774–1857, British
More Park, near Watford, on the River Colne
1824
7
Print made by Charles Turner, 1774–1857, British
More Park, near Watford, on the River Colne
1824
8
Print made by Charles Turner, 1774–1857, British
Norham Castle, on the River Tweed
1824
9
unknown artist
May Day
1824
10
Print made by James Clark, 19th century
Cowdray Ruins
1824
11
William Henry Bartlett, 1809–1854, British
Richmond
undated
12
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
13
Print made by William Miller, 1796–1882, British
Clovelly Bay and Lundy Island
1824
14
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
15
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
16
James William Giles, 1801–1870, British
Nemi
1824
17
James William Giles, 1801–1870, British
The Villa Adrianna, Rome
1824
18
William Henry Harriott, active 1811, died 1839, British
Fish Market, Hastings
1824
19
Sir George Hayter, 1792–1871, British
Georgiana, Duchess of Bedford
1824
20
William Heath, 1795–1840, British
Circassians
1824
21
William Heath, 1795–1840, British
Russian Cossacks at a Boathouse on the Banks of the Don
1824
22
William Mulready, 1786–1863, Irish
Woman with Ringlets, Standing
1824
23
Print made by John Horsburgh, 1791–1869, British
Bell Rock Lighthouse
1824
24
George Richmond, 1809–1896, British
Effigy of a Crusader, Stisted Church
1824-1896
25
unknown artist, nineteenth century
Fulham Church (Middlesex)
1824
26
Print made by Richard Parkes Bonington, 1802–1828, British
Rue du Gros-Horloge, Rouen
1824
27
Sir George Hayter, 1792–1871, British
A Minuet
1824
28
John Frederick Lewis, 1804–1876, British
Figures and Animals in a Vineyard
ca. 1829
29
John Linnell, 1792–1882, British
Mrs. William Wilberforce and Child
1824
30
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
31
Print made by George Cooke, 1781–1834, British
Hythe, Kent
1824
32
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
33
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
34
Print made by John Horsburgh, 1791–1869, British
Bell Rock Lighthouse
1824
35
Edward Radclyffe, 1809–1863, British
Deepdene near Dorking
undated
36
Print made by Charles Turner, 1774–1857, British
More Park from Rivers of England
1824
37
Print made by James C. Allen, active 1821–1831, British
Ehrenbreitstein
1824
38
Print made by James C. Allen, active 1821–1831, British
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
39
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
40
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
41
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
42
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
43
Sir John Frederick William Herschel, first Baronet, 1792–1871, British
Antwerp Cathedral
1824
44
Sir John Frederick William Herschel, first Baronet, 1792–1871, British
The Coliseum, Rome
1824
45
Print made by James Thompson, 1790–1850, British
W. Sharp
1824
46
Henry Thomson, 1773–1843, British
Martin Archer Shee
1824
47
Print made by James C. Allen, active 1821–1831, British
Dunbar
1824
48
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
1824
49
Alfred Diston, active 1818–1829
Walking Dress, Tenerife
1824
50
William Evans of Bristol, 1809–1858, British
Study of Country Boys
undated
51
John Linnell, 1792–1882, British
Study for Master William Wilberforce
1824
52
Print made by unknown artist
Elevations and Plans of the Court of Kings Bench
ca. 1827
53
William Turner of Oxford, 1789–1862, British
The Exeter College Eight on the Isis, Oxford
1824
54
George Maile, active 1824–1840
[Shooting] The Sportsman (four lines of verse by J. Emery)
1824
55
George Hunt, active 1820–1840, British
The Toast
1824
56
Frederick Christian Lewis the Elder, 1779–1856, British
H. Bone, Esqr., R.A
1824
57
Frederick Christian Lewis the Elder, 1779–1856, British
James Northcote
1824
58
Henry Heath, active 1824–1835, British
An Irish Tilting Match, or the Poissardes against the Poignards
1824
59
Thomas Hartley Cromek, 1809–1873, British
Turk on a Horse
undated
60
David Cox Jr., 1809–1885, British
A Merchantman Becalmed Offshore
undated
61
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 13
1824
62
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 12
1824
63
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 6
1824
64
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 14
1824
65
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 3
1824
66
Print made by Robert Scott, 1771–1841, British
View from the Cowgate of the Buildings on the South of the Parliament Close
1824
67
Print made by James C. Allen, active 1821–1831, British
Covent Garden Market
1824
68
Print made by John Young, 1755–1825, British
Cuyp
1824
69
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
1824
70
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
1824
71
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
1824
72
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
1824
73
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
1824
74
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
1824
75
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
1824
76
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
1824
77
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
1824
78
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre
1824
79
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
1824
80
J. W. Wageman, active 1824
Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
1824
81
John Coney, 1786–1833, British
Hotel de Ville, Bruges
1824
82
David Cox, 1783–1859, British
Entrance to Calais Harbour
ca. 1829
83
Joseph Stannard, 1797–1830, British
Heads of Fisherman
1824
84
William Daniell, 1769–1837, British
A High Caste Woman Standing by a Wall
ca. 1829
85
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
1824
86
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
1824
87
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
1824
88
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
1824
89
Robert Isaac Cruikshank, 1789–1856, British
Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
1824
90
Print made by Henry Adlard, active 19th century, British
The Gothic Bridge of Eudes, Tours
between 1824 and 1848
91
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 15
1824
92
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 16
1824
93
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 5
1824
94
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 9
1824
95
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock, Plate 8
1824
96
Print made by Henry Walter, 1786–1849, British
Untitled Images of Livestock
1824
97
Print made by John Gendall, 1790–1865, British
Mausoleum, at Trentham (the Seat of the Marquis of Stratford)