Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: kneeling

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

William Blake, 1757–1827, British

Mary Magdalen at the Sepulchre

ca. 1805

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 21, "O Vala! O Jerusalem...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

1804 to 1820

William Blake, 1757–1827, British

The Poems of Thomas Gray, Design 5, "Ode on the Spring."

between 1797 and 1798

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 5, "The banks of the Thames...."

1804 to 1820

Print made by William Blake, 1757–1827, British

Jerusalem, Plate 9, "Condens'd his Emanations...."

1804 to 1820

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 22 (Bentley 24)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 8 (Bentley 9)

1794

Print made by William Blake, 1757–1827, British

Earth; Plate 5

1793

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

1789

Print made by William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)

1794

William Blake, 1757–1827, British

Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 4 (Bentley 24)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

1794

Print made by William Blake, 1757–1827, British

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 23 (Bentley 9)

1794

Print made by William Blake, 1757–1827, British

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

1794

Print made by William Blake, 1757–1827, British

The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

1794

Print made by Charles West Cope, 1811–1890, British

Morning Prayer

1844

Benjamin West, 1738–1820, American, active in Britain (from 1763)

Two Kneeling Figures

undated

Samuel Howitt, 1756–1822, British

A Lion Standing over a Wounded Leapard

undated

Print made by Edward Goodall, 1795–1870, British

St. Julienne's Chapel

1834

Richard Wilson, 1713/4–1782, British, active in Italy (1750–56)

An Underground Shrine with Two Figures Kneeling before a Pieta

undated

John Martin, 1789–1854, British

Burial of Sarah

1833

Attributed to John Martin, 1789–1854, British

Christ Healing a Blind Man

undated

Print made by James Basire the younger, 1769–1822, British

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822, British

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822, British

View of Exeter College, All Saints Church, from the Turl

1806

John Hamilton Mortimer, 1740–1779, British

Saint Paul Preaching to the Britons

between 1775 and 1778

John Hamilton Mortimer, 1740–1779, British

A Man Kneeling

1770

Attributed to Daniel Lysons, 1762–1834, British

Brass Plate of a Kneeling Man

between 1796 and 1811

John Michael Rysbrack, 1694–1770, Flemish, active in Britain (from 1720)

Penitent Magdalene

undated

Charles Grignion, 1717–1810, British

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

undated

Myles Birket Foster, 1825–1899, British

An Old English Mill

undated

Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45)

Design for a Frontispiece: A Bishop Conferring an Honor, Scene Within a Cartouche

undated

James Pollard, 1792–1867, British

Cottager's Hospitality to Travellers of The Coach Broke Down

1819

Julius Caesar Ibbetson, 1759–1817, British

Cutting Mistletoe from it by the Druids

undated

Sawrey Gilpin, 1733–1807, British

Two figures kneeling beside a horse..

undated

William Alexander, 1767–1816, British

Mourning at a Tomb

between 1792 and 1794

Richard Dadd, 1817–1886, British

Sketch for the Passions: Pride

ca. 1854

William Alexander, 1767–1816, British

A Chinese Beggar

undated

Robert Smirke, 1752–1845, British

Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)

undated

Print made by George Cooke, 1781–1834, British

Florence, from Chiesa al Monte

1820

Print made by George Cooke, 1781–1834, British

Florence, from Chiesa al Monte

1820

Print made by James Basire the younger, 1769–1822, British

View of Exeter College, All Saints Church, etc. from the Turl

1806

Francesco Bartolozzi Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

1788

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808, published 1813

George Cruikshank, 1792–1878, British

Devoted Wife

undated

Print made by Thomas Shotter Boys, 1803–1874, British

Verona, Hay Barge on the Medway, and a Calvary (three prints)

after 1833

Benjamin Robert Haydon, 1786–1846, British

Study For, Christ's Entry into Jerusalem

1814 to 1820

Benjamin Robert Haydon, 1786–1846, British

Study of a Religious Ceremony Scene

1814

Benjamin Robert Haydon, 1786–1846, British

Study for a Gathering of People

undated

Robert Smirke, 1752–1845, British

Isabella and Mariana Kneeling Before the Duke

1822

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

circle of John Linnell, 1792–1882, British

Behemoth and Leviathan

undated

circle of John Linnell, 1792–1882, British

The Vision of Eliphaz

undated

circle of John Linnell, 1792–1882, British

Job Rebuked by His Friends

undated

circle of John Linnell, 1792–1882, British

The Lord Answering Job out of the Whirlwind

undated

circle of John Linnell, 1792–1882, British

The Creation

undated

circle of John Linnell, 1792–1882, British

The Fall of Satan

undated

circle of John Linnell, 1792–1882, British

The Vision of God

undated

circle of John Linnell, 1792–1882, British

Job's Sacrifice

undated

circle of John Linnell, 1792–1882, British

Satan Smiting Job with Boils

undated

circle of John Linnell, 1792–1882, British

Job's Despair

undated

Benjamin Robert Haydon, 1786–1846, British

Study of Christ Raising Lazarus

undated

Benjamin Robert Haydon, 1786–1846, British

Study of the Resurrection of Lazarus

undated

Benjamin Robert Haydon, 1786–1846, British

Study of the Resurrection of Lazarus

undated

Benjamin Robert Haydon, 1786–1846, British

Study For, Christ's Entry into Jerusalem

1810 to 1820

Benjamin Robert Haydon, 1786–1846, British

Study for, Agony in the Garden

undated

Sir Robert Smirke the younger, 1781–1867, British

Nuns Praying at Altar of a Church

1802-1804

Print made by Vincent Robert Alfred Brooks, 1814–1885, British

Ten Needle-Box Prints

undated

Print made by Richard Parkes Bonington, 1802–1828, British

La Prière

1826

Print made by Richard Parkes Bonington, 1802–1828, British

Pierre de Vaivre

1827

Print made by Richard Parkes Bonington, 1802–1828, British

Tour aux Archives a Vernon

1824

Robert Smirke, 1752–1845, British

Ferdinand Reunited with his Father

1821

Robert Smirke, 1752–1845, British

Christopher Sly and the Page, as His Wife

1821

Robert Smirke, 1752–1845, British

Capulet Railing at his Daughter, Juliet

1825

Print made by David Allan, 1744–1796, British, born in Scotland

Pilgrims Paying Their Devotion in St. Peters at Rome

between 1773 and 1775

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

St. Nil

1762

circle of John Linnell, 1792–1882, British

Job and His Family

undated

circle of John Linnell, 1792–1882, British

Job and His Daughters

undated

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Gualtherus and Griselda

1784

Placido Columbani, born ca. 1744, active 1801, Italian, active in Britain

At Rome

undated

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Reunion of the Soul & the Body

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

Print made by Luigi Schiavonetti, 1765–1810, Italian

The Death of the Good Old Man

1808

John Faber the Younger, ca. 1695–1756, Netherlandish, active in Britain

Mrs. Knight

1749

Published by Arnold Fawcus, 1917–1979, British

First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job

1972

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Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms kneeling

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Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Subject Terms kneeling

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