Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75)
The Blacksmith's Shop
1771
2
Thomas Stothard, 1755–1834, British
An Unfinished Study of Venus and Adonis
between 1800 and 1820
Not on view
3
Sir James Thornhill, 1675–1734, British
Jacob's Dream
1705
Not on view
4
Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771)
The Angel Binding Satan
ca. 1797
Not on view
5
Joseph Highmore, 1692–1780, British
The Angel of Mercy
ca. 1746
Not on view
6
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
7
William Blake, 1757–1827, British
The Parable of the Wise and Foolish Virgins
ca. 1825
8
Print made by William Blake, 1757–1827, British
Pity
ca. 1795
9
William Blake, 1757–1827, British
Mary Magdalen at the Sepulchre
ca. 1805
10
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
11
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
12
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
13
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
14
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
15
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
16
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
17
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
18
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
19
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
20
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
21
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
22
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
23
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 44, "With one accord...."
1804 to 1820
24
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
25
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
26
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
27
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
28
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
29
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
30
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
31
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
32
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
33
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
34
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
35
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
36
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
37
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
38
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
39
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
40
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
41
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
42
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
43
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
44
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
45
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
46
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
47
Print made by William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
48
William Blake, 1757–1827, British
A Father's Memoirs of His Child
1806
49
Simon Gribelin, 1662–1733, French, active in Britain
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
50
Edward Francis Burney, 1760–1848, British
Allegory of Napoleonic Battles
undated
51
Sir James Thornhill, 1675–1734, British
Design for a Ceiling
undated
52
George Richardson, ca.1738–ca.1813, British
Design for a Ceiling
undated
53
Attributed to John Martin, 1789–1854, British
The Release of Saint Peter from Prison
undated
54
Sir James Thornhill, 1675–1734, British
A Design for a Ceiling
undated
55
Thomas Carwitham, active 1723, British
Design for a Ceiling Decoration
1723
56
Edward Francis Burney, 1760–1848, British
Allegory of Steam
undated
57
Sir James Thornhill, 1675–1734, British
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
58
Sir James Thornhill, 1675–1734, British
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
59
Sir James Thornhill, 1675–1734, British
The Birth of Venus
undated
60
Augustus Welby Northmore Pugin, 1812–1852, British
Sketches of the Butler-Bowden cope
undated
61
Augustus Welby Northmore Pugin, 1812–1852, British
Elevation of a Baptismal Font
undated
62
Isaac Fuller, 1606/20–1672, British
The Nymph Galatea
undated
63
John Flaxman, 1755–1826, British
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
64
John Flaxman, 1755–1826, British
To Phoebus at His Birth, From Aeschylus, Furies
undated
65
John Flaxman, 1755–1826, British
The Creation of the Heavens
ca. 1790
66
John Flaxman, 1755–1826, British
Get Thee Behind Me, Satan
between 1783 and 1787
67
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
68
James Gillray, 1756–1815, British
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
69
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
For the Benefit of Mr. Borghi
1789
70
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Meeting of a Family in Heaven
1808, published 1813
71
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Day of Judgment
1808, published 1813
72
Augustus Welby Northmore Pugin, 1812–1852, British
Design for a Gothic Church Altar and Organ
undated
73
Richard Earlom, 1743–1822, British
The West Window of the Chapel, New College Oxford
1785
74
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: The Shepherd Offering, Nativity Scene
1805
75
circle of John Linnell, 1792–1882, British
Behemoth and Leviathan
undated
76
circle of John Linnell, 1792–1882, British
Title Page: Illustrations of the Book of Job
after 1825
77
circle of John Linnell, 1792–1882, British
The Creation
undated
78
circle of John Linnell, 1792–1882, British
The Fall of Satan
undated
79
Print made by Jan de Bisschop, 1628–1671, Dutch
The Entombment of Christ
1671
80
Joseph Wilton, 1722–1803, British
Design for a Monument
undated
81
Print made by Simon Gribelin, 1662–1733, French, active in Britain
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland
1720
82
Print made by Simon Gribelin, 1662–1733, French, active in Britain
The Ceiling in the Banqueting House at Whitehall
ca. 1720
83
Print made by William Sharp, 1749–1824, British
Niobe
1792
84
circle of John Linnell, 1792–1882, British
Job and His Family
undated
85
circle of John Linnell, 1792–1882, British
Satan before the Throne of God
undated
86
circle of John Linnell, 1792–1882, British
Satan Going Forth from the Presence of the Lord
undated
87
Print made by Ralph Hudson, active ca. 1820, British
Pilgrim's Progress Illustrated, Uncut Panorama
ca. 1820
88
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Day of Judgment
1808
89
Print made by Luigi Schiavonetti, 1765–1810, Italian
The Meeting of a Family in Heaven
1808
90
Print made by Luigi Schiavonetti, 1765–1810, Italian