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Credit Line Yale Center for British Art, Paul Mellon Collection

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Height [cm] 14

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Francis Danby The Avon Gorge at Sunset
Francis Danby, 1793–1861, Irish
The Avon Gorge at Sunset
ca. 1850
Not on view
unknown artist Sunny Landscape with Trees and Monument on a Hill
unknown artist, nineteenth century
Sunny Landscape with Trees and Monument on a Hill
ca. 1830
Not on view
Frederick Nash The Monument and London Bridge
Frederick Nash, 1782–1856, British
The Monument and London Bridge
ca. 1825
Not on view
Frederick Nash Rochester Cathedral and Castle
Frederick Nash, 1782–1856, British
Rochester Cathedral and Castle
ca. 1825
Not on view
Frederick Nash London from Islington Hill
Frederick Nash, 1782–1856, British
London from Islington Hill
ca. 1825
Not on view
Frederick Nash The Thames and Waterloo Bridge from Somerset House
Frederick Nash, 1782–1856, British
The Thames and Waterloo Bridge from Somerset House
ca. 1825
Not on view
Frederick Nash Somerset House, London
Frederick Nash, 1782–1856, British
Somerset House, London
ca. 1825
Not on view
Frederick Nash Westminster Bridge
Frederick Nash, 1782–1856, British
Westminster Bridge
ca. 1825
Not on view
Edward William Cooke Pylons at Karnak, the Theban Mountains in the Distance
Edward William Cooke, 1811–1880, British
Pylons at Karnak, the Theban Mountains in the Distance
1873 or 1874
Not on view
William Daniell Windsor Castle from the Thames
William Daniell, 1769–1837, British
Windsor Castle from the Thames
ca. 1825
Not on view
unknown artist The Burning of the Houses of Parliament
unknown artist, nineteenth century
The Burning of the Houses of Parliament
ca. 1834
Not on view
James Ward Interior of a Stable
James Ward, 1769–1859, British
Interior of a Stable
between 1830 and 1840
Not on view
William Turner of Oxford A View of Oxford
William Turner of Oxford, 1789–1862, British
A View of Oxford
mid-19th century
Not on view
Henry Moore Draped Torso
Henry Moore, 1898–1986, British
Draped Torso
ca. 1953
Not on view
Herbert Haseltine Middle-White Sow: Wharfedale Royal Lady
Herbert Haseltine, 1877–1962, American
Middle-White Sow: Wharfedale Royal Lady
1984
Not on view
Herbert Haseltine Berkshire Boar: Highfield Royal Pygmalion
Herbert Haseltine, 1877–1962, American
Berkshire Boar: Highfield Royal Pygmalion
1968
Not on view
unknown artist Antique Letter Box Converted into a Humidor
unknown artist
Antique Letter Box Converted into a Humidor
ca. 1840
Not on view
John R. Skeaping Sketch of a Base for the Mill Reef Statue, 1972: Base Without Statue, End View
John R. Skeaping, 1901–1980, British
Sketch of a Base for the Mill Reef Statue, 1972: Base Without Statue, End View
1972
Robert Polhill Bevan Huntsman and Hounds
Robert Polhill Bevan, 1865–1925, British
Huntsman and Hounds
ca. 1896
John Constable Brighton Beach Looking West
John Constable, 1776–1837, British
Brighton Beach Looking West
undated
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
William Hogarth Colombus breaking the Egg
William Hogarth, 1697–1764, British
Colombus breaking the Egg
1753
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Morning of Life
1860-1861
Joseph Mallord William Turner Corsica
Joseph Mallord William Turner, 1775–1851, British
Corsica
between 1830 and 1835
Joseph Mallord William Turner Fishing Boats Becalmed off le Havre
Joseph Mallord William Turner, 1775–1851, British
Fishing Boats Becalmed off le Havre
undated
Joseph Mallord William Turner Ship Aground Brighton
Joseph Mallord William Turner, 1775–1851, British
Ship Aground Brighton
1830
Joseph Mallord William Turner Luxembourg
Joseph Mallord William Turner, 1775–1851, British
Luxembourg
ca. 1825 or 1834
Joseph Mallord William Turner St. Mawes, Cornwall
Joseph Mallord William Turner, 1775–1851, British
St. Mawes, Cornwall
ca. 1823
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851, British
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner Shipping
Joseph Mallord William Turner, 1775–1851, British
Shipping
between 1828 and 1830
Joseph Mallord William Turner Foul by God: River Landscape with Anglers Fishing From a Weir
Joseph Mallord William Turner, 1775–1851, British
Foul by God: River Landscape with Anglers Fishing From a Weir
ca. 1830
Joseph Mallord William Turner Cricket on the Goodwin Sands
Joseph Mallord William Turner, 1775–1851, British
Cricket on the Goodwin Sands
undated
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888, British
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827, British
The Entrance Front of Hayley's House at Eartham
1801
William Blake For Children. The Gates of Paradise, London, by William Blake
William Blake, 1757–1827, British
For Children. The Gates of Paradise, London, by William Blake
1793
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827, British
"There is No Natural Religion", London, by William Blake
ca. 1788
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake For Children. The Gates of Paradise, Title Page; Plate 2
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Title Page; Plate 2
1793
William Blake I Found Him Beneath a Tree; Plate 3
Print made by William Blake, 1757–1827, British
I Found Him Beneath a Tree; Plate 3
1793
William Blake Air; Plate 6
Print made by William Blake, 1757–1827, British
Air; Plate 6
1793
William Blake Fire; Plate 7
Print made by William Blake, 1757–1827, British
Fire; Plate 7
1793
William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8
Print made by William Blake, 1757–1827, British
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
William Blake Alas!; Plate 9
Print made by William Blake, 1757–1827, British
Alas!; Plate 9
1793
William Blake I Want! I Want!; Plate 11
Print made by William Blake, 1757–1827, British
I Want! I Want!; Plate 11
1793
William Blake My Son! My Son!; Plate 10
Print made by William Blake, 1757–1827, British
My Son! My Son!; Plate 10
1793
William Blake Help! Help!; Plate 12
Print made by William Blake, 1757–1827, British
Help! Help!; Plate 12
1793
William Blake Does Thy God O Priest Take such Vengeance as This?; Plate 14
Print made by William Blake, 1757–1827, British
Does Thy God O Priest Take such Vengeance as This?; Plate 14
1793
William Blake Fear & Hope Are -- Vision; Plate 15
Print made by William Blake, 1757–1827, British
Fear & Hope Are -- Vision; Plate 15
1793
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
Print made by William Blake, 1757–1827, British
I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
1793
William Blake What is Man!, Frontispiece; Plate 1
Print made by William Blake, 1757–1827, British
What is Man!, Frontispiece; Plate 1
1793
William Blake Water; Plate 4
Print made by William Blake, 1757–1827, British
Water; Plate 4
1793
William Blake Earth; Plate 5
Print made by William Blake, 1757–1827, British
Earth; Plate 5
1793
William Blake Aged Ignorance; Plate 13
Print made by William Blake, 1757–1827, British
Aged Ignorance; Plate 13
1793
William Blake The Traveller Hasteth in the Evening; Plate 16
Print made by William Blake, 1757–1827, British
The Traveller Hasteth in the Evening; Plate 16
1793
William Blake Death's Door; Plate 17
Print made by William Blake, 1757–1827, British
Death's Door; Plate 17
1793
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
William Blake The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)
1794
Sir Robert Smirke the younger Study of Fontana Maggiore in Perugia
Sir Robert Smirke the younger, 1781–1867, British
Study of Fontana Maggiore in Perugia
1802-1804
Sir Robert Smirke the younger Interior of the Holy Chapel of Loretta
Sir Robert Smirke the younger, 1781–1867, British
Interior of the Holy Chapel of Loretta
1802-1804
Sir Robert Smirke the younger Sketch of the Finished Part of One of the Public Buildings
Sir Robert Smirke the younger, 1781–1867, British
Sketch of the Finished Part of One of the Public Buildings
1802-1804
Capt. Thomas Hastings West Cowes, 20 February 1826
Capt. Thomas Hastings, 1778–1854, British
West Cowes, 20 February 1826
1826
Capt. Thomas Hastings Sketched Landscape with Castle in the Distance
Capt. Thomas Hastings, 1778–1854, British
Sketched Landscape with Castle in the Distance
between 1826 and 1830
Capt. Thomas Hastings On the Medina near Cowes, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
On the Medina near Cowes, Isle of Wight
1829
Capt. Thomas Hastings Sketch of an Estate House near the Shore, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
Sketch of an Estate House near the Shore, Isle of Wight
between 1826 and 1830
Capt. Thomas Hastings Sketch of Houses Near the Shore, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
Sketch of Houses Near the Shore, Isle of Wight
between 1826 and 1830
Capt. Thomas Hastings Wootton Bridge, Isle of Wight
Capt. Thomas Hastings, 1778–1854, British
Wootton Bridge, Isle of Wight
between 1826 and 1830
Capt. Thomas Hastings Sketch of a Road Descending to the Shore with Docked Ships
Capt. Thomas Hastings, 1778–1854, British
Sketch of a Road Descending to the Shore with Docked Ships
between 1826 and 1830
Capt. Thomas Hastings Sketch of Plants and a Milestone from Nature, 3 June 1826
Capt. Thomas Hastings, 1778–1854, British
Sketch of Plants and a Milestone from Nature, 3 June 1826
1826
Capt. Thomas Hastings Statue of Cain and Abel in the Forest near Leytonstone
Capt. Thomas Hastings, 1778–1854, British
Statue of Cain and Abel in the Forest near Leytonstone
undated
Henry Swinburne Beziers, France
Henry Swinburne, 1743–1803, British
Beziers, France
undated
Luigi Balugani Bohur
Luigi Balugani, 1737–1770, Italian
Bohur
undated
Charles Grignion A Macarony at a Sale of Pictures
Charles Grignion, 1717–1810, British
A Macarony at a Sale of Pictures
1771
David Lucas A Mill
Print made by David Lucas, 1802–1881, British
A Mill
1830
David Lucas Sir Richard Steele's Cottage
Print made by David Lucas, 1802–1881, British
Sir Richard Steele's Cottage
1845
David Lucas Stoke by Neyland, Suffolk
Print made by David Lucas, 1802–1881, British
Stoke by Neyland, Suffolk
1829
David Lucas Summer Morning
Print made by David Lucas, 1802–1881, British
Summer Morning
1831
David Lucas Weymouth Bay, Dorsetshire
Print made by David Lucas, 1802–1881, British
Weymouth Bay, Dorsetshire
1830
David Lucas View on the River Stour
Print made by David Lucas, 1802–1881, British
View on the River Stour
1830
Charles West Cope Morning Prayer
Print made by Charles West Cope, 1811–1890, British
Morning Prayer
1844
John Sell Cotman Cader Idris
Print made by John Sell Cotman, 1782–1842, British
Cader Idris
between 1824 and 1830
Miles Edmund Cotman French Fishing Boat off the Shears
Print made by Miles Edmund Cotman, 1810–1858, British
French Fishing Boat off the Shears
1846
Henry Swinburne The Most Considerable Remains of the Walls of Gnatia
Henry Swinburne, 1743–1803, British
The Most Considerable Remains of the Walls of Gnatia
1777 to 1778
Henry Swinburne Welden, Germany
Henry Swinburne, 1743–1803, British
Welden, Germany
1779
Henry Swinburne View of Maison From Le Mesnil-le-Roi
Henry Swinburne, 1743–1803, British
View of Maison From Le Mesnil-le-Roi
undated
Henry Swinburne Wooded Landscape, Showing a View of a City, Built on a Hillside, in the background, and Two Figures Walking up a Dirt Path, in the Foreground
Henry Swinburne, 1743–1803, British
Wooded Landscape, Showing a View of a City, Built on a Hillside, in the background, and Two Figures Walking up a Dirt Path, in the Foreground
undated
James Bruce Abyssinian Lady of Quality
James Bruce, 1730–1794, British
Abyssinian Lady of Quality
undated
Luigi Balugani Guizotia Abyssinica
Luigi Balugani, 1737–1770, Italian
Guizotia Abyssinica
undated
George Bryant Campion Dedham
George Bryant Campion, 1796–1870, British
Dedham
undated