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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- Self-Portrait
- ca. 1735
2
- William Cavendish, Marquess of Hartington, Later fourth Duke of Devonshire
- 1741
- Not on view
3
- The Beggar's Opera
- 1729
- Not on view
4
- Girl in a Plumed Hat
- ca. 1740
- Not on view
5
- The Revd. John Lloyd, DD
- 1738
- Not on view
6
- Miss Wood
- ca. 1730
- Not on view
7
- John Palmer, Barrister of the Inner Temple
- 1749
- Not on view
8
- William Augustus, Duke of Cumberland
- 1732
- Not on view
9
- The Family of John, 2nd Duke of Montagu and an Attendant
- between 1730 and 1735
- Not on view
10
- Restoration Procession of Charles II at Cheapside
- mid-18th century
- Not on view
11
- The Angel of Mercy
- ca. 1746
- Not on view
12
- Study of a Girl's Head
- ca. 1740
- Not on view
13
- A Midnight Modern Conversation
- ca. 1732
- Not on view
14
- Studies of Heads
- ca. 1740
- Not on view
15
- The Brothers Clarke with Other Gentlemen Taking Wine
- between 1730 and 1735
- Not on view
16
- Sign for a Paviour
- 18th century
- Not on view
17
- Study for a Group Portrait
- between 1729 and 1730
- Not on view
18
- A Club of Gentlemen
- ca. 1730
- Not on view
19
- Figures in a Tavern or Coffee House
- ca. 1725 or after 1750
- Not on view
20
- The Billiard Room
- ca. 1725
- Not on view
21
- Grotesque Male Head
- undated
22
- The First Stage of Cruelty
- ca. 1750
23
- Grotesque Female Head
- undated
24
- Grotesque Female Head
- undated
25
- Grotesque Male Head
- undated
26
- Grotesque Male Head
- undated
27
- Grotesque Male Head
- undated
28
- Grotesque Female Head
- undated
29
- Grotesque Male Head
- undated
30
- Grotesque Male Head
- undated
31
- Grotesque Male Head
- undated
32
- Grotesque Male Head
- undated
33
- Grotesque Male Head
- undated
34
- Grotesque Female Head
- undated
35
- Grotesque Male Head
- undated
36
- Grotesque Female Head
- undated
37
- William Hogarth
- 1764
38
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
39
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
40
- Study of a Female Nude
- undated
41
- Study for the Foundlings
- ca. 1739
42
- Gabriel Hunt
- undated
43
- Benjamin Read
- ca. 1757
44
- Hymen
- ca. 1748
45
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
46
- The Four Times of Day, Plate IV: Night
- 1738
47
- The Four Times of Day, Plate I: Morning
- 1738
48
- The Four Times of Day, Plate II: Noon
- 1738
49
- Prospectus print "Crown & Mitre"
- 1754
50
- Fair Scene
- 1733
51
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
52
- Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
- 1718
53
- A Midnight Modern Conversation
- 1733
54
- A Rake's Progress, Plate I: He Takes Possession
- 1735
55
- A Rake's Progress, Plate II: His Levee
- 1735
56
- A Rake's Progress, Plate III: He Revels
- 1735
57
- A Rake's Progress, Plate IV: Goes to Court
- 1735
58
- Southwark Fair
- 1733
59
- A Rake's Progress, Plate V: He Marries
- 1735
60
- A Rake's Progress, Plate VII: In Fleet Street Prison
- 1735
61
- A Rake's Progress, Plate VI: He Gambles
- 1735
62
- Colombus breaking the Egg
- 1753
63
- The Stage Coach; Or Country Inn Yard
- 1747
64
- Scholars at a Lecture (A Chorus of Singers)
- 1736
65
- The Sleeping Congregation
- 1736
66
- A Consultation of Physicians
- 1736
67
- Strolling Actresses Dressing in a Barn
- 1738
68
- The Distrest(ed) Poet
- 1740
69
- The Enraged Musician
- 1741
70
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
71
- Gulielmus Hogarth
- 1749
72
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
73
- Simon Lord Lovat
- 1746
74
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
75
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
76
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
77
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
78
- An Election Entertainment, Plate I
- 1755-58
79
- Analysis of Beauty, Plate II: A Country Dance
- 1753
80
- The Invasion, Plate I: France
- 1756
81
- The Invasion, Plate II: England
- 1756
82
- Chairing the Members, Plate IV
- 1758
83
- The Laughing Audience
- 1733
84
- Hogarth Painting the Comic Muse
- 1764
85
- The Cockpit
- 1759
86
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
87
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
88
- The Bench
- 1758
89
- The Polling, Plate III
- 1758
90
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
91
- Album Collection of Sixty-six Engravings after William Hogarth
92
- Simon, Lord Lovat
- 1746
93
- Beggar's Opera, Act III
- c.1790
94
- The Foundlings
- undated
95
- Sir James Thornhill
96
- Hogarth
- 1781
97
- Frontispiece design for John Fayram's "Eight Views after Nature"
- ca. 1739
98
- The Four Times of Day, Plate III: Evening
- 1738
99
- Wm. Hogarth died Octr. 26th 1764 Aged 67
100
- William Hogarth
- undated