Jacques-Laurent Agasse, 1767–1849, Swiss, active in Britain (from 1800)
Zebra
1803
Not on view
3
Benjamin Marshall, 1768–1835, British
Muly Moloch
1803
Not on view
4
John Constable, 1776–1837, British
Four East Indiamen at Archor
1803
5
John Constable, 1776–1837, British
Two Ships at Anchor
1803
6
Joseph Mallord William Turner, 1775–1851, British
Mer de Glace, in the Valley of Chamonix
1803
7
William Blake, 1757–1827, British
Joseph and Potiphar's Wife
1803 to 1805
8
Prints made by William Blake, 1757–1827, British
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
9
William Blake, 1757–1827, British
The Triumphs of Temper
1803
10
William Blake, 1757–1827, British
The Triumphs of Temper
1803
11
William Blake, 1757–1827, British
The Triumphs of Temper
1803
12
William Blake, 1757–1827, British
The Triumphs of Temper
1803
13
Print made by William Blake, 1757–1827, British
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
14
Print made by William Blake, 1757–1827, British
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
15
William Blake, 1757–1827, British
The Triumphs of Temper
1803
16
William Blake, 1757–1827, British
The Triumphs of Temper
1803
17
William Blake, 1757–1827, British
The Triumphs of Temper
1803
18
Print made by William Blake, 1757–1827, British
William Cowper
1803-1804
19
Print made by William Blake, 1757–1827, British
Mrs Cowper Mother of the Poet
1803-1804
20
Sir Robert Smirke the younger, 1781–1867, British
Temple at Phigalia
1803
21
Sir Robert Smirke the younger, 1781–1867, British
Temple Near the Site of Ancient Phigalia
1803
22
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
23
George Jones, 1786–1869, British
Fire on the Thames
ca. 1808
24
Sir George Howland Beaumont seventh Baronet, 1753–1827, British
Romantic Landscape
1803
25
John Samuel Hayward, 1778–1822
Liverpool: The Windmill on the Edge of the Quarry
1803
26
William Williamson, active 1803
Bombay from Malabar Point, the Night of 17th February 1803
1803
27
George Johann Scharf, 1788–1860, British
St. Paul's, Deptford
undated
28
Francis Nicholson, 1753–1844, British
Scarborough: Shipwreck at the Foot of the Castle Cliff
ca. 1808
29
C. John M. Whichelo, 1784–1865, British
Inside of Part of Cloisters, Adjoining St. Bartholomews Porch
1803
30
Edward Hawke Locker, 1777–1849, British
Reading Abbey Gateway
1803
31
Frederick Mackenzie, 1788–1854, British
Charts Edge, Kent
undated
32
Frederick Mackenzie, 1788–1854, British
The West Door, Rochester Cathedral, Kent
undated
33
Print made by William Byrne, 1743–1805, British
Wickham from the Marlow Road
1803
34
Print made by William Byrne, 1743–1805, British
Eton, from the Slough Road
1803
35
Thomas Girtin, (etching), 1775–1802, British
The Watermill Above the Bridge at Charenton
1803
36
Cornelius Varley, 1781–1873, British
Mountain Panorama in Wales, Cader Idris
1803
37
Charles Towne, 1763–1840, British
Woman with Cattle
1803
38
George Morland, 1763–1804, British
Fisherman and Dog Sitting by the Coast
1803
39
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Tour in Scotland; Near Wyburn Lake
1803
40
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Casterton Hall near Shirkby Lonsdale
1803
41
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Furness Abbey
1803
42
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Colwith Force
1803
43
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Near Capel Cerrig
1803
44
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: Beyond Barden Tower
1803
45
Amos Green, 1735–1807, British
Views in England, Scotland and Wales: The Pass of Penmanmawr
1803
46
Attributed to Daniel Lysons, 1762–1834, British
Memorial to Mr. Nathaniel Ravener from Greenford Church
1803
47
William Collins, 1788–1847, British
Dartmouth
undated
48
George Moutard Woodward, ca. 1760–1809, British
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
49
George Moutard Woodward, ca. 1760–1809, British
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic
ca. 1808
50
George Moutard Woodward, ca. 1760–1809, British
The Sleeper
ca. 1808
51
George Moutard Woodward, ca. 1760–1809, British
The Extinguisher
ca. 1808
52
George Moutard Woodward, ca. 1760–1809, British
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
53
George Moutard Woodward, ca. 1760–1809, British
The Monopolizer
ca. 1808
54
George Moutard Woodward, ca. 1760–1809, British
The Oracle
ca. 1808
55
George Moutard Woodward, ca. 1760–1809, British
The Everlasting Peruser
ca. 1808
56
Sir Jeffry Wyatville, 1766–1840, British
Hyde Hall, Hertfordshire: Perspective View
1803
57
unknown artist
Westminster Abbey, Geometrical elevation of the West entrance; Westminster Abbey, Geometrical elevation of the North Front
c.1803
58
William Ridley, 1764–1838, British
George Romney
1803
59
etching by Thomas Girtin, 1775–1802, British
A General View of Paris taken from Chaillot
1803
60
Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, &c
1803
61
Thomas Girtin, 1775–1802, British
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
62
Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
63
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi on the Banks of the Seine
1803
64
Thomas Girtin, 1775–1802, British
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
65
Thomas Girtin, 1775–1802, British
The Water Mill above the Bridge at Charenton
1803
66
Print made by William Daniell, 1769–1837, British
An Elevated View of the New Dock in Wapping
1803
67
Print made by William Daniell, 1769–1837, British
Brunswick Dock on the Thames at Blackwall
1803
68
John Downman, 1750–1824, British
Miss Campbell
1803
69
Print made by Caroline Watson, 1760–1814, British
Judith, or Cowper's Oak
1803-1804
70
Anthony Vandyke Copley Fielding, 1787–1855, British
Cattle Watering by Corinthian Columns
undated
71
Robert Hills, 1769–1844, British
Tree Study
between 1800 and 1805
72
William Daniell, 1769–1837, British
Portrait Study of Thomas Hearne
between 1803 and 1819
73
John White Abbott, 1763–1851, British
Trees Overhanging a Lake
between 1803 and 1807
74
George Siegmund Facius, 1750–1804
Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."
1803
75
Henry Bone, 1755–1834, British
Portrait of Samuel Lyons
1803
76
Robert Thew, 1758–1802, British
Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle
1803
77
Benjamin West, 1738–1820, American, active in Britain (from 1763)
King Richard II Act IV, Scene I: "King Richard, Bolingbroke, Yorke, etc."
1803
78
Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)
Twelfth Night, Act V, Scene I: The Street
1803
79
Thomas Ryder, 1746–1810, Irish
Twelfth Night, Act III, Scene IV: Olivia's House
1803
80
John Rubens Smith, 1775–1849, British
[Shooting]: Innocence Alarm'd
1803
81
Thomas Rowlandson, 1756–1827, British
The Gardener's Offering
between 1803 and 1805
82
George Moutard Woodward, ca. 1760–1809, British
Coffee-House Characters, or Hints to the Readers of Newspapers Exemplified in Eight Characteristic Designs with Letter Press Elucidations to Each Plate
ca. 1808
83
Richard Banks Harraden, 1778–1862, British
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
84
Print made by Thomas Girtin, 1775–1802, British
A View of Pont Neuf, the Mint, & c
1803
85
Thomas Girtin, 1775–1802, British
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
86
Samuel Middiman, ca. 1750–1831, British
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
87
Samuel Middiman, ca. 1750–1831, British
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
88
Robert Thew, 1758–1802, British
Henry IV, Part I, Act II, Scene IV: " The Boar's Head"
1803
89
Peter Simon, 1750–1810
King Henry IV: Part I, Act III, Scene I, The Archdeacon of Bangor's House in Wales. Hotspur, Worcester, Mortimer, & Owen Glendower
1803
90
Samuel Middiman, ca. 1750–1831, British
Henry IV, Part I, Act II, Scene II: " The Road by Gadshill - Prince Henry, Poins, Peto, Falstaff, etc."
1803
91
Samuel Middiman, ca. 1750–1831, British
As You Like It: Act II, Scene I: Forest of Arden
1803
92
James Gillray, 1756–1815, British
Evacuation of Malta
1803
93
Amos Green, 1735–1807, British
Views in England, Scotland and Wales
1803
94
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
95
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
96
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
97
Thomas Girtin, 1775–1802, British
View of Pont St. Michel, taken from Pont Neuf
1803
98
Thomas Girtin, 1775–1802, British
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
99
Thomas Girtin, 1775–1802, British
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
100
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde