Creator Gender: male / Collection: Prints and Drawings / Height [cm]: 18

Print made by Vanessa Bell, 1879–1961, British

The String Quartet

1921

Print made by Vanessa Bell, 1879–1961, British

A Haunted House

1921

Print made by Vanessa Bell, 1879–1961, British

A Society

1921

Print made by Vanessa Bell, 1879–1961, British

An Unwritten Novel

1921

Print made by Robert Polhill Bevan, 1865–1925, British

Huntsman and Hounds

1898-1899

attributed to John Constable, 1776–1837, British

Wormingford Church

between 1813 and 1815

John Constable, 1776–1837, British

Leatherhead Church, Near Epsom, from the Northeast

1806

John Constable, 1776–1837, British

Helmingham: The Silent Pool

ca. 1800

John Constable, 1776–1837, British

Landscape at East Bergholt

ca. 1805

John Constable, 1776–1837, British

Dedham Vale from Langham

ca. 1813

John Constable, 1776–1837, British

Borrowdale: Evening after a Fine Day, 1 October 1806

1806

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Brambles

undated

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Crescent Moon

undated

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Timber Wagon Crossing a Stream

undated

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Rustic Contentment

undated

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Weary Ploughman

1858

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Rising Moon

1857

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by George Stubbs, 1724–1806, British

A Sleeping Leopard

1791

George Stubbs, 1724–1806, British

A Lion [A recumbent Lion]

1788

Print made by Robert Wallis, 1794–1878, British

Taj Mahal, Agra

1831

William Hogarth, 1697–1764, British

Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey

1718

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1920

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Opening the Fold

plate etched in 1880; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

1874

Etched by Joseph Mallord William Turner, 1775–1851, British

River Wye

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Mer de Glace, Valley of Chamouni, Savoy

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Chain of Alps from Grenoble to Chamberi

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Chain of Alps from Grenoble to Chamberi

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Mer de Glace, Valley of Chamouni, Savoy

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Rivaux Abbey, Yorkshire

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Entrance of Calais Harbour

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Ville de Thun, Switzerland

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Tenth Plague of Egypt

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

The Alcove, Isleworth

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

East Gate, Winchelsea, Sussex

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Isis

1819

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Interior of a Church

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

The Alcove, Isleworth

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Inverary Castle and Town, Scotland

1816

Etched by Joseph Mallord William Turner, 1775–1851, British

Aesacus and Hesperie

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Ben Arthur, Scotland

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Christ and the Woman of Samaria

1819

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Glaucus and Scylla

1813 to 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Sheep-Washing, Windsor

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Ploughing, Eton

1813 to 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

The Stork and Aqueduct

between 1813 and 1823

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Flounder Fishing, Battersea

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Joseph Mallord William Turner, 1775–1851, British

Crichton Castle (Mountainous Landscape with a Rainbow)

ca. 1818

Joseph Mallord William Turner, 1775–1851, British

In the Valley Near Vietri

ca. 1794

Joseph Mallord William Turner, 1775–1851, British

Villa Salviati on the Arno

between 1796 and 1797

Print made by Joseph Mallord William Turner, 1775–1851, British

Gloucester Cathedral

between 1820 and 1826

Etched by Joseph Mallord William Turner, 1775–1851, British

The Drawing of the Clyde

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Marine Dabblers

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Rispah: 2nd Book of Samuel, Chap. 21

1812

after Joseph Mallord William Turner, 1775–1851, British

Tours - Looking Backward

1833

Etched by Joseph Mallord William Turner, 1775–1851, British

The Castle above the Meadows

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Straw Yard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Mt. St. Gothard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Mt. St. Gothard

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Holy Island Cathedral

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Pembury Mill, Kent

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Ships in a Breeze

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Pembury Mill, Kent

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Holy Island Cathedral

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

Lake of Thun, Switzerland

1808

Etched by Joseph Mallord William Turner, 1775–1851, British

The Farm-yard with the Cock

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

The Drawing of the Clyde

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

The Drawing of the Clyde

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Original Sketch of a Picture for W. Leader, Esq

1809

Etched by Joseph Mallord William Turner, 1775–1851, British

Coast of Yorkshire

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Hind Head Hill

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Hind Head Hill

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

The Hindoo Worshipper

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Junction of Severn and Wye

1811

Etched by Joseph Mallord William Turner, 1775–1851, British

Winchelsea, Sussex

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Calm

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Calm

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Rispah: 2nd Book of Samuel, Chap. 21

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Calm

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Bridge and Cows

1807

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