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Collection Prints and Drawings

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Date 1821

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Samuel Palmer At Hailsham, Sussex: a Storm Approaching
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
At Hailsham, Sussex: a Storm Approaching
1821
Samuel Palmer Harvest under a Crescent Moon
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Harvest under a Crescent Moon
ca. 1826
Joseph Mallord William Turner Ship in a Storm
Print made by Joseph Mallord William Turner, 1775–1851, British
Ship in a Storm
ca. 1826
William Blake Illustrations of Imitation of Eclogue I, Page 17
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 17
1821
William Blake Illustrations of Imitation of Eclogue I, Page 18
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 18
1821
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
William Blake, 1757–1827, British
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake Epicurus
William Blake, 1757–1827, British
Epicurus
1821
William Blake Theocritus
William Blake, 1757–1827, British
Theocritus
1821
William Blake Octavius Augustus Cæsar
William Blake, 1757–1827, British
Octavius Augustus Cæsar
1821
William Blake From Antique Coins
William Blake, 1757–1827, British
From Antique Coins
1821
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Imitation of Eclogue I, Page 15
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 15
1821
William Blake Illustrations of Imitation of Eclogue I, Page 14
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Page 14
1821
William Blake Caius Julius Cæsar
William Blake, 1757–1827, British
Caius Julius Cæsar
1821
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Frontispiece
1821
William Blake Publius Virgilius Maro
William Blake, 1757–1827, British
Publius Virgilius Maro
1821
William Blake The Pastorals of Virgil, London, 1821
William Blake, 1757–1827, British
The Pastorals of Virgil, London, 1821
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
1821, reprinted 1977
William Blake Each creature, Thenot, to his task is born
William Blake, 1757–1827, British
Each creature, Thenot, to his task is born
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
William Blake Or blasting winds o'er blossom'd hedge-rows pass
William Blake, 1757–1827, British
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
William Blake My sheep quite spent through travel and ill fare
William Blake, 1757–1827, British
My sheep quite spent through travel and ill fare
1821, reprinted 1977
William Blake And now behold the sun's departing ray
William Blake, 1757–1827, British
And now behold the sun's departing ray
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
William Blake, 1757–1827, British
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
1821, reprinted 1977
Charles Augustus Busby Description of the Celebrated Suspended Wooden Bridge
Charles Augustus Busby, 1788–1834, British
Description of the Celebrated Suspended Wooden Bridge
1821
unknown artist The Three Swords
Print made by unknown artist, nineteenth century
The Three Swords
1821
William Bernard Cooke Plymouth Citadel
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Citadel
1821
John Scott Aske Hall
Print made by John Scott, 1774–1828, British
Aske Hall
1821
John Landseer Fall of the Tees
Print made by John Landseer, 1769–1852, British
Fall of the Tees
1821
John Landseer Fall of the Tees
Print made by John Landseer, 1769–1852, British
Fall of the Tees
1821
Samuel Rawle Brignall Church
Print made by Samuel Rawle, 1771–1860, British
Brignall Church
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
William Frome Smallwood Coutances Cathedral
William Frome Smallwood, 1806–1834, British
Coutances Cathedral
undated
William Wyld View of Gibraltar
William Wyld, 1806–1889, British
View of Gibraltar
undated
unknown artist Mr. Thomas Hope's Picture Gallery, Duchess Street, London
unknown artist, (J Warren)
Mr. Thomas Hope's Picture Gallery, Duchess Street, London
1821
unknown artist Mansion of Thomas Hope Esqr. Flemish Picture Gallery
unknown artist, (J. Warren)
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
unknown artist Mansion of Thomas Hope Esqr. Flemish Picture Gallery
unknown artist, (J. Warren)
Mansion of Thomas Hope Esqr. Flemish Picture Gallery
1821
Charles Bentley Hay Barge in a Calm Sea
Attributed to Charles Bentley, 1806–1854, British
Hay Barge in a Calm Sea
undated
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845, British
Anne Page and Slender
1821
Robert Smirke Prospero and Ariel
Robert Smirke, 1752–1845, British
Prospero and Ariel
1821
John Baverstock Knight Thatched Cottage near Henley
John Baverstock Knight, 1785–1859, British
Thatched Cottage near Henley
1821
James Wyld Plan of Westminster Abbey and Environs for the Coronation of George IV
James Wyld, 1790–1836, British
Plan of Westminster Abbey and Environs for the Coronation of George IV
1821
Bartholomew Howlett The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey
Bartholomew Howlett, 1767–1827, British
The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey
1821
unknown artist Part of the Choir wiith the remains of the South Transept of St. Barts the Great
unknown artist, ( Dale )
Part of the Choir wiith the remains of the South Transept of St. Barts the Great
1821
Joseph Murray Ince A Picnic on Richmond Hill
Joseph Murray Ince, 1806–1859, British
A Picnic on Richmond Hill
undated
Joseph Murray Ince An unidentified Gothic Mansion: Side View of the House with Garden
Joseph Murray Ince, 1806–1859, British
An unidentified Gothic Mansion: Side View of the House with Garden
undated
William Bernard Cooke Torbay from Brixham
Print made by William Bernard Cooke, 1778–1855, British
Torbay from Brixham
1821
William Bernard Cooke Parnassus
Print made by William Bernard Cooke, 1778–1855, British
Parnassus
1821
unknown artist Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore
Print made by unknown artist, nineteenth century
Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore
1821
James C. Allen Addingham Mill on the Warfe
Print made by James C. Allen, active 1821–1831, British
Addingham Mill on the Warfe
1821
John Wykeham Archer Crook of the Lune, Looking towards Hornby Castle
Print made by John Wykeham Archer, 1808–1864, British
Crook of the Lune, Looking towards Hornby Castle
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
Samuel Middiman Weathercote Cave when Half Filled with Water
Print made by Samuel Middiman, ca. 1750–1831, British
Weathercote Cave when Half Filled with Water
1821
William Wyld View of Mont St. Michel with Figures on the Beach
William Wyld, 1806–1889, British
View of Mont St. Michel with Figures on the Beach
undated
Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Robert Smirke, 1752–1845, British
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
Charles Bentley A Market Scene in Venice
Charles Bentley, 1806–1854, British
A Market Scene in Venice
undated
John Martin Travelers on a Road above a River
John Martin, 1789–1854, British
Travelers on a Road above a River
1821
William Bernard Cooke Plymouth Sound
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Sound
1821
Richard Parkes Bonington Portia and Bassanio
Richard Parkes Bonington, 1802–1828, British
Portia and Bassanio
ca. 1826
John Skinner Prout The Church of St. Laurent
John Skinner Prout, 1806–1876, British
The Church of St. Laurent
undated
Thomas Rowlandson Dr Syntax outside the Halfway House
Thomas Rowlandson, 1756–1827, British
Dr Syntax outside the Halfway House
1821
Thomas Rowlandson Dr Syntax & Dairymaid
Thomas Rowlandson, 1756–1827, British
Dr Syntax & Dairymaid
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
John Buckler FSA Interior View of the hall at Longleat; the Seat of the Marquis of Bath
John Buckler FSA, 1770–1851, British
Interior View of the hall at Longleat; the Seat of the Marquis of Bath
1821
Sir Jeffry Wyatville Design for Bridge over Great Western Road
Sir Jeffry Wyatville, 1766–1840, British
Design for Bridge over Great Western Road
ca. 1826
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
Joseph Steuart Cavalrymen, etc.
Joseph Steuart, active 1821
Cavalrymen, etc
1821
John Sell Cotman Castle at Tancarville
Print made by John Sell Cotman, 1782–1842, British
Castle at Tancarville
1821
James Pollard Racing [set of four]: 3. Preparing to Start
James Pollard, 1792–1867, British
Racing [set of four]: 3. Preparing to Start
1821
Thomas Sutherland Set of six: 2. Cart Horse
Thomas Sutherland, ca. 1785–1838, British
Set of six: 2. Cart Horse
1821
Thomas Sutherland Set of six: 3. Hunter
Thomas Sutherland, ca. 1785–1838, British
Set of six: 3. Hunter
1821
Thomas Sutherland Set of six: 6. Hack
Thomas Sutherland, ca. 1785–1838, British
Set of six: 6. Hack
1821
Alfred Diston The Botanical Garden near Port Orotava, Tenerife
Alfred Diston, active 1818–1829
The Botanical Garden near Port Orotava, Tenerife
1821
William Dyce Culver Cliff, Isle of Wight
William Dyce, 1806–1864, British
Culver Cliff, Isle of Wight
undated
Charles Bentley Old Men O'War
Attributed to Charles Bentley, 1806–1854, British
Old Men O'War
undated
William Alfred Delamotte View from Stokenchurch Hill, Buckinghamshire
William Alfred Delamotte, 1775–1863, British
View from Stokenchurch Hill, Buckinghamshire
1821
Alfred Diston View from part of Port Orotava, Tenerife from La Caldeva, near Sancho
Alfred Diston, active 1818–1829
View from part of Port Orotava, Tenerife from La Caldeva, near Sancho
1821
Alfred Diston Realejo de arriba, Tenerife
Alfred Diston, active 1818–1829
Realejo de arriba, Tenerife
1821
Robert Hills Walnut Tree
Robert Hills, 1769–1844, British
Walnut Tree
ca. 1826
Robert Hills Tree Study with Ivy Clinging to Stump
Robert Hills, 1769–1844, British
Tree Study with Ivy Clinging to Stump
ca. 1826
Robert Hills Orchard Trees at Under River near Knole
Robert Hills, 1769–1844, British
Orchard Trees at Under River near Knole
ca. 1826
Charles J. Hullmandel View of Palace Yard on the day of the Coronation of His Majesty George IV
Print made by Charles J. Hullmandel, 1789–1850, British
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
Henry Thomas Alken "Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc.
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
Henry Thomas Alken "Landscape Scenery", No. 13: Groups of Infantry and Army Horses
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821