Print made by John Thomas Smith, 1766–1833, British
Ceiling of the Star Chamber
1805
1203
unknown artist, nineteenth century
Westminster Hall
ca. 1820
1204
Print made by Day & Co., 1824–1913, British
Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
ca. 1845
1205
Print made by B. Winkles, active 1830–1840, British
Interior of Westminster Hall as Prepared for the Banquet
ca. 1821
1206
Print made by Day & Co., 1824–1913, British
Chimney piece, Star Chamber, Westminster
ca. 1845
1207
Print made by B. Winkles, active 1830–1840, British
Longitudinal Section of Westminster Hall
ca. 1821
1208
unknown artist, nineteenth century
St. Stephen's Chapel, Speaker's House, &c. from the River
ca. 1835
1209
Print made by John Thomas Smith, 1766–1833, British
Cotton Garden, Westminster
1804
1210
unknown artist, nineteenth century
Mr. Lee's House After the Fire, House of Lords
ca. 1835
1211
Print made by William Francis Starling, active first half 19th century, British
Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
1843
1212
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
1213
Print made by T. Clarke, 1799–1839
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
1835
1214
Attributed to John Carter, 1748–1817, British
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
1215
Print made by James Basire the younger, 1769–1822, British
Plate XI: St Stephen's Chapel
1795
1216
Print made by James Basire, 1730–1802, British
Plate IX: St Stephen's Chapel
1795
1217
Print made by John Thomas Smith, 1766–1833, British
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
1218
John Carter, 1748–1817, British
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
1219
Print made by John Le Keux, 1783–1846, British
Compartment on One Side, St Stephen's Chapel
1825
1220
Print made by James Basire, 1730–1802, British
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
1221
Attributed to John Carter, 1748–1817, British
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
1222
Attributed to John Carter, 1748–1817, British
Impost moldings, St Stephen's Chapel
between 1790 and 1802
1223
Attributed to John Carter, 1748–1817, British
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
1224
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
1225
Print made by Robert William Billings, 1813–1874, British
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
1226
Print made by John Thomas Smith, 1766–1833, British
Oak Door Discovered in the Speaker's State Dining Room
1806
1227
unknown artist, nineteenth century
Grave of the Supposed William Lyndewode
1852
1228
Attributed to office of Sir John Soane, (George Bailey), 1753–1837, British
Part of the Construction in the Old House of Lords
1823
1229
Print made by James Fittler, 1758–1835, British
The King on his Throne in the House of Lords
1804
1230
Attributed to John Carter, 1748–1817, British
North Side, Painted Chamber
between 1793 and 1799
1231
Attributed to John Carter, 1748–1817, British
Door on South Side of Painted Chamber
between 1793 and 1799
1232
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
1233
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
1234
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
1235
George Birch, 1842–1904, British
View of Guy Fawkes' Tower
1827
1236
George Birch, 1842–1904, British
Sections of Room under Painted Chamber
1827
1237
George Harley, 1791–1871, British
Ruins of Westminster Palace
1834
1238
Print made by John Thomas Smith, 1766–1833, British
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
1239
Print made by Henry Melville, active 1826–1841, British
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
1240
Attributed to John Carter, 1748–1817, British
Door near Painted Chamber
between 1800 and 1807
1241
Frederick Mackenzie, 1788–1854, British
Old Palace Yard
1809
1242
Print made by unknown artist
Exterior & Interior Views of the Painted Chamber & Old House of Lords
1823
1243
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
1244
Print made by unknown artist
Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
1834
1245
Print made by T. Kearnan, active 1821–1850, British
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
ca. 1835
1246
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
1247
Print made by unknown artist
Houses of Parliament
undated
1248
unknown artist
Henry VII Chapel, Westminster Abbey
undated
1249
Print made by George Hawkins, active 1795–1810, British
View of the East End of Henry VIIth Chapel as Restored in 1813
1814
1250
Print made by Augustus Charles Pugin, 1762–1832, French
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
1251
Print made by Charles J. Hullmandel, 1789–1850, British
Henry the Seventh's Chapel, North Side
undated
1252
Thomas Rowlandson, 1756–1827, British
The Vicar Selling his Horse
ca. 1817
1253
Thomas Rowlandson, 1756–1827, British
The Surprise
ca. 1817
1254
Thomas Rowlandson, 1756–1827, British
The Family Picture
1817
1255
Thomas Rowlandson, 1756–1827, British
The Fair Penitent
ca. 1817
1256
Thomas Rowlandson, 1756–1827, British
Attendance on a Nobleman
ca. 1817
1257
Thomas Rowlandson, 1756–1827, British
The Scold, with News of Olivia
ca. 1817
1258
Thomas Rowlandson, 1756–1827, British
The Vicar Preaching to the Prisoners
ca. 1817
1259
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: The Concert
1798
1260
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: The Pump Room
1798
1261
attributed to Peter DeWint, 1784–1849, British
Houses at Kingston on the Thames
undated
1262
attributed to Peter DeWint, 1784–1849, British
Houses at Teddington on the Thames
1809
1263
attributed to Peter DeWint, 1784–1849, British
View of the Thames at Kingston
1809
1264
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: Gouty Persons Fall on Steep HIll
1798
1265
Henry Thomas Alken, 1785–1851, British
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
1266
William Turner of Oxford, 1789–1862, British
The Exeter College Eight on the Isis, Oxford
1824
1267
Thomas Rowlandson, 1756–1827, British
The Canterbury-Dover Coach Passing Vanbrugh Castle
between 1795 and 1800
1268
Henry Thomas Alken, 1785–1851, British
The St. Leger, Doncaster: The Finish
undated
1269
Lewis Vulliamy, 1791–1871, British
Design for a Chapel at Enfield: Longitudinal Section
undated
1270
Print made by George Cruikshank, 1792–1878, British
The Murder on the Thames
1839
1271
Michael Searles, 1750–1813, British
Design for a London Townhouse: Elevation
undated
1272
Michael Searles, 1750–1813, British
Design for a London Townhouse: Elevation
undated
1273
David Cox, 1783–1859, British
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
1274
Lionel Edwards, 1878–1966, British
Newmarket - Pulling Up
1933
1275
Colin Sorensen, active 1964–2001
Two Studies of Clare College
1964
1276
Michael Searles, 1750–1813, British
Design for a London Townhouse: Elevation
undated
1277
unknown artist
The Battle of Culloden, near Inverness in Scotland..
1278
Joshua Cristall, 1768–1847, British
A Groom, Berkshire
ca. 1816
1279
Possibly Anthony Vandyke Copley Fielding, 1787–1855, British
Landscape Near Newmarket, Suffolk
1812
1280
unknown artist, nineteenth century
Epsom
1896
1281
John Fulleylove, 1845–1908, British
Clare College and Bridge over the Cam with King's College in the background
1889
1282
Sir Alfred J. Munnings, 1878–1959, British
The Stands at Epsom (drawn on an Australia Club invitation)
undated
1283
George Shepheard, ca. 1770–1842, British
The Banqueting House, Whitehall, from the River
ca. 1810
1284
Print made by David Allan, 1744–1796, British, born in Scotland
Patie Rebukes Roger
1808
1285
Print made by David Allan, 1744–1796, British, born in Scotland
Glaud and Peggy
1808
1286
Print made by David Allan, 1744–1796, British, born in Scotland
Patie and Peggy
1808
1287
Print made by Thomas Chambars, ca. 1724–1789, British
Edward Courtney, Earl of Devonshire
undated
1288
Robert Havell, 1769–1832, British
Crofton
1813
1289
Robert Havell, 1769–1832, British
Crofton
1813
1290
Robert Havell, 1769–1832, British
Crofton Hall, Yorkshire
1813
1291
Print made by Robert Wallis, 1794–1878, British
Bolton Abbey
1834
1292
Print made by James T. Willmore, 1800–1863, British
Bedford, Bedfordshire
1831
1293
Print made by William Richardson, active 1842–1877, British
Crossing the Brook
between 1859 and 1861
1294
attributed to Peter DeWint, 1784–1849, British
Mill at Teddington on the Thames
1809
1295
James Ward, 1769–1859, British
Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
undated
1296
Henry Thomas Alken, 1785–1851, British
The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks
undated
1297
Henry Thomas Alken, 1785–1851, British
The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner
undated
1298
Henry Thomas Alken, 1785–1851, British
The Night Riders of Nacton: The Last Field near Nacton Heath
undated
1299
Henry Thomas Alken, 1785–1851, British
"The National Sports of Great Britain," 1821: Owling