Medium: wove paper / Subject Terms: ruins / Classification: Prints

Print made by John Constable, 1776–1837, British

The Ruins of Netley Abbey

1826

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Robert Wallis, 1794–1878, British

Taj Mahal, Agra

1831

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

etching begun before 1861; impression printed in 1926

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

1874

Print made by William Blake, 1757–1827, British

My Son! My Son!; Plate 10

1793

Print made by William Blake, 1757–1827, British

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by John Browne, 1741–1801, British

Evening

ca. 1797

Print made by John Browne, 1741–1801, British

Moon-Light

ca. 1797

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

Robert Dixon, 1780–1815, British

The Black Tower Norwich

between 1810 and 1811

Robert Dixon, 1780–1815, British

The Greyfriars Tower, Lynn, as it appeared 1801

between 1810 and 1811

Robert Dixon, 1780–1815, British

West Tower, Wymondham Church

1810

Robert Dixon, 1780–1815, British

Remains of the Priory, Beeston Regis

1810

Paul Sandby, 1731–1809, British

Views in the Levant: The Sacred Cave of Archidamus

ca. 1785

Robert Dixon, 1780–1815, British

Beeston Priory, Beeston Regis

between 1810 and 1811

Print made by James Clark, 19th century

Cowdray Ruins

1824

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by Edward Francis Finden, 1791–1857, British

Bacharach on the Rhine

1832-1834

Thomas Girtin, 1775–1802, British

The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

1802

Print made by Thomas Medland, 1755–1823, British

Ruins of St. Paul Covent Garden

1795

Print made by Morgan Dennis, 1892–1960, American

Muckross Abbey, Killarney

undated

John Doyle ('H.B.') A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

Print made by John Doyle ('H.B.'), 1797–1868, Irish

A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

1847

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by James H. Kernot, active early 19th century

Jumma Musjid, Mandoo

1834

Print made by John Thomas Smith, 1766–1833, British

Cotton Garden, Westminster

1804

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by Robert William Billings, 1813–1874, British

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Print made by Edward Francis Finden, 1791–1857, British

Bacharach on the Rhine

1832-1834

Print made by John Le Keux, 1783–1846, British

Plate XXVII: St Stephen's Chapel, Looking East, Westminster

ca. 1836

Print made by Frederick Mackenzie, 1788–1854, British

View of St Stephen's Chapel as it appeared after the Fire in October 1834

1843

Print made by Robert William Billings, 1813–1874, British

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

1835

Print made by John Sell Cotman, 1782–1842, British

Church of L'Ery, near Pont-de-l'Arche

1820

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by unknown artist, nineteenth century

Flower-Garden Porch at Farnley (Vignette)

1814

Print made by Robert Spence, 1871–1964, British

George Fox Comes to London After the Great Fire

between 1890 and 1911

Print made by Sir Frank William Brangwyn, 1867–1956, British

The Headless Christ

1910

Print made by Richard Earlom, 1743–1822, British

A Study, with Ancient Ruins

1810

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Stepping Stones

1915

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Maur's Farm

1913

Print made by Frederick Landseer Maur Griggs, 1876–1938, British

Carnagh

1915

Print made by Charles William Cain, 1893–1962, British

Ctesiphon Arch

1921

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by James C. Allen, active 1821–1831, British

Aldborough

1819-1826

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

William Byrne, 1743–1805, British

Untitled

1765

William Byrne, 1743–1805, British

A View in the Villa Madama, near Rome, called II Teatro

1765

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Print made by Richard Parkes Bonington, 1802–1828, British

Lillebonne - Château d'Harcourt

1824

Print made by David Lucas, 1802–1881, British

Castle Acre Priory

1830 to 1831

Print made by John Sell Cotman, 1782–1842, British

Lakenham, near Norwich

ca. 1808

Print made by Miriam Garratt

Coventry Cathedral Service, Good Friday, 1943

after 1943

Louis Haghe, 1806–1885, British

Thornbury Castle, Gloucestershire

between 1823 and 1835

Print made by Richard Earlom, 1743–1822, British

Landscape with Ruins

1817

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Frederick James Havell, 1801–1840, British

Lincoln from the Castle

ca. 1836

Print made by John Greig, active 1803–1853, British

Keep of Dudley Castle

1810

Print made by David Lucas, 1802–1881, British

Hadleigh Castle, Large Plate

1830 to 1832

Print made by Richard Parkes Bonington, 1802–1828, British

Ancienne Porte a Stirling

1826

Print made by Richard Parkes Bonington, 1802–1828, British

Ancienne Tour Près de Lanark

1826

Print made by Richard Parkes Bonington, 1802–1828, British

Ruines de Château d'Arlay

1827

Print made by Richard Parkes Bonington, 1802–1828, British

Tour aux Archives a Vernon

1824

Print made by Richard Parkes Bonington, 1802–1828, British

Vue Generale des Ruines du Château d'Arlay

1827

Print made by Miriam Garratt

Souvenir of Coventry

1942

Christian Friedrich Duttenhoffer, 1778–1846, German

Solitude

1802

Print made by Edward Francis Finden, 1791–1857, British

Bacharach on the Rhine

1832

John Greig, active 1803–1853, British

Dudley Castle from the Court

1810

Henry Griffiths, 1835–1849, British

Inverlochy Castle, Invernesshire

1836

Print made by Francesco Bartolozzi, 1728–1815, Italian, active in Britain (1764–99)

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Letitia Byrne, 1779–1849, British

Bolton Abbey, Yorkshire

1809

Print made by William Woollett, 1735–1785, British

Celadon and Amelia

1766

Print made by Benjamin Comte, 1760–1851, Swiss

Tynemouth Castle and Priory, Northumberland

1802

William Ellis, 1747–1810, British

The House of William Russell, Esq., Showell Green: English and French Text

1792

Print made by unknown artist

The Bay of Baiae - Apollo and the Sibyl

between 1852 and 1856

Edmund Turrell, active 1835–1860, British

The Temple of Aphaia at Aegina: Sections

1828

Print made by Oliver Hall, 1869–1957, British

St. Martin's Bridge, Toledo

undated

Charles Robert Cockerell, 1788–1863, British

The Temple of Aphaia at Aegina: Longitudinal Section of Platform and Cave

1860

Print made by James T. Willmore, 1800–1863, British

The Golden Bough

1856

Print made by Thomas Abiel Prior, 1809–1886, British

The Bay of Baiae - Apollo and the Sibyl

1873

Print made by James T. Willmore, 1800–1863, British

The Golden Bough

1856

Bradshaw & Blacklock, active ca.1850, British

Scottish Scenes. Albanian Scenes

after 1850

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Medium wove paper

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