Medium: wove paper / Subject Terms: men - YCBA Collections Search Search Results

1. Arab Horsemen, Two Grey Horses

Creator:: John R. Skeaping, 1901–1980, British
Date:: 1965
Medium:: Watercolor and gouache on thick, rough, white wove paper
Dimensions:: Sheet: 20 × 27 1/2 inches (50.8 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Meet

Creator:: Print made by Robert Polhill Bevan, 1865–1925, British
Date:: 1898-1899
Medium:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Found!

Creator:: Print made by Robert Polhill Bevan, 1865–1925, British
Date:: 1898-1899
Medium:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 7/16 inches (38.1 x 49.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Flying Pack

Creator:: Print made by Robert Polhill Bevan, 1865–1925, British
Date:: 1898-1899
Medium:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Who-o-p!

Creator:: Print made by Robert Polhill Bevan, 1865–1925, British
Date:: 1898-1899
Medium:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Ploughing the Hillside

Creator:: Robert Polhill Bevan, 1865–1925, British
Date:: ca. 1905
Medium:: Black chalk on medium, smooth, beige wove paper
Dimensions:: Sheet: 14 1/2 × 18 1/4 inches (36.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Under the Hammer

Creator:: Robert Polhill Bevan, 1865–1925, British
Date:: between 1912 and 1913
Medium:: Black chalk and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/16 × 12 5/16 inches (25.9 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Bayhorse, Tattersall’s

Creator:: Robert Polhill Bevan, 1865–1925, British
Date:: 1921
Medium:: Watercolor and charcoal on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 15 5/8 inches (53.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Over the Bank, Exmoor

Creator:: Robert Polhill Bevan, 1865–1925, British
Date:: ca. 1895
Medium:: Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Human Figure, Lateral View

Creator:: George Stubbs, 1724–1806, British
Date:: 1795 to 1806
Medium:: Graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Labourers

Creator:: Print made by George Stubbs, 1724–1806, British
Date:: 1789
Medium:: Etching, stipple engraving, roulette and rocker on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 28 inches (54 x 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Meet

Creator:: Robert Polhill Bevan, 1865–1925, British
Date:: between 1901 and 1925
Medium:: Black chalk, white chalk, and gray wash; verso: graphite and black chalk, incised for transfer on medium, smooth, beige wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/16 inches (34.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764, British
Date:: 1751, printed 1790
Medium:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

14. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Creator:: Print made by William Hogarth, 1697–1764, British
Date:: 1751, printed 1790
Medium:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

15. The Fourth Stage of Cruelty: The Reward of Cruelty

Creator:: Print made by William Hogarth, 1697–1764, British
Date:: 1751, printed 1790
Medium:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

16. The Deluge

Creator:: Engraved by Joseph Mallord William Turner, 1775–1851, British
Date:: between 1813 and 1823
Medium:: Mezzotint, printed in brown ink Modern Impression on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 18 inches (35.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Folkestone Harbour and Coast to Dover

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1829
Medium:: Watercolor, gouache and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 17 7/8in. (28.9 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Teignmouth, Devonshire

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1813
Medium:: Watercolor and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 8 3/4 inches (15.2 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Rome from Monte Mario

Creator:: Joseph Mallord William Turner, 1775–1851, British
Date:: ca. 1818
Medium:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Near Suez, evening, 15 January 1849 (43)

Creator:: Edward Lear, 1812–1888, British
Date:: 1849
Medium:: Watercolor with pen in brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 5 1/4 x 9 1/8 inches (13.3 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

21. Studies of Camels and Egyptian Men

Creator:: Edward Lear, 1812–1888, British
Date:: 1867
Medium:: Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 1 3/8 x 3 7/8 inches (3.5 x 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

22. Silsilis

Creator:: Edward Lear, 1812–1888, British
Date:: 1854
Medium:: Watercolor, graphite, pen and red ink on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 3 1/16 x 6 1/16 inches (7.8 x 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

23. Opposite Beni Hassan

Creator:: Edward Lear, 1812–1888, British
Date:: 1867
Medium:: Watercolor, graphite, white gouache, pen and brown ink on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 5 15/16 x 9 13/16 inches (15.1 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

24. Howatke

Creator:: Edward Lear, 1812–1888, British
Date:: 1867
Medium:: Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 3 13/16 x 9 1/16 inches (9.7 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

25. Seated Men

Creator:: Edward Lear, 1812–1888, British
Date:: 1867
Medium:: Watercolor, graphite, white gouache, pen and brown ink on thick, moderately textured, brown wove paper
Dimensions:: Sheet: 2 1/4 x 3 1/2 inches (5.7 x 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

26. Bacchanalian Scene (Possibly Antediluvian)

Creator:: George Romney, 1734–1802, British
Date:: undated
Medium:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

27. The Banquet Scene

Creator:: George Romney, 1734–1802, British
Date:: ca. 1792
Medium:: Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 3/16 inches (14 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

28. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1789
Medium:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38

Creator:: William Blake, 1757–1827, British
Date:: 1819
Medium:: Graphite and black chalk on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/8 x 8 inches (15.6 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Keith C., Yale BA 1968, and Mildred B. Marshall

32. The Shepherd, from Songs of Innocence

Creator:: William Blake, 1757–1827, British
Date:: ca. 1795
Medium:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 x 2 1/2 inches (7.6 x 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

33. Joseph and Potiphar's Wife

Creator:: William Blake, 1757–1827, British
Date:: 1803 to 1805
Medium:: Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Albion Compelling the Four Zoas to Their Proper Tasks

Creator:: William Blake, 1757–1827, British
Date:: 1804 to 1810
Medium:: Graphite and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 12 1/4 inches (25.1 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

35. Copy of the Laocoön, for Rees's Cyclopædia

Creator:: William Blake, 1757–1827, British
Date:: 1815
Medium:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 5/8 × 9 inches (32.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

36. Christ Appearing to the Apostles after the Resurrection

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1795 to 1805
Medium:: Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:: Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

37. The Man Sweeping the Interpreter's Parlour

Creator:: William Blake, 1757–1827, British
Date:: ca. 1822
Medium:: White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Mary Magdalen at the Sepulchre

Creator:: William Blake, 1757–1827, British
Date:: ca. 1805
Medium:: Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Sealing the Stone and Setting a Watch

Creator:: William Blake, 1757–1827, British
Date:: 1800 to 1803
Medium:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:: Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

40. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with letterpress inset
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Poems of Thomas Gray, Design 33, "A Long Story."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Poems of Thomas Gray, Design 37, "Ode to Adversity."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Poems of Thomas Gray, Design 61, "The Bard."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Poems of Thomas Gray, Design 65, "The Bard."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Poems of Thomas Gray, Design 81, "The Descent of Odin."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Poems of Thomas Gray, Design 97, "Ode for Music."

Creator:: William Blake, 1757–1827, British
Date:: between 1797 and 1798
Medium:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Jerusalem, Plate 100

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Europe. A Prophecy, Frontispiece Proof Impression

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1820
Medium:: Relief etching prined in brown ink; verso: color printed relief etching, pen and black ink, and gray ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Jerusalem, Plate 14, "One hair nor particle of dust...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Jerusalem, Plate 15, "And Hand & Hyle...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Jerusalem, Plate 19, "His children exil'd from his breast...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Jerusalem, Plate 20, "But when they saw Albion...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Jerusalem, Plate 25, "And there was heard...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Jerusalem, Plate 29, "Then the Divine Vision...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Jerusalem, Plate 30, "And the Two that escaped...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Jerusalem, Plate 39, "By Satans Watch-fiends...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Jerusalem, Plate 41, "Bath who is Legions...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Jerusalem, Plate 42, "Thus Albion sat...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Jerusalem, Plate 85, "Became a Space & an Allegory...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Jerusalem, Plate 91, "It is easier to forgive an enemy...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Jerusalem, Plate 93, "Enitharmon heard...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Jerusalem, Plate 97, "Awake! Awake Jerusalem...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Jerusalem, Plate 99, "All Human Forms identified...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1804 to 1820
Medium:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1797
Medium:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

Creator:: Print made by William Blake, 1757–1827, British
Date:: ca. 1788
Medium:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. America. A Prophecy, Plate 1, Frontispiece

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. America. A Prophecy, Plate 10, "The Terror Answered...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. America. A Prophecy, Plate 14, "So Cried He...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. America. A Prophecy, Plate 16, "In the Flames Stood...."

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. America. A Prophecy, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827, British
Date:: 1793
Medium:: Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Medium wove paper

Subject Terms men

Search Results

1. Arab Horsemen, Two Grey Horses

2. The Meet

3. Found!

4. The Flying Pack

5. Who-o-p!

6. Ploughing the Hillside

7. Under the Hammer

8. The Bayhorse, Tattersall’s

9. Over the Bank, Exmoor

10. Human Figure, Lateral View

11. Labourers

12. The Meet

13. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

14. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

15. The Fourth Stage of Cruelty: The Reward of Cruelty

16. The Deluge

17. Folkestone Harbour and Coast to Dover

18. Teignmouth, Devonshire

19. Rome from Monte Mario

20. Near Suez, evening, 15 January 1849 (43)

21. Studies of Camels and Egyptian Men

22. Silsilis

23. Opposite Beni Hassan

24. Howatke

25. Seated Men

26. Bacchanalian Scene (Possibly Antediluvian)

27. The Banquet Scene

28. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

29. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

30. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

31. Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38

32. The Shepherd, from Songs of Innocence

33. Joseph and Potiphar's Wife

34. Albion Compelling the Four Zoas to Their Proper Tasks

35. Copy of the Laocoön, for Rees's Cyclopædia

36. Christ Appearing to the Apostles after the Resurrection

37. The Man Sweeping the Interpreter's Parlour

38. Mary Magdalen at the Sepulchre

39. Sealing the Stone and Setting a Watch

40. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

41. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

42. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

43. The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

44. The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."

45. The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

46. The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

47. The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

48. The Poems of Thomas Gray, Design 33, "A Long Story."

49. The Poems of Thomas Gray, Design 35, "Ode to Adversity."

50. The Poems of Thomas Gray, Design 37, "Ode to Adversity."

51. The Poems of Thomas Gray, Design 61, "The Bard."

52. The Poems of Thomas Gray, Design 65, "The Bard."

53. The Poems of Thomas Gray, Design 71, "The Fatal Sisters."

54. The Poems of Thomas Gray, Design 75, "The Fatal Sisters."

55. The Poems of Thomas Gray, Design 81, "The Descent of Odin."

56. The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

57. The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

58. The Poems of Thomas Gray, Design 97, "Ode for Music."

59. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

60. There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

61. There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

62. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

63. There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

64. America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."

65. America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

66. Jerusalem, Plate 100

67. Europe. A Prophecy, Frontispiece Proof Impression

68. Jerusalem, Plate 14, "One hair nor particle of dust...."

69. Jerusalem, Plate 15, "And Hand & Hyle...."

70. Jerusalem, Plate 19, "His children exil'd from his breast...."

71. Jerusalem, Plate 20, "But when they saw Albion...."

72. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

73. Jerusalem, Plate 25, "And there was heard...."

74. Jerusalem, Plate 29, "Then the Divine Vision...."