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1. Illustrations of Imitation of Eclogue I, Page 18

Illustrations of Imitation of Eclogue I, Page 18
Creator:
William Blake, 1757–1827, British
Date:
1821
Medium:
Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:
Spine: 7 1/8 inches (18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Breakfast at Breteuil

Breakfast at Breteuil
Creator:
unknown artist, ( Lewis )
Date:
1801
Medium:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 × 26 3/8 inches (48.9 × 67 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber

Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
Creator:
John Thomas Smith, 1766–1833, British
Date:
1817
Medium:
Pen and black ink, brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Harvesting - The Noontide Rest

Harvesting - The Noontide Rest
Creator:
Charles Vincent Barber, 1784–1854, British
Date:
1811
Medium:
Graphite and watercolor on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 22 5/8 x 31 3/4 inches (57.5 x 80.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
between 1818 and 1822
Medium:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 8 11/16 inches (17 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Breakfast before the Hunt

Breakfast before the Hunt
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1785 and 1790
Medium:
Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Foxhunting: The Toast

Foxhunting: The Toast
Creator:
Henry Thomas Alken, 1785–1851, British
Date:
undated
Medium:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/16 × 12 3/8 inches (23.3 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Comforts of Bath: The Breakfast

The Comforts of Bath: The Breakfast
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Diners in a Chop Shop

Diners in a Chop Shop
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1800 and 1805
Medium:
Watercolor with pen and brown and red-brown ink over graphite, verso: black crayon, graphite, and ink lines, numbers and tracing of recto image on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 7/16 x 6 5/8 inches (11.3 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Comforts of Bath: Gouty Gourmands at Dinner

Comforts of Bath: Gouty Gourmands at Dinner
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Watercolor, pen and gray-brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 x 7 7/8 inches (12.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Study of Women and Men Saying Grace, Before a Meal

Study of Women and Men Saying Grace, Before a Meal
Creator:
Sir Hubert von Herkomer, 1849–1914, British
Date:
undated
Medium:
Graphite, black chalk and pen and black ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 11 1/2 inches (25.4 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

13. The Supper Box at Vauxhall

The Supper Box at Vauxhall
Creator:
Isaac Cruikshank, 1764–1811, British
Date:
undated
Medium:
Pen and black ink, gray wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 13/16 × 6 1/2 inches (24.9 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799

Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
Creator:
William Alexander, 1767–1816, British
Date:
undated
Medium:
Brown ink over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. Dinner Party at a Mandarin's House

Dinner Party at a Mandarin's House
Creator:
Thomas Allom, 1804–1872, British
Date:
undated
Medium:
Pen and brown ink, brown wash, white gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Dr. Syntax Copying the Wit of the Window

Dr. Syntax Copying the Wit of the Window
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1809 and 1812
Medium:
Watercolor with pen and gray and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 8 3/16 inches (13.7 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Bachelor's Hall

Bachelor's Hall
Creator:
Robert Dighton, 1752–1814, British
Date:
undated
Medium:
Watercolor, gouache, pen, brown ink, and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 7/8 inches (34.6 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
Creator:
William Alexander, 1767–1816, British
Date:
ca. 1799
Medium:
Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire

Figures Seated at a Table Being Served Food, Crockem Wells, Devonshire
Creator:
John Nixon, ca. 1760–1818, British
Date:
undated
Medium:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection