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William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 85, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Print made by William Blake, 1757–1827, British
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 101, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 79, "The Descent of Odin."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 53, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
Paulus Pontius Cæsar Alexander Scaglia
Print made by Paulus Pontius, 1603–1658, Flemish
Cæsar Alexander Scaglia
ca. 1635
James Hakewill Holland Estate, St. Thomas in the East, View from the Change of Air House
James Hakewill, 1778–1843, British
Holland Estate, St. Thomas in the East, View from the Change of Air House
between 1820 and 1821
William Bromley Portrait of Fuseli
Print made by William Bromley, 1769–1842, British
Portrait of Fuseli
undated
John Browne Evening
Print made by John Browne, 1741–1801, British
Evening
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801, British
Evening
ca. 1797
John Browne Moon-Light
Print made by John Browne, 1741–1801, British
Moon-Light
ca. 1797
James Bretherton Inimitable Mr. James Moss
Print made by James Bretherton, ca. 1730–1806, British
Inimitable Mr. James Moss
1773
John Crome Road Scene, Trowse Hall, near Norwich
Print made by John Crome, 1768–1821, British
Road Scene, Trowse Hall, near Norwich
1813
Robert Dixon Cottage at Diss
Robert Dixon, 1780–1815, British
Cottage at Diss
1811
Robert Dixon West Tower, Wymondham Church
Robert Dixon, 1780–1815, British
West Tower, Wymondham Church
1810
Robert Dixon Remains of the Priory, Beeston Regis
Robert Dixon, 1780–1815, British
Remains of the Priory, Beeston Regis
1810
M. Gauci William Howley, Archbishop of Canterbury
M. Gauci, 1810–1846
William Howley, Archbishop of Canterbury
1839
George Cruikshank Fitting out. - Plate 1
Print made by George Cruikshank, 1792–1878, British
Fitting out. - Plate 1
1820
Robert Dixon Beeston Priory, Beeston Regis
Robert Dixon, 1780–1815, British
Beeston Priory, Beeston Regis
between 1810 and 1811
John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
John Dixon, ca. 1740–1811, Irish
Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry
1771
James Clark Cowdray Ruins
Print made by James Clark, 19th century
Cowdray Ruins
1824
David Hockney Ossie Seated
David Hockney, born 1937, British
Ossie Seated
1966
Thomas Shotter Boys Street Scene at Stratford by Bow
Thomas Shotter Boys, 1803–1874, British
Street Scene at Stratford by Bow
undated
Cornelius Varley John Flaxman whilst Lecturing at the Royal Academy
Cornelius Varley, 1781–1873, British
John Flaxman whilst Lecturing at the Royal Academy
after 1800
Cornelius Varley Study of Boats on Shore
Cornelius Varley, 1781–1873, British
Study of Boats on Shore
1829
Richard Parkes Bonington Studies for Shylock
Richard Parkes Bonington, 1802–1828, British
Studies for Shylock
1825
Paul Sandby Couple in a Farmyard
Paul Sandby, 1731–1809, British
Couple in a Farmyard
1782
Sir David Wilkie La Mancha
Sir David Wilkie, 1785–1841, British
La Mancha
1828
James Gillray The Reflection: Grotesque Fat man Looking in a Hand Mirror
Imitator of James Gillray, 1756–1815, British
The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
William Hamilton Hero and Leander
William Hamilton, 1751–1801, British
Hero and Leander
1801
James Hook A Regency Pair
James Hook, ca. 1772–1828, British
A Regency Pair
1802
unknown artist A Soldier on Horseback
Attributed to unknown artist, (W. Gore)
A Soldier on Horseback
undated
Thomas Hearne Gundulf's Tower, Rochester Cathedral, Kent
Thomas Hearne, 1744–1817, British
Gundulf's Tower, Rochester Cathedral, Kent
undated
Samuel Howitt A Boar and a Ram
Samuel Howitt, 1756–1822, British
A Boar and a Ram
undated
Samuel Howitt A Lion Standing over a Wounded Leapard
Samuel Howitt, 1756–1822, British
A Lion Standing over a Wounded Leapard
undated
Paul Arthur Hogarth Costume Design
Paul Arthur Hogarth, 1917–2001, British
Costume Design
1961
Francis Le Piper A Sly Man in a Cap
Francis Le Piper, 1640–1698, British
A Sly Man in a Cap
undated
John Linnell Mr. Jacob Barring
John Linnell, 1792–1882, British
Mr. Jacob Barring
1818
Augustus Edwin John Self Portrait
Augustus Edwin John, 1878–1961, British
Self Portrait
ca. 1897
John Frederick Lewis A Head Keeper, Windsor Castle, 1826
John Frederick Lewis, 1804–1876, British
A Head Keeper, Windsor Castle, 1826
1826
Cornelius Varley Study of Moored Boat with Seated Figure
Cornelius Varley, 1781–1873, British
Study of Moored Boat with Seated Figure
undated
Edward Goodall St. Julienne's Chapel
Print made by Edward Goodall, 1795–1870, British
St. Julienne's Chapel
1834
Samuel Prout Fishing Boat on the Beach with a Brig at Sea
Samuel Prout, 1783–1852, British
Fishing Boat on the Beach with a Brig at Sea
undated
James Ward A Study for the Central Character in Ward's Painting "The Deer Stealer"
James Ward, 1769–1859, British
A Study for the Central Character in Ward's Painting "The Deer Stealer"
1820
James Barry Male with Arms Spread Wide Seen from Behind
James Barry, 1741–1806, Irish
Male with Arms Spread Wide Seen from Behind
undated
Lewis Vaslet The Spoiled Child, Scene IV
Lewis Vaslet, 1742–1808, British
The Spoiled Child, Scene IV
ca. 1802
John Boyne Malvolio: Possibly a Self-Portrait in the Role
John Boyne, ca. 1750–1810, British
Malvolio: Possibly a Self-Portrait in the Role
undated
Thomas Sewell Robins A Postilion
Thomas Sewell Robins, 1814–1880, British
A Postilion
undated
Sir James Thornhill Diana and Actaeon: A Study for a Panel on a Staircase
follower of Sir James Thornhill, 1675–1734, British
Diana and Actaeon: A Study for a Panel on a Staircase
undated
Conrad Gessner Man Watering Four Horses
Conrad Gessner, 1764–1826, Swiss
Man Watering Four Horses
undated
Augustus Edwin John Portrait of Colonel Thomas E. Lawrence (Lawrence of Arabia)
Augustus Edwin John, 1878–1961, British
Portrait of Colonel Thomas E. Lawrence (Lawrence of Arabia)
1919
Thomas Hand Wooded Landscape with Figures Round a Cooking Pot
Thomas Hand, died 1804, British
Wooded Landscape with Figures Round a Cooking Pot
1793
Theodor von Holst Ferdinand Riding the Waves
Theodor von Holst, 1810–1844, British
Ferdinand Riding the Waves
ca. 1830
Theodor von Holst Faust and Margaret
Theodor von Holst, 1810–1844, British
Faust and Margaret
undated
George Henry Harlow Queen Katherine's Dream
George Henry Harlow, 1787–1819, British
Queen Katherine's Dream
1807
Thomas Heaphy Inattention
Thomas Heaphy, 1775–1835, British
Inattention
1808
Thomas Hearne The Poor House, Hadley, Hertfordshire
Thomas Hearne, 1744–1817, British
The Poor House, Hadley, Hertfordshire
1802
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817, British
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
John Jackson Self-Portrait
John Jackson, 1778–1831, British
Self-Portrait
ca. 1823
Thomas Hearne The Cheesecake House, Hyde Park
Thomas Hearne, 1744–1817, British
The Cheesecake House, Hyde Park
ca. 1795
Malcolm Drummond Malcolm Drummond
Malcolm Drummond, 1880–1945, British
Malcolm Drummond
undated
Henry Lamb Lytton Strachey
Henry Lamb, 1883–1960, British
Lytton Strachey
undated
Thomas Barker Man in a Blue Cloak
attributed to Thomas Barker, 1769–1847, British
Man in a Blue Cloak
undated
William Mulready The Fight Interrupted
William Mulready, 1786–1863, Irish
The Fight Interrupted
undated
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845, British
Anne Page and Slender
1821
Henry William Bunbury A Dishevelled Man Grimacing and Walking Awkwardly with a Cane: full length
Henry William Bunbury, 1750–1811, British
A Dishevelled Man Grimacing and Walking Awkwardly with a Cane: full length
undated
J. Findlay Peter Callam & Elvira
J. Findlay, active 1825–1857
Peter Callam & Elvira
undated
Cornelius Varley Cottages at Letherhead Surrey
Cornelius Varley, 1781–1873, British
Cottages at Letherhead Surrey
undated
James Ward Studies after Anthony van Dyck's Portrait of Arthur Goodwin
James Ward, 1769–1859, British
Studies after Anthony van Dyck's Portrait of Arthur Goodwin
1825