<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Medium wove paper

Remove constraint Medium: wove paper

Subject Terms kneeling

Remove constraint Subject Terms: kneeling

Search Results

1. Figure Standing, with a Bent Knee

Figure Standing, with a Bent Knee
Creator:
George Romney, 1734–1802, British
Date:
undated
Medium:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 x 3 1/8 inches (11.4 x 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

2. Two Figures, with One Male Nude Kneeling

Two Figures, with One Male Nude Kneeling
Creator:
George Romney, 1734–1802, British
Date:
undated
Medium:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 3 1/2 inches (13 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Christ Appearing to the Apostles after the Resurrection

Christ Appearing to the Apostles after the Resurrection
Creator:
Print made by William Blake, 1757–1827, British
Date:
1795 to 1805
Medium:
Color monotype, watercolor, pen and black ink and varnish on moderately textured wove paper
Dimensions:
Sheet: 17 x 22 1/2 inches (43.2 x 57.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Purchased 1929

5. Mary Magdalen at the Sepulchre

Mary Magdalen at the Sepulchre
Creator:
William Blake, 1757–1827, British
Date:
ca. 1805
Medium:
Watercolor with pen and black ink and gray ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 12 1/4 inches (43.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 21, "O Vala! O Jerusalem...."

Jerusalem, Plate 21, "O Vala! O Jerusalem...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

The Poems of Thomas Gray, Design 5, "Ode on the Spring."
Creator:
William Blake, 1757–1827, British
Date:
between 1797 and 1798
Medium:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 5, "The banks of the Thames...."

Jerusalem, Plate 5, "The banks of the Thames...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 9, "Condens'd his Emanations...."

Jerusalem, Plate 9, "Condens'd his Emanations...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The First Book of Urizen, Plate 22 (Bentley 24)

The First Book of Urizen, Plate 22 (Bentley 24)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The First Book of Urizen, Plate 8 (Bentley 9)

The First Book of Urizen, Plate 8 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Earth; Plate 5

Earth; Plate 5
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)

Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)

Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
Creator:
William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The First Book of Urizen, Plate 4 (Bentley 24)

The First Book of Urizen, Plate 4 (Bentley 24)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Songs of Innocence, Plate 26, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

For the Sexes: The Gates of Paradise, Plate 5, "Earth"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1826
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The First Book of Urizen, Plate 23 (Bentley 9)

The First Book of Urizen, Plate 23 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)

The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. A Lion Standing over a Wounded Leapard

A Lion Standing over a Wounded Leapard
Creator:
Samuel Howitt, 1756–1822, British
Date:
undated
Medium:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. St. Julienne's Chapel

St. Julienne's Chapel
Creator:
Print made by Edward Goodall, 1795–1870, British
Date:
1834
Medium:
Line engraving and graphite, engraver's proof (touched) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/2 × 12 1/4 inches (44.5 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Burial of Sarah

Burial of Sarah
Creator:
John Martin, 1789–1854, British
Date:
1833
Medium:
Brown ink and brown wash on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 3 7/8 x 5 13/16 inches (9.8 x 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Women at Prayer

Women at Prayer
Creator:
Print made by Robert Sargent Austin, 1895–1973, British
Date:
1936
Medium:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 11/16 x 11 9/16 inches (39.8 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

30. Burmese Dancers

Burmese Dancers
Creator:
Print made by Charles William Cain, 1893–1962, British
Date:
between 1920 and 1924
Medium:
Drypoint on moderately thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 14 9/16 x 18 3/4 inches (37 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

31. Indian Statue

Indian Statue
Creator:
unknown artist, nineteenth century
Date:
undated
Medium:
Pen and black ink, gray ink, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 7/16 × 9 1/8 inches (26.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Brass Plate of a Kneeling Man

Brass Plate of a Kneeling Man
Creator:
Attributed to Daniel Lysons, 1762–1834, British
Date:
between 1796 and 1811
Medium:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Penitent Magdalene

Penitent Magdalene
Creator:
John Michael Rysbrack, 1694–1770, Flemish, active in Britain (from 1720)
Date:
undated
Medium:
Pen and brown ink and gray wash over red chalk on medium, slightly textured, cream laid paper mounted on medium, moderately textured, white paper
Dimensions:
Sheet: 5 7/16 x 5 3/4in. (13.8 x 14.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Figure Study

Figure Study
Creator:
Augustus Edwin John, 1878–1961, British
Date:
undated
Medium:
Pen and black ink with gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 1/2 inches (15.9 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Estate of Brian Sewell

35. Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV

Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
Creator:
Charles Grignion, 1717–1810, British
Date:
undated
Medium:
Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 13/16 x 9 3/16 inches (30 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Death of the First Born of Egypt

Death of the First Born of Egypt
Creator:
John Martin, 1789–1854, British
Date:
1836
Medium:
Pen and red and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 19 15/16 x 27 15/16 inches (50.6 x 70.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37. Woman Resting

Woman Resting
Creator:
Print made by Robert Sargent Austin, 1895–1973, British
Date:
1945
Medium:
Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 x 9 inches (28.7 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

38. Cottager's Hospitality to Travellers of The Coach Broke Down

Cottager's Hospitality to Travellers of The Coach Broke Down
Creator:
James Pollard, 1792–1867, British
Date:
1819
Medium:
Watercolor over etched outline, and pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/2 inches (29.8 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Cutting Mistletoe from it by the Druids

Cutting Mistletoe from it by the Druids
Creator:
Julius Caesar Ibbetson, 1759–1817, British
Date:
undated
Medium:
Pen and brown ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 3/8 × 3 inches (6 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Jesus Driving the Moneychangers from the Temple (Latin)

Jesus Driving the Moneychangers from the Temple (Latin)
Creator:
Eric Gill, 1882–1940, British
Date:
1919
Medium:
Wood-engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 6 1/4 x 4 3/16 inches (15.8 x 10.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

41. Kneeling figures in Church

Kneeling figures in Church
Creator:
Gwen John, 1876–1939, British
Date:
undated
Medium:
Gouache and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 3/4 × 6 3/4 inches (22.2 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Mourning at a Tomb

Mourning at a Tomb
Creator:
William Alexander, 1767–1816, British
Date:
between 1792 and 1794
Medium:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 6 1/2 inches (21.6 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Sketch for the Passions: Pride

Sketch for the Passions: Pride
Creator:
Richard Dadd, 1817–1886, British
Date:
ca. 1854
Medium:
Watercolor, black ink, and graphite on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/8 inches (36.8 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. A Chinese Beggar

A Chinese Beggar
Creator:
William Alexander, 1767–1816, British
Date:
undated
Medium:
Watercolor and pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)

Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
Creator:
Robert Smirke, 1752–1845, British
Date:
undated
Medium:
Oil, pen and brown ink, and graphite on medium, lightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 x 3in. (11.4 x 7.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Hero's Widow (No.2)

Hero's Widow (No.2)
Creator:
Print made by Robert Sargent Austin, 1895–1973, British
Date:
1945
Medium:
Line engraving and etching on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 11 5/16 x 9 inches (28.8 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

47. Florence, from Chiesa al Monte

Florence, from Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834, British
Date:
1820
Medium:
Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. 'The Gamester,' Act V, Scene IV

'The Gamester,' Act V, Scene IV
Creator:
James Fittler, 1758–1835, British
Date:
1792
Medium:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 × 3 1/16 inches (14 × 7.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

49. A Group of Women at Mass

A Group of Women at Mass
Creator:
Sir David Wilkie, 1785–1841, British
Date:
undated
Medium:
Watercolor with black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 6 inches (19.4 x 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, Fund

50. Mordecai

Mordecai
Creator:
Print made by Richard Earlom, 1743–1822, British
Date:
1787
Medium:
Mezzotint on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 23 5/8 inches (49.2 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

51. The Reunion of the Soul & the Body

The Reunion of the Soul & the Body
Creator:
Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:
1808, published 1813
Medium:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf

Cave of the Golden Calf: Design for a Decorative Panel, Worshippers and Calf
Creator:
Spencer Frederick Gore, 1878–1914, British
Date:
1912
Medium:
Graphite and pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

53. Kneeling Female Figure

Kneeling Female Figure
Creator:
Henri Gaudier-Brzeska, 1891–1915, French
Date:
between 1910 and 1915
Medium:
Pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 x 4 1/2 inches (17.8 x 11.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

54. Annuciation

Annuciation
Creator:
Print made by Bernard Lens II, 1659–1725, British
Date:
undated
Medium:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 × 3 3/4 inches (14.1 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

55. Study for the Kneeling Figure of Priscilla

Study for the Kneeling Figure of Priscilla
Creator:
Edward Francis Burney, 1760–1848, British
Date:
undated
Medium:
Graphite, red chalk, and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 6 1/4 inches (21.6 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

56. Devoted Wife

Devoted Wife
Creator:
George Cruikshank, 1792–1878, British
Date:
undated
Medium:
Graphite, pen and brown ink, and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 x 8 5/16in. (28.9 x 21.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Annunciation (Luke 1:26)

The Annunciation (Luke 1:26)
Creator:
Richard Westall, 1765–1836, British
Date:
before 1836
Medium:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/8 x 1 1/2 inches (10.5 x 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

58. Study of a Religious Ceremony Scene

Study of a Religious Ceremony Scene
Creator:
Benjamin Robert Haydon, 1786–1846, British
Date:
1814
Medium:
Black chalk and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 11 1/8 × 8 7/16 inches (28.3 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Isabella and Mariana Kneeling Before the Duke

Isabella and Mariana Kneeling Before the Duke
Creator:
Robert Smirke, 1752–1845, British
Date:
1822
Medium:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 4 inches (13 x 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Cave of the Golden Calf: Kneeling Figures

Cave of the Golden Calf: Kneeling Figures
Creator:
Spencer Frederick Gore, 1878–1914, British
Date:
1912
Medium:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/4 inches (8.9 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

61. Cave of the Golden Calf: Worshippers and Calf

Cave of the Golden Calf: Worshippers and Calf
Creator:
Spencer Frederick Gore, 1878–1914, British
Date:
1912
Medium:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

62. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834, British
Date:
1820
Medium:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Behemoth and Leviathan

Behemoth and Leviathan
Creator:
circle of John Linnell, 1792–1882, British
Date:
undated
Medium:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Frame: 20 1/4 x 15 1/4 x 1in. (51.4 x 38.7 x 2.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. The Vision of Eliphaz

The Vision of Eliphaz
Creator:
circle of John Linnell, 1792–1882, British
Date:
undated
Medium:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 3 3/4 inches (13.3 x 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Job Rebuked by His Friends

Job Rebuked by His Friends
Creator:
circle of John Linnell, 1792–1882, British
Date:
undated
Medium:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 4 3/4 inches (9.2 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. The Lord Answering Job out of the Whirlwind

The Lord Answering Job out of the Whirlwind
Creator:
circle of John Linnell, 1792–1882, British
Date:
undated
Medium:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 7/8 inches (9.5 x 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Fall of Satan

The Fall of Satan
Creator:
circle of John Linnell, 1792–1882, British
Date:
undated
Medium:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 3 7/8 inches (13.3 x 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. The Vision of God

The Vision of God
Creator:
circle of John Linnell, 1792–1882, British
Date:
undated
Medium:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 x 5 inches (9.2 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Job's Sacrifice

Job's Sacrifice
Creator:
circle of John Linnell, 1792–1882, British
Date:
undated
Medium:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Satan Smiting Job with Boils

Satan Smiting Job with Boils
Creator:
circle of John Linnell, 1792–1882, British
Date:
undated
Medium:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/4 x 4 3/4 inches (9.5 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. The Interior of the Lower Basilica of St. Francis of Assisi

The Interior of the Lower Basilica of St. Francis of Assisi
Creator:
Thomas Hartley Cromek, 1809–1873, British
Date:
1839
Medium:
Watercolor and gouache with gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 11/16 x 19 7/16 inches (34.7 x 49.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund

72. Nuns Praying at Altar of a Church

Nuns Praying at Altar of a Church
Creator:
Sir Robert Smirke the younger, 1781–1867, British
Date:
1802-1804
Medium:
Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 1/2 × 10 9/16 inches (34.3 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Ten Needle-Box Prints

Ten Needle-Box Prints
Creator:
Print made by Vincent Robert Alfred Brooks, 1814–1885, British
Date:
undated
Medium:
Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. La Prière

La Prière
Creator:
Print made by Richard Parkes Bonington, 1802–1828, British
Date:
1826
Medium:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 5/16 x 4 3/4 inches (18.5 x 12 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Pierre de Vaivre

Pierre de Vaivre
Creator:
Print made by Richard Parkes Bonington, 1802–1828, British
Date:
1827
Medium:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 14 13/16 x 11 13/16 inches (37.7 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Tour aux Archives a Vernon

Tour aux Archives a Vernon
Creator:
Print made by Richard Parkes Bonington, 1802–1828, British
Date:
1824
Medium:
Lithograph on moderately thick, smooth, cream wove paper with beige chine collé
Dimensions:
Sheet: 17 15/16 x 13 9/16 inches (45.6 x 34.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Ferdinand Reunited with his Father

Ferdinand Reunited with his Father
Creator:
Robert Smirke, 1752–1845, British
Date:
1821
Medium:
Pen and brown ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 15/16 x 4 5/16 inches (15.1 x 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Christopher Sly and the Page, as His Wife

Christopher Sly and the Page, as His Wife
Creator:
Robert Smirke, 1752–1845, British
Date:
1821
Medium:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, beige wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 x 4 7/16 inches (16.3 x 11.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Capulet Railing at his Daughter, Juliet

Capulet Railing at his Daughter, Juliet
Creator:
Robert Smirke, 1752–1845, British
Date:
1825
Medium:
Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 x 4 1/2 inches (16.1 x 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Cave of the Golden Calf: Study of a Tree House with Primitive People

Cave of the Golden Calf: Study of a Tree House with Primitive People
Creator:
Spencer Frederick Gore, 1878–1914, British
Date:
1912
Medium:
Graphite on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore

81. Job and His Family

Job and His Family
Creator:
circle of John Linnell, 1792–1882, British
Date:
undated
Medium:
Black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Oh Yes Believe Me. Love Has Eyes.

No cover image available
Creator:
William Heath, 1795–1840, British
Date:
undated
Medium:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 x 17 inches (28.3 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul and Anita Turner

83. The Death of the Good Old Man

No cover image available
Creator:
Print made by Luigi Schiavonetti, 1765–1810, Italian
Date:
1808
Medium:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Binding: 14 1/2 inches (36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job

No cover image available
Creator:
Published by Arnold Fawcus, 1917–1979, British
Date:
1972
Medium:
Collotype with hand coloring in watercolor on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 6 1/4 inches (14 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection