Medium: wove paper / Width [cm]: 31 / Subject Terms: river - YCBA Collections Search Search Results

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Joseph Mallord William Turner, 1775–1851, British

View of Hampton Court, Herefordshire, from the Southeast

ca. 1806

Edward Lear, 1812–1888, British

Deir Kadige, 1:00 p.m., January 2, 1867

1867

Edward Lear, 1812–1888, British

Near Mesghouneh

1867

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Chelsea

ca. 1882

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814 to 1826

Print made by John Scott, 1774–1828, British

Aysgarth Force

1818-1823

Paul Sandby, 1731–1809, British

The Gypsy Fortune-Teller

ca. 1758

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1834

Amelia Long, 1762–1837, British

On the Cam . . . back of St. John's College, Cambridge

undated

Thomas Hearne, 1744–1817, British

Goodrich Castle on the Wye

ca. 1785

John Linnell, 1792–1882, British

Scene in Kent

undated

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814

Print made by George Cooke, 1781–1834, British

Teignmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Dock, from Mount Edgecumbe

1816

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855, British

Minehead, Somersetshire

1820

Print made by William Bernard Cooke, 1778–1855, British

Minehead, Somersetshire

1820

Print made by Edward Goodall, 1795–1870, British

Rye, Sussex

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Rye, Sussex

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

Rye, Sussex

1814 to 1826

Print made by James C. Allen, active 1821–1831, British

St. Mawes, Cornwall

1814 to 1826

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

Print made by George Cooke, 1781–1834, British

Teignmouth, Devon

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Print made by Edward Goodall, 1795–1870, British

Boscastle, Cornwall

1814-1826

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Print made by William Miller, 1796–1882, British

Berwick-on-Tweed

1834

François Louis Thomas Francia, 1772–1839, French, active in Britain

View of Sheerness

undated

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Rev. William Warren Porter, 1776–1804, British

Magdalen Bridge, Near Oxford

undated

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Attributed to Robert Dixon, 1780–1815, British

Norwich from the gravel pits

undated

Alvin Langdon Coburn, 1882–1966, British

Westminster Abbey

1909

Anthony Vandyke Copley Fielding, 1787–1855, British

Richmond Hill

1830

Richard Redgrave, 1804–1888, British

Ile de la Cité, the Pont au Change, and the Conciergerie, Paris, 1837

1837

Print made by Robert Brandard, 1805–1862, British

Beaugency

1833

Print made by James T. Willmore, 1800–1863, British

Bedford, Bedfordshire

1831

Thomas Daniell, 1749–1840, British, active in India

Landscape

undated

Samuel Davis, 1760–1819, British

River Scene with Buildings

between 1777 and 1808

pupil of Peter DeWint, 1784–1849, British

Near Norwich

undated

Print made by Samuel Middiman, ca. 1750–1831, British

Bridge at Narni

1819

Print made by George Cooke, 1781–1834, British

Florence, from Chiesa al Monte

1820

Sir Francis Seymour Haden, 1818–1910, British

The Mill-Wheel

1874

Sir Francis Seymour Haden, 1818–1910, British

Harlech, no. 2

1880

Print made by George Hollis, 1792–1842, British

Rome, Bridge and Castle of St. Angelo on the Tyber

1818

Print made by Robert Wallis, 1794–1878, British

Bolton Abbey, Yorkshire

1827

Print made by Robert Wallis, 1794–1878, British

Cowes, Isle of Wight

1830

Print made by James Mitan, 1776–1822, British

Turin from the Portico of the Superga Church

1820

Print made by Edward Goodall, 1795–1870, British

Fall of the Tees, Yorkshire

1827

Print made by Thomas Jeavons, ca. 1800–1867, British

Devonport and Dockyard, Devonshire

1830

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1836

Print made by James T. Willmore, 1800–1863, British

Llanthony, Monmouthshire

1836

Print made by Thomas Jeavons, ca. 1800–1867, British

Arundel Castle and Town, Sussex

1834

Print made by William Radclyffe, 1780–1855, British

Blenheim, Oxfordshire

1833

Print made by William Miller, 1796–1882, British

Carew Castle, Pembroke

1834

Print made by William Radclyffe, 1780–1855, British

Caernarvon Castle, Wales

1835

Print made by William Miller, 1796–1882, British

Durham Cathedral

1836

Print made by Robert Wallis, 1794–1878, British

Warwick Castle, Warwickshire

1832

Print made by Bernard Lens II, 1659–1725, British

Tobit and the Angel

undated

attributed to Peter DeWint, 1784–1849, British

Chepstow Castle from the Bridge

undated

Francis Oliver Finch, 1802–1862, British

Classical Landscape with Figures

undated

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1828

Print made by John Bell, 1811–1895, British

Charon's Boat

between 1838 and 1850

Print made by George Cooke, 1781–1834, British

Florence, from the Chiesa al Monte

1820

Print made by Edward Goodall, 1795–1870, British

Aldborough, Suffolk

1827

Print made by Thomas Jeavons, ca. 1800–1867, British

Exeter

1819-1826

Print made by Thomas Jeavons, ca. 1800–1867, British

Exeter

1829

Print made by Thomas Jeavons, ca. 1800–1867, British

Devonport and Dockyard, Devonshire

1830

Print made by James T. Willmore, 1800–1863, British

Alnwick Castle

1830

Print made by William Radclyffe, 1780–1855, British

Eton College

1831

Print made by Robert Wallis, 1794–1878, British

Buckfastleigh Abbey

1828

Print made by J. C. Varrall, active 1815–1827

Valle Crucis Abbey, Denbighshire

1828

Print made by James Fittler, 1758–1835, British

Warwick Castle

1780

Print made by Thomas Gainsborough, 1727–1788, British

Travellers by a Clump of Trees in a Rocky Landscape with Stream

undated

Sir Francis Seymour Haden, 1818–1910, British

Cowdray

1882

Print made by Oliver Hall, 1869–1957, British

St. Martin's Bridge, Toledo

undated

George Percival Gaskell, 1868–1934, British

Forfecle

1868

Print made by Sir Frank Short, 1857–1945, British

Pan and Syrinx, No. 1

1896

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Medium wove paper

Width [cm] 31

Subject Terms river

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Medium wove paper

Width [cm] 31

Subject Terms river

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