View of part of Realesco de abasco from the road to la Cruz Santa
1818
14
John Warwick Smith, 1749–1831, British
The Slate Quarries at Bron Llwyd
undated
15
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: The Concert
1798
16
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: The Pump Room
1798
17
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: Gouty Persons Fall on Steep HIll
1798
18
Henry Thomas Alken, 1785–1851, British
Knight Falling From His Horse at a Squire's Tilt
undated
19
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
20
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
21
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
22
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
23
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
24
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
25
Henry Thomas Alken, 1785–1851, British
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
26
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
27
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
28
Peter DeWint, 1784–1849, British
Building a Hayrick
undated
29
Michael Angelo Hayes, 1811–1880, British
The Band of the 23rd Fusiliers
1838
30
Print made by David Allan, 1744–1796, British, born in Scotland
Patie Rebukes Roger
1808
31
Thomas Rowlandson, 1756–1827, British
How to Vault in the Saddle
1813
32
Thomas Rowlandson, 1756–1827, British
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
between 1809 and 1811
33
Thomas Rowlandson, 1756–1827, British
Soldiers in St. James Park
undated
34
Thomas Rowlandson, 1756–1827, British
Labourers at Rest
between 1790 and 1795
35
Henry Thomas Alken, 1785–1851, British
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
36
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
37
Paul Sandby, 1731–1809, British
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
38
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
39
Thomas Rowlandson, 1756–1827, British
Picking Mulberries
undated
40
Thomas Rowlandson, 1756–1827, British
Crowd by a Gibbet
undated
41
Thomas Rowlandson, 1756–1827, British
Comforts of Bath: The Ball
1798
42
Richard Dadd, 1817–1886, British
Eastern Letter Writer
1863
43
William Alexander, 1767–1816, British
A View of the Coast of China
undated
44
Joshua Cristall, 1768–1847, British
Arcadian Shepherds by a Pool
undated
45
Richard Dadd, 1817–1886, British
Family Portraits
1838
46
John Sell Cotman, 1782–1842, British
Cader Idris from the Mawddach Estuary above Barmouth
ca. 1802
47
Thomas Girtin, 1775–1802, British
Cottage near Newcastle, Northumberland
ca. 1797
48
Thomas Girtin, 1775–1802, British
Boat Building
ca. 1799
49
Thomas Rowlandson, 1756–1827, British
Dr. Syntax with Kitty Cowslip
1821
50
Thomas Rowlandson, 1756–1827, British
Time and Death and Goody Barton
undated
51
Thomas Rowlandson, 1756–1827, British
An Artist's Studio
1814
52
Thomas Rowlandson, 1756–1827, British
Dr. Syntax Copying the Wit of the Window
between 1809 and 1812
53
Print made by Frederick Landseer Maur Griggs, 1876–1938, British
The Quay
1916
54
Print made by Charles William Cain, 1893–1962, British
Shortened Canvas
undated
55
Print made by Charles William Cain, 1893–1962, British
Before the Breeze
undated
56
Print made by Charles William Cain, 1893–1962, British
The Canoe Builders
undated
57
Edward Francis Burney, 1760–1848, British
Boarding the Ferry
undated
58
Print made by George Cruikshank, 1792–1878, British
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
59
Print made by George Cruikshank, 1792–1878, British
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
60
Georg Goldberg, 1830–1894, German
"Antony and Cleopatra," Act III, Scene XI
undated
61
Edmund Thomas Parris, 1793–1873, British
Studies of Figures: Women, Tradespeople, etc
undated
62
Robert Dixon, 1780–1815, British
The Late Entrance to Ber Street, Norwich
1810
63
Spencer Frederick Gore, 1878–1914, British
Cave of the Golden Calf: Study of Musicians and Animals
1912
64
James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)
The Long Gallery, Louvre
1894
65
Print made by Richard Parkes Bonington, 1802–1828, British
Les Pendus
ca. 1826
66
Print made by Richard Parkes Bonington, 1802–1828, British
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
67
Print made by Bradshaw & Blacklock, active ca.1850, British