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Vanessa Bell The String Quartet
Print made by Vanessa Bell, 1879–1961, British
The String Quartet
1921
Vanessa Bell A Haunted House
Print made by Vanessa Bell, 1879–1961, British
A Haunted House
1921
Vanessa Bell An Unwritten Novel
Print made by Vanessa Bell, 1879–1961, British
An Unwritten Novel
1921
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Sleeping Shepherd
1857
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Skylark
1850
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
Christmas
1850
Edward Lear Avenue of Trees
Edward Lear, 1812–1888, British
Avenue of Trees
1867
Edward Lear Studies of Camels and Egyptian Men
Edward Lear, 1812–1888, British
Studies of Camels and Egyptian Men
1867
George Romney Apparition of Noah for the Temptation of Christ
George Romney, 1734–1802, British
Apparition of Noah for the Temptation of Christ
undated
George Romney Titania's Attendants Chasing Bats
George Romney, 1734–1802, British
Titania's Attendants Chasing Bats
undated
William Blake Introduction to the Fables, The Shepherd and the Philosopher
Print made by William Blake, 1757–1827, British
Introduction to the Fables, The Shepherd and the Philosopher
1793
William Blake Fable VI. The Miser and Plutus
Print made by William Blake, 1757–1827, British
Fable VI. The Miser and Plutus
1793
William Blake Fable XXII. The Goat Without a Beard
Print made by William Blake, 1757–1827, British
Fable XXII. The Goat Without a Beard
1793
William Blake Fable XXIV. The Butterfly and the Snail
Print made by William Blake, 1757–1827, British
Fable XXIV. The Butterfly and the Snail
1793
William Blake Fable XXVIII. The Persian, the Sun, and the Cloud
Print made by William Blake, 1757–1827, British
Fable XXVIII. The Persian, the Sun, and the Cloud
1793
William Blake Fable XXX. The Setting-dog and the Partridge
Print made by William Blake, 1757–1827, British
Fable XXX. The Setting-dog and the Partridge
1793
William Blake Fable XLI. The Owl and the Farmer
Print made by William Blake, 1757–1827, British
Fable XLI. The Owl and the Farmer
1793
William Blake Fable I. The Dog and the Fox
Print made by William Blake, 1757–1827, British
Fable I. The Dog and the Fox
1793
William Blake Fable XVI. The Pin and the Needle
Print made by William Blake, 1757–1827, British
Fable XVI. The Pin and the Needle
1793
William Blake Fable XIII. The Tame Stag
Print made by William Blake, 1757–1827, British
Fable XIII. The Tame Stag
1793
William Blake Fable XII. Pan and Fortune
Print made by William Blake, 1757–1827, British
Fable XII. Pan and Fortune
1793
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake The First Book of Urizen, Plate 18 (Bentley 21)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 18 (Bentley 21)
1794
William Blake The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
1794
William Blake The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
William Blake The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
1794
William Blake The First Book of Urizen, Plate 5 (Bentley 12)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 5 (Bentley 12)
1794
William Blake The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
1794
William Blake The First Book of Urizen, Plate 12 (Bentley 22)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 12 (Bentley 22)
1794
William Blake The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
1794
William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
William Blake The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
1794
William Blake The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)
1794
William Blake The First Book of Urizen, Plate 25 (Bentley 26)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 25 (Bentley 26)
1794
William Blake The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)
1794
William Blake The First Book of Urizen, Plate 21 (Bentley 16)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 21 (Bentley 16)
1794
William Blake The First Book of Urizen, Plate 23 (Bentley 9)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 23 (Bentley 9)
1794
William Blake The First Book of Urizen, Plate 3 (Bentley 22)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 3 (Bentley 22)
1794
William Blake The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)
1794
William Blake The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
1794
William Blake The First Book of Urizen, Plate 7 (Bentley 12)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 7 (Bentley 12)
1794
Sir Robert Smirke the younger Porch to a Private House in Padua
Sir Robert Smirke the younger, 1781–1867, British
Porch to a Private House in Padua
1802-1804
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
Henry Swinburne Lectoure, France
Henry Swinburne, 1743–1803, British
Lectoure, France
undated
Henry Swinburne Armoured Figure
Henry Swinburne, 1743–1803, British
Armoured Figure
undated
Samuel Freeman Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence
Print made by Samuel Freeman, 1773–1857, British
Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence
1810
William Callow Stone Bridge; Wooden Footbridge (two drawings)
William Callow, 1812–1908, British, active in France
Stone Bridge; Wooden Footbridge (two drawings)
undated
James Ward Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
James Ward, 1769–1859, British
Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
1820 to 1830
Lt. Humphrey John Julian Hong Kong Harbor
Lt. Humphrey John Julian, active 1842–1849
Hong Kong Harbor
1843
Edward Goodall Datur Hora Quieti
Print made by Edward Goodall, 1795–1870, British
Datur Hora Quieti
1834
James Roberts Officer with Cockade and Sword
James Roberts, active 1766–1809, British
Officer with Cockade and Sword
undated
William Tombleson Herstmonceux Castle, Sussex
William Tombleson, ca.1795–1835, British
Herstmonceux Castle, Sussex
undated
unknown artist Angel of Peace
unknown artist
Angel of Peace
between 1839 and 1866
Sir John Everett Millais Study of a Youth
Sir John Everett Millais, 1829–1896, British
Study of a Youth
undated
William Mulready The Fight Interrupted
William Mulready, 1786–1863, Irish
The Fight Interrupted
undated
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845, British
Falstaff Instructing Bardolph
1825
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845, British
Falstaff Dragging the Body of Hotspur
1825
William Finden A Vintage
William Finden, 1787–1852, British
A Vintage
1834
Edward Francis Finden Aurelian Walls, Pyramid of Cestius
Print made by Edward Francis Finden, 1791–1857, British
Aurelian Walls, Pyramid of Cestius
1832-1834
James C. Allen Lowestoffe Lighthouse
Print made by James C. Allen, active 1821–1831, British
Lowestoffe Lighthouse
ca. 1830
Edward Goodall The Campagna of Rome
Print made by Edward Goodall, 1795–1870, British
The Campagna of Rome
1830
Charles John Smith Herstmonceux Castle for the history and description of the Sussex Coast
Charles John Smith, 1803–1838, British
Herstmonceux Castle for the history and description of the Sussex Coast
undated
George Edmund Street Design for Polychromatic Decoration of a Church
George Edmund Street, 1824–1881, British
Design for Polychromatic Decoration of a Church
undated
Samuel Prout Mechanical Grinder with Figures
Samuel Prout, 1783–1852, British
Mechanical Grinder with Figures
undated
unknown artist Interior of Stone Building
unknown artist, nineteenth century
Interior of Stone Building
undated
Sir David Young Cameron Via ai Prati, Genoa [North Italian Set: No. 8]
Sir David Young Cameron, 1865–1945, British
Via ai Prati, Genoa [North Italian Set: No. 8]
1896
Julius Caesar Ibbetson Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
Julius Caesar Ibbetson, 1759–1817, British
Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
undated
John Jackson Frederick Howard, fifth Earl of Carlisle
John Jackson, 1778–1831, British
Frederick Howard, fifth Earl of Carlisle
undated
Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723, British
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
Robert Wallis Rome, Castle of St. Angelo
Print made by Robert Wallis, 1794–1878, British
Rome, Castle of St. Angelo
1830
Edward Goodall The Landing of Columbus
Print made by Edward Goodall, 1795–1870, British
The Landing of Columbus
1834
William Miller Venice, The Rialto - Moonlight
Print made by William Miller, 1796–1882, British
Venice, The Rialto - Moonlight
1834
Edward Goodall The Landing of Columbus
Print made by Edward Goodall, 1795–1870, British
The Landing of Columbus
1834
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881, British
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
Robert Smirke Lysander Awakening to See Helena
Robert Smirke, 1752–1845, British
Lysander Awakening to See Helena
1825
William Henry Hunt Study of a Young Girl, with Ringlets, in a Black Evening Dress
William Henry Hunt, 1790–1864, British
Study of a Young Girl, with Ringlets, in a Black Evening Dress
ca. 1830
William Henry Hunt Girl in a Red Belt
William Henry Hunt, 1790–1864, British
Girl in a Red Belt
ca. 1830
John Warwick Smith The Hermitage at Frascati
John Warwick Smith, 1749–1831, British
The Hermitage at Frascati
undated
Richard Westall Greatheart's Battle with Grim
Richard Westall, 1765–1836, British
Greatheart's Battle with Grim
undated
George Walker Man Haranguing a Gatepost
George Walker, active 1792–died 1795, British
Man Haranguing a Gatepost
undated
Sir David Wilkie Head of Girl Standing in the Center
Sir David Wilkie, 1785–1841, British
Head of Girl Standing in the Center
1806
Sir John Everett Millais A Woman Bowed in Grief
Sir John Everett Millais, 1829–1896, British
A Woman Bowed in Grief
ca. 1857
Sir John Everett Millais Stained Glass Study, An Otter and Two Fish
Sir John Everett Millais, 1829–1896, British
Stained Glass Study, An Otter and Two Fish
undated
William Miller Venice, The Rialto - Moonlight
Print made by William Miller, 1796–1882, British
Venice, The Rialto - Moonlight
1834