Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
between 1795 and 1806
2
George Stubbs, 1724–1806, British
Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
1795 to 1806
3
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
4
George Stubbs, 1724–1806, British
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
5
George Stubbs, 1724–1806, British
Tiger Body, Lateral View
1795 to 1806
6
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
1795 to 1806
7
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
1795 to 1806
8
George Stubbs, 1724–1806, British
Tiger Body, Lateral View
1795 to 1806
9
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
10
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
between 1795 and 1806
11
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
12
Print made by William Blake, 1757–1827, British
Pity
ca. 1795
13
William Blake, 1757–1827, British
Sealing the Stone and Setting a Watch
1800 to 1803
14
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
15
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
16
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
17
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
18
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
19
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
20
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
21
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
22
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
23
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
24
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
25
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
26
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
27
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
28
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
29
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
30
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
31
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
32
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
33
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
34
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
35
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
36
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
37
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
38
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
39
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
40
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
41
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
42
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
43
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
44
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
45
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
46
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
47
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
48
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
49
Henry Swinburne, 1743–1803, British
Albano
1777 to 1778
50
Henry Swinburne, 1743–1803, British
Theatre of Sagunto, Spain
1775 to 1776
51
Henry Swinburne, 1743–1803, British
Valencia, Spain
1775 to 1776
52
Henry Swinburne, 1743–1803, British
View of an Island with Sailboat
undated
53
Henry Swinburne, 1743–1803, British
Isle of Capri Seen on the South
1777 to 1778
54
Henry Swinburne, 1743–1803, British
Sketch of a Walled City
undated
55
Henry Swinburne, 1743–1803, British
Brindisi from the HIll South of the New Channel
1777 to 1780
56
Henry Swinburne, 1743–1803, British
Villeneuve-lès-Maguelone, France
undated
57
Henry Swinburne, 1743–1803, British
Palestrina, Italy
1777 to 1778
58
Henry Swinburne, 1743–1803, British
Lang House Farm
undated
59
Henry Swinburne, 1743–1803, British
Ruins of a Circular Stone Keep
undated
60
Henry Swinburne, 1743–1803, British
Stone Bridge
undated
61
Henry Swinburne, 1743–1803, British
Château de Chaumont
undated
62
Henry Swinburne, 1743–1803, British
Personalized Design
1776
63
Henry Swinburne, 1743–1803, British
Landscape, with River and Church in the Distance
undated
64
Henry Swinburne, 1743–1803, British
Skids
undated
65
Print made by John Scott, 1774–1828, British
Aske Hall
1821
66
Benjamin West, 1738–1820, American, active in Britain (from 1763)
The Three Marys
1783
67
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View from the Road
undated
68
Louis Haghe, 1806–1885, British
St. Michael's Mount, Ultrecht
1849
69
Samuel Prout, 1783–1852, British
Beauvais Cathedral
undated
70
Thomas Shotter Boys, 1803–1874, British
Hotel de Ville, Hague
1859
71
Henry William Bunbury, 1750–1811, British
Falstaff Carrying Dead Hotspur
undated
72
Henry William Bunbury, 1750–1811, British
Launce Teaching His Dog Crab
undated
73
Michel Jean Cazabon, 1813–1888, Trinidadian
Cascade at St. Anns
1851
74
Michel Jean Cazabon, 1813–1888, Trinidadian
Maraccas Waterfall
1851
75
Amelia Long, 1762–1837, British
Bromley Hill, Kent
1823
76
Robert Marris, 1750–1827
Waterfall near Lynton
1780
77
Charles Heathcote Tatham, 1772–1842, British
Design for Commodes for Lady Poulett's Room, Stratford Place
1807
78
Print made by Henry Hulsberg, active 1700s–died 1729, Netherlandish, active in London
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
79
Alfred Edward Chalon, 1780–1860, British
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
ca. 1820
80
John James Chalon, 1778–1854, French, active in Britain
Queen Victoria
undated
81
James Ward, 1769–1859, British
Mr. Thompson's Wire Mill, Tintern
1807
82
John Martin, 1789–1854, British
Joshua Commanding the Sun to Stand Still
1818
83
Etched by Samuel Middiman, ca. 1750–1831, British
High Street, Oxford
1812
84
Charles Hamilton Smith, 1776–1859, Belgian
Views of Polar Regions
undated
85
Print made by James T. Willmore, 1800–1863, British
Destruction of Both Houses of Parliament
1835
86
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
87
John Leech, 1817–1864, British
Highland Regiment in Camp
undated
88
Thomas Rowlandson, 1756–1827, British
A Town Crier
undated
89
Thomas Rowlandson, 1756–1827, British
The Doctor's Consultation
1815-1820
90
Thomas Rowlandson, 1756–1827, British
The Shipwrecked Sailors
undated
91
Print made by William Henry Boucher, 1842–1906, British
Over the Nuts and Wine!
1889
92
Print made by John Harris the elder, 1767–1832, British
Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
93
Print made by James Dobie, 1849–1911, British
Horae Serenae
1896
94
Charles Reginald Aston, 1832–1908, British
Mont Saint-Michel
undated
95
unknown artist, nineteenth century
Stonemasons, County Durham, England with Memorial Cross Erected in Burnmoor Church
before 1868
96
Print made by Thomas Oldham Barlow, 1824–1889, British
The Death of Chatterton
1860
97
Charles Fox, 1749–1809, British
John Burnet, Author of "Practical Hints on Painting"
1827
98
Joseph Farington, 1747–1821, British
View of the Convent of the Clarisses at Valenciennes after the Seige
1793
99
Henry Edridge, 1769–1821, British
Stream with Trees and Cattle near Bromley Hill, Kent
1807
100
Joseph Farington, 1747–1821, British
View of St. Nicholas Church at Valenciennes after the Siege