Tiger, Lateral View, with Skin and Tissue Removed (Finished Study for Table IX)
between 1795 and 1806
3
George Stubbs, 1724–1806, British
Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
1795 to 1806
4
George Stubbs, 1724–1806, British
Human Skeleton, Lateral View
1795 to 1806
5
George Stubbs, 1724–1806, British
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
6
George Stubbs, 1724–1806, British
Tiger Body, Lateral View
1795 to 1806
7
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Finished Drawing for Unpublished Table; Shows the Third Stage in Dissection)
1795 to 1806
8
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
1795 to 1806
9
George Stubbs, 1724–1806, British
Tiger Body, Lateral View
1795 to 1806
10
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
11
George Stubbs, 1724–1806, British
Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
between 1795 and 1806
12
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
13
Print made by William Blake, 1757–1827, British
Pity
ca. 1795
14
William Blake, 1757–1827, British
Sealing the Stone and Setting a Watch
1800 to 1803
15
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
16
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
17
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
18
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
19
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
20
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
21
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
22
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
23
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The present moment terminates our sight"
ca. 1797
24
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"
ca. 1797
25
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
ca. 1797
26
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"
ca. 1797
27
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
28
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
29
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
ca. 1797
30
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
31
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
32
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
ca. 1797
33
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
34
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
35
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"
ca. 1797
36
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"
ca. 1797
37
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
38
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
39
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
40
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
41
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
42
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
43
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
44
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
45
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
46
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
47
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
48
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
49
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
50
Henry Swinburne, 1743–1803, British
Albano
1777 to 1778
51
Henry Swinburne, 1743–1803, British
Theatre of Sagunto, Spain
1775 to 1776
52
Henry Swinburne, 1743–1803, British
Valencia, Spain
1775 to 1776
53
Henry Swinburne, 1743–1803, British
View of an Island with Sailboat
undated
54
Henry Swinburne, 1743–1803, British
Isle of Capri Seen on the South
1777 to 1778
55
Henry Swinburne, 1743–1803, British
Sketch of a Walled City
undated
56
Henry Swinburne, 1743–1803, British
Brindisi from the HIll South of the New Channel
1777 to 1780
57
Henry Swinburne, 1743–1803, British
Villeneuve-lès-Maguelone, France
undated
58
Henry Swinburne, 1743–1803, British
Palestrina, Italy
1777 to 1778
59
Henry Swinburne, 1743–1803, British
Lang House Farm
undated
60
Henry Swinburne, 1743–1803, British
Ruins of a Circular Stone Keep
undated
61
Henry Swinburne, 1743–1803, British
Stone Bridge
undated
62
Henry Swinburne, 1743–1803, British
Château de Chaumont
undated
63
Henry Swinburne, 1743–1803, British
Personalized Design
1776
64
Henry Swinburne, 1743–1803, British
Landscape, with River and Church in the Distance
undated
65
Henry Swinburne, 1743–1803, British
Skids
undated
66
Print made by John Scott, 1774–1828, British
Aske Hall
1821
67
Benjamin West, 1738–1820, American, active in Britain (from 1763)
The Three Marys
1783
68
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View from the Road
undated
69
Louis Haghe, 1806–1885, British
St. Michael's Mount, Ultrecht
1849
70
Peter Lanyon, 1918–1964, British
Battleship
ca. 1944
71
Samuel Prout, 1783–1852, British
Beauvais Cathedral
undated
72
Thomas Shotter Boys, 1803–1874, British
Hotel de Ville, Hague
1859
73
Henry William Bunbury, 1750–1811, British
Falstaff Carrying Dead Hotspur
undated
74
Henry William Bunbury, 1750–1811, British
Launce Teaching His Dog Crab
undated
75
Michel Jean Cazabon, 1813–1888, Trinidadian
Cascade at St. Anns
1851
76
Michel Jean Cazabon, 1813–1888, Trinidadian
Maraccas Waterfall
1851
77
Amelia Long, 1762–1837, British
Bromley Hill, Kent
1823
78
Robert Marris, 1750–1827
Waterfall near Lynton
1780
79
Sir Walter Thomas Monnington, 1902–1976, British
Full Length Study of Mr. Gardner
undated
80
Charles Heathcote Tatham, 1772–1842, British
Design for Commodes for Lady Poulett's Room, Stratford Place
1807
81
Ambrose McEvoy, 1878–1927, British
Blue and White (Portrait of a Lady)
undated
82
Print made by Gerald Leslie Brockhurst, 1890–1978, British
Head of a Girl
1944
83
unknown artist, nineteenth century
Shanklin Church/ Isle of Wight
undated
84
Print made by Henry Hulsberg, active 1700s–died 1729, Netherlandish, active in London
Cobham Hall, Kent: First and Second Floor Plans
1715 to 1725
85
Alfred Edward Chalon, 1780–1860, British
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
ca. 1820
86
John James Chalon, 1778–1854, French, active in Britain
Queen Victoria
undated
87
James Ward, 1769–1859, British
Mr. Thompson's Wire Mill, Tintern
1807
88
John Martin, 1789–1854, British
Joshua Commanding the Sun to Stand Still
1818
89
Etched by Samuel Middiman, ca. 1750–1831, British
High Street, Oxford
1812
90
Charles Hamilton Smith, 1776–1859, Belgian
Views of Polar Regions
undated
91
Print made by James T. Willmore, 1800–1863, British
Destruction of Both Houses of Parliament
1835
92
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
93
John Coplans, 1920–2003, British
Back Torso from Below
1985
94
John Leech, 1817–1864, British
Highland Regiment in Camp
undated
95
Thomas Rowlandson, 1756–1827, British
A Town Crier
undated
96
Thomas Rowlandson, 1756–1827, British
The Doctor's Consultation
1815-1820
97
Thomas Rowlandson, 1756–1827, British
The Shipwrecked Sailors
undated
98
Print made by William Henry Boucher, 1842–1906, British
Over the Nuts and Wine!
1889
99
Augustus Edwin John, 1878–1961, British
Soldier with Rifle Upside-Down on Shoulder
undated
100
Print made by John Harris the elder, 1767–1832, British
Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797