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1. America. A Prophecy, Plate 1, Frontispiece

America. A Prophecy, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. America. A Prophecy, Plate 14, "So Cried He...."

America. A Prophecy, Plate 14, "So Cried He...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Europe. A Prophecy, Plate 13 (Bentley 10)

Europe. A Prophecy, Plate 13 (Bentley 10)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Bend in the Dargle

Bend in the Dargle
Creator:
Payne Jennings, active ca. 1875, died 1926, British
Date:
1860s
Medium:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 3/8 × 11 3/8 inches (23.8 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

5. A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
Creator:
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Date:
1847
Medium:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 9/16 inches (30.6 x 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Demolition of Old London Bridge

The Demolition of Old London Bridge
Creator:
George Arnald, 1763–1841, British
Date:
1832
Medium:
Watercolor, white gouache, and graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 9 1/2 x 13 3/4 inches (24.1 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Peasant Seated by a Doorway

Peasant Seated by a Doorway
Creator:
George Chinnery, 1774–1852, British
Date:
1842
Medium:
Graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 9 1/2 x 8 3/4 inches (24.1 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Pentre Ddu Bridge, North Wales

Pentre Ddu Bridge, North Wales
Creator:
Thomas Collier, 1840–1891, British
Date:
1863
Medium:
Graphite and watercolor on thick, rough, cream wove paper
Dimensions:
Sheet: 9 5/8 x 13 7/8 inches (24.4 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

9. Forfecle

No cover image available
Creator:
George Percival Gaskell, 1868–1934, British
Date:
1868
Medium:
Mezzotint and etching on moderately thick, slightly textured, white wove paper with cream chine collé
Dimensions:
Sheet: 15 1/16 x 21 inches (38.3 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery