Medium: wove paper / Height [cm]: 22 / Width [cm]: 30 - YCBA Collections Search Search Results

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Harlech Castle

undated

Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

The Morning of Life

1860-1861

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Mer de Glace, Valley of Chamouni, Savoy

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Rivaux Abbey, Yorkshire

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Calm

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Rivaux Abbey, Yorkshire

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Frontispiece

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Mer de Glace, Valley of Chamouni, Savoy

1812

Print made by Sir Frank Short, 1857–1945, British

Shipping at the Entrance of the Medway, No. 2

1896

Print made by John Crome, 1768–1821, British

Front of the New Mills

1813

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1814

Print made by William Bernard Cooke, 1778–1855, British

Margate

1822

Print made by William Bernard Cooke, 1778–1855, British

Margate

1822

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by George Cooke, 1781–1834, British

Dover from Shakespeare's Cliff

1826

Print made by George Cooke, 1781–1834, British

Dover from Shakespeare's Cliff

1826

Print made by John Byrne, 1786–1847, British

Rome, Tomb of Cecilia Metella

1818-1820

Etched by Samuel Middiman, ca. 1750–1831, British

Lake of Nemi

1819

Print made by John Byrne, 1786–1847, British

Rome, Tomb of Cecilia Metella

1818-1820

Print made by Samuel Rawle, 1771–1860, British

Florence, from the Ponte alla Carria

1818-1820

Print made by W. R. Smith, active 1819–1851

Florence, from Fiesoli

1818-1820

Samuel Jackson, 1794–1869, British

Romantic Landscape

ca. 1830

Print made by John Horsburgh, 1791–1869, British

Bell Rock Lighthouse

1824

Print made by James Baylis Allen, 1803–1876, British

Château of Amboise

1833

Print made by George Cooke, 1781–1834, British

Poole, Dorsetshire

1814

Print made by William Bernard Cooke, 1778–1855, British

Lyme Regis

1814

Print made by William Bernard Cooke, 1778–1855, British

Plymouth from Mount Batten

1817

Print made by William Miller, 1796–1882, British

Clovelly Bay and Lundy Island

1814 to 1826

Print made by James C. Allen, active 1821–1831, British

St. Mawes, Cornwall

1814 to 1826

Print made by George Cooke, 1781–1834, British

Hythe, Kent

1824

Engraved by George Hollis, 1792–1842, British

The Forum Romanum

1818-1820

Print made by J. C. Varrall, active 1815–1827

Merrick Abbey, Swaledale

1822

Print made by Henry Le Keux, 1787–1868, British

Borthwick Castle

1819

Print made by William Bernard Cooke, 1778–1855, British

Lulworth Cove, Dorset

1811-1812

Print made by George Cooke, 1781–1834, British

Corfe Castle, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834, British

Tintagel Castle, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855, British

Fowey, Cornwall

1820

Print made by Frederick Christian Lewis the Elder, 1779–1856, British

Giovanni and Garcia De' Medici

1830

Print made by William Miller, 1796–1882, British

Coombe-Martin, Devonshire

1814 to 1826

Print made by George Hollis, 1792–1842, British

Rome, Bridge and Castle of St. Angelo, on the Tyber

1818

Print made by George Hollis, 1792–1842, British

Rome; Bridge and Castle of St. Angelo on the Tyber

1818

Print made by John Byrne, 1786–1847, British

Rome from Monte Testaccio

1818-1820

Print made by John Byrne, 1786–1847, British

Rome from Monte Testaccio

1818-1820

Print made by Samuel Rawle, 1771–1860, British

Florence, from the Ponte alla Carraia

1818-1820

Print made by James Fittler, 1758–1835, British

Isola Bella, on the Lago Maggiore

1818-1820

Print made by James Fittler, 1758–1835, British

Isola Bella on the Lago Maggiore

1818-1820

G. W. Gent, active 1804–1822

Boldre Church and Bridge

1800

Print made by James T. Willmore, 1800–1863, British

Ullswater, Cumberland

1835

Print made by James T. Willmore, 1800–1863, British

The Sea The Sea (vignette)

1836

Print made by James T. Willmore, 1800–1863, British

Fire at Sea (vignette)

1835

Thomas Rowlandson, 1756–1827, British

Soldiers Carousing at an Inn

undated

Thomas Rowlandson, 1756–1827, British

Two Coaches - Travelling in France?

undated

Thomas Rowlandson, 1756–1827, British

A Village Scene with Peasants Resting

undated

Print made by William Miller, 1796–1882, British

Loch Achray

1834

David Roberts, 1796–1864, British

The Alcazaba from the Mole, Malaga

1839

Hercules Brabazon Brabazon, 1821–1906, British

View at Oaklands

undated

Samuel Howitt, 1756–1822, British

Rider Leading a Second Horse, Leaving the Grounds of a Country House

undated

Thomas Daniell, 1749–1840, British, active in India

Landscape

undated

Print made by Robert Wallis, 1794–1878, British

Tours - looking backwards

1833

Print made by Robert Brandard, 1805–1862, British

St. Florent

1833

Thomas Daniell, 1749–1840, British, active in India

Veransulean Pennisula

August 7, 1792

Paul Sandby, 1731–1809, British

The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs

undated

William Daniell, 1769–1837, British

A Rhinoceros Standing on a River Bank

undated

Print made by John Horsburgh, 1791–1869, British

Mayburgh

1834

Thomas Girtin, 1775–1802, British

Ruins of Savoy Palace

ca. 1795

Hercules Brabazon Brabazon, 1821–1906, British

Folkestone

undated

George Chinnery, 1774–1852, British

Lap House, Inner Harbour, Macau

1841

Thomas Girtin, 1775–1802, British

Dumbarton Rock and Castle

ca. 1793

Print made by Samuel Middiman, ca. 1750–1831, British

Moss Dale Fall

1818-1823

Print made by Ernest Stephen Lumsden, 1883–1948, British

The Holy River

1912

James Ward, 1769–1859, British

Studies of Plants, August 2, 1815

1815

Attributed to Edward Edwards, 1738–1806, British

St. Winifred's Well, Holywell, Flintshire, Wales with the Artist in the Foreground..

undated

Henry Morton, ca. 1807–1825, British

Bodiam Castle

undated

Print made by George Arnald, 1763–1841, British

Dinant, No. 1: Southwest View

between 1818 and 1828

Henry Swinburne, 1743–1803, British

Landscape with Ruins in the Foreground, Harbor and Village, in Background

undated

Print made by Richard Parkes Bonington, 1802–1828, British

Façade St. Jean

ca. 1824

Print made by Sir Frank Short, 1857–1945, British

Shipping at the Entrance of the Medway, No. 2

1906

unknown artist, nineteenth century

A View of Cold Harbor in Thames Street, London

1818

Print made by William Walcot, 1874–1943, British

Temple of Baal

1918

Print made by Edward Goodall, 1795–1870, British

Carlisle

1834

Sir Robert Smirke the younger, 1781–1867, British

An Old Battery and Watch Tower in Genoa

1802

Print made by Edward Goodall, 1795–1870, British

Caerlaverock Castle

1834

David Simson, 1803–1874, British

At Stirling (view with stream)

1861

Print made by unknown artist, ( James Fagan )

On the Beach

1893

Print made by Sir Frank Short, 1857–1945, British

The Entrance of the Medway

1896

Print made by John Crome, 1768–1821, British

Mousehold Heath, Norwich

between 1810 and 1811

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Medium

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Medium wove paper

Height [cm] 22

Width [cm] 30

YCBA Collections Search

Refine your search

Search Constraints

Medium wove paper

Height [cm] 22

Width [cm] 30

Search Results