Anthony Vandyke Copley Fielding, 1787–1855, British
Coast Scene with a Beached Boat
between 1819 and 1822
368
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
369
Alexander T. Francia, 1820–1884
On the Coast of Brittany
1839
370
Francis Hayman, 1707/8–1776, British
The Card Party
between late 1720s to early 1730s
371
Harry Willson, Active 1813–1852
Urban Scene
undated
372
unknown artist, (member of the Finch family)
Archiepiscopal Palace, Wrotham, Kent
undated
373
Robert Hills, 1769–1844, British
An Oak in Englefield Park
undated
374
Walter Richard Sickert, 1860–1942, British, born in Germany
Sketch for Dieppe Sands
ca. 1919
375
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
376
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
377
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
378
John Flaxman, 1755–1826, British
Study for a Monument to the Reverend John Clowes
ca. 1820
379
William Evans of Bristol, 1809–1858, British
Study of Country Boys
undated
380
John White Abbott, 1763–1851, British
The Mouth of the Cavern at Castleton in the Peak of Derby
1791
381
John White Abbott, 1763–1851, British
The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
1811
382
John Augustus Atkinson, 1775–1831, British
Going to School
between 1801 and 1810
383
James Johnson, 1803–1834, British
Granby Hill, Bristol
undated
384
Print made by Thomas Bewick, 1753–1828, British
The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland
1789
385
Robert Hills, 1769–1844, British
A Farm at Eton
undated
386
Robert Hills, 1769–1844, British
Woodland Shadow
after 1801
387
John White Abbott, 1763–1851, British
The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left
1810
388
John Ruskin, 1819–1900, British
Study of an Oak Leaf
undated
389
Print made by Frederick Landseer Maur Griggs, 1876–1938, British
Sarras
Between 1926 and 1928
390
Frederick Mackenzie, 1788–1854, British
Old Palace Yard
1809
391
Lionel Grimston Fawkes, 1849–1931, British
Windward Islands, Barbados: Our gardener Bourne at Queen's House
undated
392
Henry Thomas Alken, 1785–1851, British
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
393
Henry Thomas Alken, 1785–1851, British
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
undated
394
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
395
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
396
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
397
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
398
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
399
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
400
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat