Medium: wove paper / Work Type: intaglio print / Topic subjectplace ss: London

Print made by William Hogarth, 1697–1764, British

The Second Stage of Cruelty: Coachman Beating a Fallen Horse

1751, printed 1790

Print made by William Hogarth, 1697–1764, British

The First Stage of Cruelty: Children Torturing Animals

1751, printed 1790

Etched by Joseph Mallord William Turner, 1775–1851, British

London from Greenwich

1811

Print made by David Lucas, 1802–1881, British

Sir Richard Steele's Cottage

1845

Print made by James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Chelsea

ca. 1882

Print made by Edward Goodall, 1795–1870, British

Traitor's Gate - Tower of London

1834

Print made by Edward Goodall, 1795–1870, British

Old London Bridge and Vicinity

1827

Jacob van Schley, 1715–1779, Dutch

The Monument of King Henry III, in Westminster Abbey

1735

Print made by David Lucas, 1802–1881, British

Opening of Waterloo Bridge

1831

Print made by George Barret, ca. 1728/32–1784, Irish

Devonshire Place and Wimpole Street, from the New Road, St. Mary Le Bone

undated

Print made by George Barret, ca. 1728/32–1784, Irish

Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

undated

Print made by Thomas Medland, 1755–1823, British

Ruins of St. Paul Covent Garden

1795

Print made by James T. Willmore, 1800–1863, British

Destruction of Both Houses of Parliament

1835

Print made by William Miller, 1796–1882, British

The Tower of London

1831

Print made by James T. Willmore, 1800–1863, British

Destruction of Both Houses of Parliament

1835

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Print made by James C. Allen, active 1821–1831, British

The Custom House

1827

Print made by Charles Golding Constable, 1821–1879, British

Woolwich

between 1820 and 1835

Imitator of George Baxter, 1804–1867, British

Funeral of the Late Duke of Wellington

after 1893

Imitator of George Baxter, 1804–1867, British

Funeral of the Late Duke of Wellington

after 1852

Print made by Robert Spence, 1871–1964, British

George Fox Walks Through Whitehall

between 1890 and 1911

Print made by Charles J. Hullmandel, 1789–1850, British

View of Palace Yard on the day of the Coronation of His Majesty George IV

1821

unknown artist, nineteenth century

View of the Coronation Procession of George IV

ca. 1821

Print made by unknown artist, nineteenth century

Part of Westminster

ca. 1850

Print made by James Basire the younger, 1769–1822, British

Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823

1828

Print made by Thomas Hall, active early 19th century

A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames

1808

Print made by unknown artist

Elevations and Plans of the Court of Kings Bench

ca. 1827

unknown artist

Westminster Hall

ca. 1850

Print made by John Thomas Smith, 1766–1833, British

Ceiling of the Star Chamber

1805

unknown artist, nineteenth century

Westminster Hall

ca. 1820

Print made by B. Winkles, active 1830–1840, British

Interior of Westminster Hall as Prepared for the Banquet

ca. 1821

Print made by B. Winkles, active 1830–1840, British

Longitudinal Section of Westminster Hall

ca. 1821

unknown artist, nineteenth century

St. Stephen's Chapel, Speaker's House, &c. from the River

ca. 1835

Print made by John Thomas Smith, 1766–1833, British

Cotton Garden, Westminster

1804

Print made by William Francis Starling, active first half 19th century, British

Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters

1843

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by T. Clarke, 1799–1839

Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster

1835

Print made by James Basire the younger, 1769–1822, British

Plate XI: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate IX: St Stephen's Chapel

1795

Print made by John Thomas Smith, 1766–1833, British

Geometrical Construction of the Freeze and Battlements in the House of Commons

1805

Print made by John Le Keux, 1783–1846, British

Compartment on One Side, St Stephen's Chapel

1825

Print made by James Basire, 1730–1802, British

View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

1795

Print made by T. Clarke, 1799–1839

Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel

1835

Print made by Robert William Billings, 1813–1874, British

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

1836

Print made by John Thomas Smith, 1766–1833, British

Oak Door Discovered in the Speaker's State Dining Room

1806

Print made by James Fittler, 1758–1835, British

The King on his Throne in the House of Lords

1804

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech

1842

unknown artist Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Print made by unknown artist

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

undated

Print made by John Thomas Smith, 1766–1833, British

Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

1804

Print made by Henry Melville, active 1826–1841, British

House of Lords, Her Majesty Opening the Session of Parliament

ca. 1837

Print made by unknown artist

Exterior & Interior Views of the Painted Chamber & Old House of Lords

1823

Print made by unknown artist

Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration

1834

Print made by T. Kearnan, active 1821–1850, British

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

ca. 1835

Print made by John Collins, active ca. 1682

The North Prospect of Westminster Abbey

between 1680 and 1710

Print made by unknown artist

Houses of Parliament

undated

Print made by George Hawkins, active 1795–1810, British

View of the East End of Henry VIIth Chapel as Restored in 1813

1814

Print made by Augustus Charles Pugin, 1762–1832, French

Henry VII Chapel at Westminster Showing Two Renovated Pinacles

undated

James McNeill Whistler, 1834–1903, American, active in Britain (from 1859)

Chelsea

undated

Samuel Ireland, active 1760–died 1800, British

Westminster Hall

1800

unknown artist, eighteenth century

A view of the inside of Westminster Hall

ca. 1700

Print made by John Thomas Smith, 1766–1833, British

Four Illustrations of Westminster

1804

Print made by John Woods, active 1836–1860

Interior of the Star Chamber, Westminster

1848

Print made by John Thomas Smith, 1766–1833, British

Eight Illustrations of Westminster

1806

Print made by John Carter, 1748–1817, British

PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

between 1790 and 1802

Print made by George Gladwin, active 1820s–1830s

Plate XXV: Section of St. Stephen's chapel and crypt. As fitted up for the House of Commons. 1834

1835

Print made by James Basire the younger, 1769–1822, British

South West view of St. Stephen's Chapel Westminster, Restored 1800

1801

Print made by James Sands, active 1813–1846

The Lower Lobby, House of Commons

1815

Print made by Robert William Billings, 1813–1874, British

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

1835

Print made by unknown artist, (W.F. Starling)

Part of the Front of the Vestibule

1843

Print made by James Basire, 1730–1802, British

Plate VIII: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate X: St Stephen's Chapel

1795

Print made by John Carter, 1748–1817, British

Plate XIX: St Stephen's Chapel

1811

Print made by James Basire, 1730–1802, British

Plate XIII: St Stephen's Chapel

1795

Print made by John Le Keux, 1783–1846, British

Plate XXVII: St Stephen's Chapel, Looking East, Westminster

ca. 1836

Print made by Robert William Billings, 1813–1874, British

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

1835

Print made by Henry Melville, active 1826–1841, British

The House of Commons

1834

Print made by John Thomas Smith, 1766–1833, British

A Doorway in one of the Cellars Under the Old House of Lords

1804

Print made by Henry Melville, active 1826–1841, British

The Kind Proroguing Parliament

1834

Print made by unknown artist, (William Taylor)

Plate XXXIX: House of Commons as Fitted Up in 1835

ca. 1836

Print made by Henry Melville, active 1826–1841, British

House of Commons, the Speaker Reprimanding a Person at the Bar

after 1850

Print made by John Greig, active 1803–1853, British

The Painted Chamber, Westminster

1804

unknown artist

Exterior of Painted Chamber, North View

undated

Print made by unknown artist, (William Taylor)

Staircase at Southeast Angle, Painted Chamber, Westminster

1835

Print made by G.F. Storm, active mid–19th century, British

Vol. 6, Plate XXVIII

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by G.F. Storm, active mid–19th century, British

Vol. 6, Plate XXIX

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXII: The Story of Hezekiah

1842

James Basire the younger Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus

1842

James Basire the younger Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha

1842

James Basire the younger Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger

after 1819

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City

1842

Print made by T. Clarke, 1799–1839

Plate XXXVIII: House of Lords, as Fitted up in 1835

1836

Print made by T. Kearnan, active 1821–1850, British

The House of Lords, as Restored after the Fire

1835

Print made by Miss Mary Byrne, 1776–1846, British

The Houses of Lords and Commons

1815

Print made by William Deeble, active 1814–1849, British

The King's Entrance to the House of Lords, From Poets Corner

1829

Print made by R.C. Roffe, active in London 1806–1835, British

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c

1827

Print made by John Carter, 1748–1817, British

Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

1791

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Medium wove paper

Work Type intaglio print

Topic subjectplace ss London

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