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Work Type intaglio print

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Subject Terms dogs (animals)

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William Hogarth The First Stage of Cruelty: Children Torturing Animals
Print made by William Hogarth, 1697–1764, British
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
William Blake Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
ca. 1797
William Blake Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Print made by William Blake, 1757–1827, British
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
Thomas Shotter Boys Château des Comtes de Flandre, Ghent
Print made by Thomas Shotter Boys, 1803–1874, British
Château des Comtes de Flandre, Ghent
ca. 1833
James Bretherton Inimitable Mr. James Moss
Print made by James Bretherton, ca. 1730–1806, British
Inimitable Mr. James Moss
1773
William Angus West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Print made by William Angus, 1752–1821, British
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
unknown artist Hunting Scene in India
Print made by unknown artist, nineteenth century
Hunting Scene in India
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
Matthew Dubourg Grouse Shooting
Print made by Matthew Dubourg, active 1786–1838, British
Grouse Shooting
1822
David Allan Patie Rebukes Roger
Print made by David Allan, 1744–1796, British, born in Scotland
Patie Rebukes Roger
1808
unknown artist Gateway to the Flower Garden at Farnley
Print made by unknown artist, nineteenth century
Gateway to the Flower Garden at Farnley
1814
Richard Earlom The Exposition of Cyrus
Print made by Richard Earlom, 1743–1822, British
The Exposition of Cyrus
1781
Henry Thomas Alken The Lover
Print made by Henry Thomas Alken, 1785–1851, British
The Lover
1824
Henry Thomas Alken The School-Boy
Print made by Henry Thomas Alken, 1785–1851, British
The School-Boy
1824
George Cruikshank Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
Print made by George Cruikshank, 1792–1878, British
Gloucestershire. Before Shallow's house: 'Henry IV Part II,' Act III, Scene II
after 1857
George Cruikshank Monstrosities of 1822 - Pt. 5
Print made by George Cruikshank, 1792–1878, British
Monstrosities of 1822 - Pt. 5
1835
Henry Heath Extravaganza's of 1827
Print made by Henry Heath, active 1824–1835, British
Extravaganza's of 1827
1827
George Cruikshank Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
Print made by George Cruikshank, 1792–1878, British
Le Retour de Paris, or, the Niece Presented to her Relatives by her French Governess
1835
Henry Heath Miss-Ann-Thropy
Print made by Henry Heath, active 1824–1835, British
Miss-Ann-Thropy
undated
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834, British
"Then go, bid the huntsmen wake them with their horns"
1802
Thomas Burford Making a Cast at a Fault
Print made by Thomas Burford, ca. 1710–after 1774, British
Making a Cast at a Fault
1794
William Byrne Untitled
William Byrne, 1743–1805, British
Untitled
1765
John Boydell A View of Erith, Looking Up the Thames
Print made by John Boydell, 1720–1804, British
A View of Erith, Looking Up the Thames
1750
Thomas Shotter Boys La rue des Prouvaires et l'église saint Eustache, Paris
Print made by Thomas Shotter Boys, 1803–1874, British
La rue des Prouvaires et l'église saint Eustache, Paris
1833
Bradshaw & Blacklock Eight colour prints
Print made by Bradshaw & Blacklock, active ca.1850, British
Eight colour prints
after 1850
Bradshaw & Blacklock Eight Rural Subjects
Print made by Bradshaw & Blacklock, active ca.1850, British
Eight Rural Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850, British
Four Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850, British
Four Subjects
after 1850
Bradshaw & Blacklock Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Print made by Bradshaw & Blacklock, active ca.1850, British
Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things
after 1850
George Cruikshank Specimens of Waltzing
Print made by George Cruikshank, 1792–1878, British
Specimens of Waltzing
1817
Robert Isaac Cruikshank Monstrosities of 1827
Print made by Robert Isaac Cruikshank, 1789–1856, British
Monstrosities of 1827
1835
George Cruikshank Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!
Print made by George Cruikshank, 1792–1878, British
Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!
1835
Frederick James Havell The Stone Bow, Lincoln
Frederick James Havell, 1801–1840, British
The Stone Bow, Lincoln
1836
James Gillray The Valley of the Shadow of Death
James Gillray, 1756–1815, British
The Valley of the Shadow of Death
1808
Thomas Bonnor St. Martin's Church Westminster
Print made by Thomas Bonnor, ca. 1740–ca. 1812, British
St. Martin's Church Westminster
1810
George Baxter The Great Exhibition: Exterior View from the Southwest
Print made by George Baxter, 1804–1867, British
The Great Exhibition: Exterior View from the Southwest
1851
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850, British
Four Subjects
after 1850
Bradshaw & Blacklock Four Subjects
Print made by Bradshaw & Blacklock, active ca.1850, British
Four Subjects
after 1850
Henry Heath Ominum Gatherum No. 6
Henry Heath, active 1824–1835, British
Ominum Gatherum No. 6
undated
Thomas Barber Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Print made by Thomas Barber, ca. 1768–1843, British
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
William Angus Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Print made by William Angus, 1752–1821, British
Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
1793
Henry Heath Omnium Gatherum, No. 7
Henry Heath, active 1824–1835, British
Omnium Gatherum, No. 7
undated
Charles Heath Green Park
Charles Heath, 1785–1848, British
Green Park
1825
Henry Thomas Alken The Quorn Hunt: The Whissendine Appears in View
Henry Thomas Alken, 1785–1851, British
The Quorn Hunt: The Whissendine Appears in View
undated
Bradshaw & Blacklock Country Scenes
Print made by Bradshaw & Blacklock, active ca.1850, British
Country Scenes
after 1850
Bradshaw & Blacklock Review of the Troops
Bradshaw & Blacklock, active ca.1850, British
Review of the Troops
after 1850
Bradshaw & Blacklock Scottish Scenes. Albanian Scenes.
Bradshaw & Blacklock, active ca.1850, British
Scottish Scenes. Albanian Scenes
after 1850