Medium: wove paper / Work Type: intaglio print / Width [cm]: 51

Print made after George Stubbs, 1724–1806, British

Plate VIII, Human Body, Posterior View

1804

Print made after George Stubbs, 1724–1806, British

Plate VII, Human Body, Lateral View

1804

Print made after George Stubbs, 1724–1806, British

Plate VI, Human Body, Frontal View

1804

Print made after George Stubbs, 1724–1806, British

Plate X, Fowl Body, Lateral View

1804

Paul Sandby, 1731–1809, British

Views in the Levant: The Sacred Cave of Archidamus

ca. 1785

Print made by William Bernard Cooke, 1778–1855, British

The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq

1816

Print made by Samuel Rawle, 1771–1860, British

Raby Castle, County of Durham

1820

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1818-1823

Print made by Henry Le Keux, 1787–1868, British

Simmer Lake near Askrig

1818-1823

Print made by Samuel Middiman, ca. 1750–1831, British

Hardraw Fall

1817

Print made by Charles William Cain, 1893–1962, British

A Persian Bazaar

undated

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by John Pye, 1782–1874, British

Wycliffe, near Rokeby

1823

Print made by George Cooke, 1781–1834, British

Crichton Castle

1822

Print made by Henry Le Keux, 1787–1868, British

Borthwick Castle

1819

Print made by George Cooke, 1781–1834, British

Brighton

1814 to 1826

Print made by W. R. Smith, active 1819–1851

Heriot's Hospital

1822

Print made by W. Pyott, active late 18th century

The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

1792

Print made by John Sell Cotman, 1782–1842, British

Castle at Tancarville

1821

Print made by James Basire the younger, 1769–1822, British

Plate XI: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate IX: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate VIII: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate X: St Stephen's Chapel

1795

Print made by James Basire, 1730–1802, British

Plate XIII: St Stephen's Chapel

1795

Print made by G.F. Storm, active mid–19th century, British

Vol. 6, Plate XXVIII

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVII: The Painted Chamber

1842

Print made by James Basire the younger, 1769–1822, British

Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

1842

Print made by John Sell Cotman, 1782–1842, British

Church of L'Ery, near Pont-de-l'Arche

1820

Print made by James Basire, 1730–1802, British

Plate XII: St Stephen's Chapel

1795

Print made by unknown artist, nineteenth century

Flower-Garden Porch at Farnley (Vignette)

1814

Print made by unknown artist, nineteenth century

Gateway to the Flower Garden at Farnley

1814

Print made by unknown artist, nineteenth century

Bay Windows in the Flower Garden at Farnley

1814

James Gillray, 1756–1815, British

A Morning Ride

1804

Print made by Thomas Shotter Boys, 1803–1874, British

Quayside, Notre Dame in Distance

undated

Print made by George H. Phillips, active 1819–1825, British

Countess Wilton

1838

Print made by Paul Adolphe Rajon, 1842–1888, French

Charles Robert Darwin

1882

Print made by Charles Turner, 1774–1857, British

The Dilettanti Society

between 1800 and 1820

Print made by Richard Earlom, 1743–1822, British

George Augustus Elliot Lord Heathfield

1788

Edward Rooker, 1724–1774, British

The Magicians Marching off After the Success of their Incantations

ca. 1763

Edward Rooker, 1724–1774, British

A Morning Scene of the Forest with Rinaldo on the Bank of the Enchanted River

ca. 1763

Print made by Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s)

A Negroes Dance in the Island of Dominica

1779

Print made by Thomas Goff Lupton, 1791–1873, British

Rochester, on the River Medway

1824

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by Guillaume Sulpice Chevalier, 1804–1866, French

Intemperance

undated

John Boydell, 1720–1804, British

A View Taken near Mr. Smith's House at Battersea, Looking up the Thames

1752

Charles Rosenberg, active 1828–1848

Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.

1831

George C. Finden, 1811–1885, British

A Mythological Battle

1853

Daniel Havell, 1785–1826, British

A View of the Bank of England

1816

John Hassell, 1767–1825, British

View of Sion House from the Banks of the Thames

1799

Thomas Malton the Younger, 1748–1804, British

Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge

1798

Thomas Malton the Younger, 1748–1804, British

The Great Court and Chapel of Trinity College in the University of Cambridge

1798

Print made by Thomas Malton the Younger, 1748–1804, British

Cambridge University: Queens College

1800

Thomas Malton the Younger, 1748–1804, British

The East Front of the Library of Trinity College in the University of Cambridge

1800

William Ward, 1766–1826, British

Jack in the Bilboes

1790

Print made by John Porter, active 1838

The Chillington Oxen

1838

Henry Papprill, 1816–d.after 1883, American

British Queen Steam Ship

1838

Richard Westall, 1765–1836, British

Queen Judith reciting to Alfred when a child

Print made by unknown artist, nineteenth century

Architectural Remains removed to Farnley, by Walter Fawkes Esqr. from Different Ancient Hall Houses in his Possession

1814

Print made by Sir Frank William Brangwyn, 1867–1956, British

Coffee Stall, Hammersmith

1919