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Samuel Palmer Study of Waves

attributed to Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Study of Waves

undated

Samuel Palmer Cornfield and Church by Moonlight

Samuel Palmer, 1805–1881, British, active in Italy (1837–39)

Cornfield and Church by Moonlight

early 1830s

George Stubbs Tiger Skeleton, Lateral View

George Stubbs, 1724–1806, British

Tiger Skeleton, Lateral View

1795 to 1806

George Stubbs Tiger Body, Lateral View

George Stubbs, 1724–1806, British

Tiger Body, Lateral View

1795 to 1806

George Stubbs Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)

George Stubbs, 1724–1806, British

Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)

1795 to 1806

George Stubbs Tiger Body, Lateral View

George Stubbs, 1724–1806, British

Tiger Body, Lateral View

1795 to 1806

George Stubbs Tiger Skeleton, Lateral View (Finished Study for Table IV)

George Stubbs, 1724–1806, British

Tiger Skeleton, Lateral View (Finished Study for Table IV)

between 1795 and 1806

George Stubbs Tiger Body, Lateral View

George Stubbs, 1724–1806, British

Tiger Body, Lateral View

1795 to 1806

George Stubbs Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

George Stubbs, 1724–1806, British

Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)

1795 to 1806

George Stubbs Tiger Body, Lateral View (Probably made as the basis for a key figure)

George Stubbs, 1724–1806, British

Tiger Body, Lateral View (Probably made as the basis for a key figure)

1795 to 1806

William Hogarth The Bruiser

William Hogarth, 1697–1764, British

The Bruiser

1763

Edward Lear Siracusa, 12. June 1847

Edward Lear, 1812–1888, British

Siracusa, 12. June 1847

1847

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

William Blake Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

ca. 1797

William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

ca. 1797

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

ca. 1797

William Blake Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

ca. 1797

William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

William Blake Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

ca. 1797

William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

ca. 1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

ca. 1797

William Blake Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

ca. 1797

William Blake Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

ca. 1797

William Blake Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

ca. 1797

William Blake Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

ca. 1797

William Blake Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

ca. 1797

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827, British

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Bromley Portrait of Fuseli

Print made by William Bromley, 1769–1842, British

Portrait of Fuseli

undated

James Clark View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

James Clark, 19th century

View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

1812

Ceri Richards Piano Recital

Ceri Richards, 1903–1971, British

Piano Recital

1943

James Duffield Harding View of the Clifton Suspension Bridge

James Duffield Harding, 1798–1863, British

View of the Clifton Suspension Bridge

undated

Leon J. B. Sabatier Liverpool

Leon J. B. Sabatier, active 1827–m.1887, French

Liverpool

1840

Thomas Major South East View of tLand-Guard Fort, in Suffolk

Thomas Major, 1714–1799, British

South East View of tLand-Guard Fort, in Suffolk

1754

James Bruce Plate XV Back of Temple at Sheitla [sic]

James Bruce, 1730–1794, British

Plate XV Back of Temple at Sheitla [sic]

undated

Sir Charles Barry Perspective View: the New Houses of Parliament

Sir Charles Barry, 1795–1860, British

Perspective View: the New Houses of Parliament

ca. 1840-1849

Samuel Austin Church of Notre Dame, Bruges

Samuel Austin, 1796–1834, British

Church of Notre Dame, Bruges

undated

Thomas Barker Woodland Landscape

Thomas Barker, 1769–1847, British

Woodland Landscape

undated

James C. Allen The Ivy Bridge, Devonshire

Print made by James C. Allen, active 1821–1831, British

The Ivy Bridge, Devonshire

1816

Samuel Middiman Weathercote Cave when Half Filled with Water

Print made by Samuel Middiman, ca. 1750–1831, British

Weathercote Cave when Half Filled with Water

1821

William Green Landscape with River and a Bridge

William Green, 1760–1823, British

Landscape with River and a Bridge

undated

William Green The Devil's Bridge, Kirkby Lonsdale

William Green, 1760–1823, British

The Devil's Bridge, Kirkby Lonsdale

undated

William Green Landscape with Vale and Mountains

William Green, 1760–1823, British

Landscape with Vale and Mountains

undated

William Alexander Wigmore Castle, Herefordshire

William Alexander, 1767–1816, British

Wigmore Castle, Herefordshire

undated

George Moutard Woodward The Royal Rush Light

George Moutard Woodward, ca. 1760–1809, British

The Royal Rush Light

1798

Edward Francis Burney The Elegant Establishment for Young Ladies (study for)

Edward Francis Burney, 1760–1848, British

The Elegant Establishment for Young Ladies (study for)

undated

Samuel Prout The Monnow Bridge, Monmouthshire

Samuel Prout, 1783–1852, British

The Monnow Bridge, Monmouthshire

before 1814

Francis David Soiron St. James's Park

Francis David Soiron, Born 1764

St. James's Park

1790

George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

George Edmund Street, 1824–1881, British

Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

undated

Sir John Soane Design for Hyde Park and St. James' Park Entrance

Sir John Soane, 1753–1837, British

Design for Hyde Park and St. James' Park Entrance

ca. 1826

Robert Sargent Austin Women at Prayer

Print made by Robert Sargent Austin, 1895–1973, British

Women at Prayer

1936

George Vicat Cole The Mill Pond, Evelyn Woods

George Vicat Cole, 1833–1893, British

The Mill Pond, Evelyn Woods

1860

William Green Landscape, Castle and Cattle

William Green, 1760–1823, British

Landscape, Castle and Cattle

undated

Julius Caesar Ibbetson Robbing the Mail

Julius Caesar Ibbetson, 1759–1817, British

Robbing the Mail

ca. 1790

W. R. Smith Richmond, Yorkshire

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

John Horsburgh Folkestone: Harbour, and Coast to Dover, Kent

Print made by John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

William Green Landscape, Castle by a River

William Green, 1760–1823, British

Landscape, Castle by a River

undated

Richard Henry Nibbs Hay and Log Barges on the Conway

Richard Henry Nibbs, 1816–1893, British

Hay and Log Barges on the Conway

undated

John Buckler FSA The Spanish Pointer

John Buckler FSA, 1770–1851, British

The Spanish Pointer

ca. 1799

John Pye A View of Oxford from the Abingdon Road

Print made by John Pye, 1782–1874, British

A View of Oxford from the Abingdon Road

1818

Samuel Rawle Hylton Castle, County of Durham

Print made by Samuel Rawle, 1771–1860, British

Hylton Castle, County of Durham

1816 to 1823

Daniel Lysons The Environs of London: Brass plate for Unidentified Infant from East Ham Church

Daniel Lysons, 1762–1834, British

The Environs of London: Brass plate for Unidentified Infant from East Ham Church

between 1796 and 1811

unknown artist Tintern Abbey

unknown artist, nineteenth century

Tintern Abbey

undated

Conrad Martin Metz The Resurrection of the Dead

Conrad Martin Metz, 1749–1827, German

The Resurrection of the Dead

1801

W. Pyott The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

Print made by W. Pyott, active late 18th century

The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro

1792

David Mach Princess

Print made by David Mach, born 1956, British

Princess

1996

Reg Butler Lithograph from a Collection of 14, 1952-1954

Print made by Reg Butler, 1913–1981, British

Lithograph from a Collection of 14, 1952-1954

1954

Unknown artist (Company style) Widow with the Burning Corpse of her Husband Becoming a Sati, Patna

Unknown artist (Company style), nineteenth century, Indian

Widow with the Burning Corpse of her Husband Becoming a Sati, Patna

between 1820 and 1830

John Ruskin Study after the Story of Apollo and Daphne

Attributed to John Ruskin, 1819–1900, British

Study after the Story of Apollo and Daphne

undated

Unknown artist (Company style) A Muslim Wedding Procession by Night, Patna

Unknown artist (Company style), nineteenth century, Indian

A Muslim Wedding Procession by Night, Patna

between 1820 and 1830

Richard Cooper the Younger Sir William Beechey, R. A.

Print made by Richard Cooper the Younger, 1740–1814, British

Sir William Beechey, R. A

1814

William Daniell A View of the East India Docks

Print made by William Daniell, 1769–1837, British

A View of the East India Docks

1808

Edward Duncan Study of Fishermen and Gear

Edward Duncan, 1803–1882, British

Study of Fishermen and Gear

undated

Patrick Caulfield Ah! This Life Is So Everyday

Patrick Caulfield, 1936–2005, British

Ah! This Life Is So Everyday

1973

unknown artist King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News

Upper print made by unknown artist

King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News

1862

Sawrey Gilpin Lion Walking

Sawrey Gilpin, 1733–1807, British

Lion Walking

undated

Dennis Flanders A View of Big Ben

Dennis Flanders, 1915–1994, British

A View of Big Ben

1940

Robert MacPherson Forum of Trajan

Robert MacPherson, 1814–1872, British

Forum of Trajan

ca. 1857

Robert MacPherson Bas-relief of the Biga, Arch of Titus

Robert MacPherson, 1814–1872, British

Bas-relief of the Biga, Arch of Titus

ca. 1860

B. Winkles Interior of Westminster Hall as Prepared for the Banquet

Print made by B. Winkles, active 1830–1840, British

Interior of Westminster Hall as Prepared for the Banquet

ca. 1821

James Basire Plate IX: St Stephen's Chapel

Print made by James Basire, 1730–1802, British

Plate IX: St Stephen's Chapel

1795

Lionel Grimston Fawkes Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881

Lionel Grimston Fawkes, 1849–1931, British

Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881

1881

Thomas Daniell An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri

Thomas Daniell, 1749–1840, British, active in India

An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri

July 1795

Lionel Edwards The Lodge Gate

Lionel Edwards, 1878–1966, British

The Lodge Gate

1922