Print made by Robert Polhill Bevan, 1865–1925, British
The Meet
1898-1899
7
Print made by Robert Polhill Bevan, 1865–1925, British
Found!
1898-1899
8
Print made by Robert Polhill Bevan, 1865–1925, British
The Flying Pack
1898-1899
9
Print made by Robert Polhill Bevan, 1865–1925, British
Who-o-p!
1898-1899
10
Print made by Robert Polhill Bevan, 1865–1925, British
Huntsman and Hounds
1898-1899
11
Robert Polhill Bevan, 1865–1925, British
Huntsman and Hounds
ca. 1896
12
Robert Polhill Bevan, 1865–1925, British
Over the Bank, Exmoor
ca. 1895
13
Robert Polhill Bevan, 1865–1925, British
The Kill
undated
14
Print made by Sir Frank Short, 1857–1945, British
Huntsmen in a Wood
1891
15
Print made by unknown artist, ( J. N. B. )
Deer with a Dog (Fragment of a Sporting Print)
undated
16
John Frederick Lewis, 1804–1876, British
Game Keeper and Boy Ferreting a Rabbit
ca. 1828
17
John Frederick Lewis, 1804–1876, British
Tyrolese Hunters
between 1827 and 1828
18
Print made by Samuel Rawle, 1771–1860, British
Raby Castle, County of Durham
1820
19
James Ward, 1769–1859, British
Ferrets
undated
20
Patrick Nasmyth, 1787–1831, British
Sportsman and His Dogs
1828
21
unknown artist, nineteenth century
The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
ca. 1845
22
William Jefferys, 1730–ca. 1805, British
Maidstone, Kent
undated
23
James Ward, 1769–1859, British
Head and Shoulders of a Cart Horse
undated
24
John Nixon, ca. 1760–1818, British
Brighton Races
1805
25
George Morland, 1763–1804, British
A Sportsman Loading His Gun
undated
26
John Buckler FSA, 1770–1851, British
The Spanish Pointer
ca. 1799
27
Print made by Edward Goodall, 1795–1870, British
An Old Oak
1834
28
James Ward, 1769–1859, British
Study of a Turkey
undated
29
Susannah Wales, Lady Malet, 1779–1868, British
A Cheetah Hunting Party with Charles Warre Malet
undated
30
Alfred Diston, active 1818–1829
Square in the Village of Los Silos, Tenerife
1827
31
Print made by Robert Wallis, 1794–1878, British
Virginia Water No. 1
1828-1832
32
Print made by Robert Wallis, 1794–1878, British
Virginia Water No. 1
1828-1832
33
Thomas Rowlandson, 1756–1827, British
Drawing Cover
undated
34
Thomas Rowlandson, 1756–1827, British
Landscape with a Hunting Party
undated
35
James Valentine, 1815–1879, British
Study of the Royal Stag
ca. 1865
36
James Valentine, 1815–1879, British
Study of the Royal Stag
ca. 1865
37
Lionel Edwards, 1878–1966, British
`Now then! Are you ready?'
1905
38
Jack Butler Yeats, 1871–1957, Irish
The Last Bank
1897
39
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
1847
40
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short
1849
41
unknown artist
Lancier d'Orleans
undated
42
Heneage Finch fourth Earl of Aylesford, 1751–1812, British
The Race of Daldey
undated
43
Philip William May, 1864–1903, British
A Man and a Boy Riding on a Beach
undated
44
James Ward, 1769–1859, British
Study of a Plunging Eagle
undated
45
Thomas Rowlandson, 1756–1827, British
The Enraged Vicar
undated
46
Tessa Pullan, born 1953, British
Racing Scene: three racehorses with jockeys up
1994
47
unknown artist, eighteenth century
Morning
1799
48
George Alken, 1794–active 1837, British
Foxhunting: Rider, Taking a Fence
undated
49
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
50
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
51
Henry Thomas Alken, 1785–1851, British
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
52
Henry Thomas Alken, 1785–1851, British
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
53
Henry Thomas Alken, 1785–1851, British
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
54
Henry Thomas Alken, 1785–1851, British
Knight Falling From His Horse at a Squire's Tilt
undated
55
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
56
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
57
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
58
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
59
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
60
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
61
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
62
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
63
Henry Thomas Alken, 1785–1851, British
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
64
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
65
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
66
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
67
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
68
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
69
Henry Thomas Alken, 1785–1851, British
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
70
Henry Thomas Alken, 1785–1851, British
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
71
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
72
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
73
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing it No How
1818
74
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
75
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
76
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
77
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
78
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
79
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
80
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
81
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
82
Henry Thomas Alken, 1785–1851, British
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
between 1809 and 1823
83
Henry Thomas Alken, 1785–1851, British
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
84
Henry Thomas Alken, 1785–1851, British
Two Pointers, Facing Right with a Sportsman
undated
85
Henry Thomas Alken, 1785–1851, British
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
86
Hablot Knight Browne, 1815–1882, British
Point-to-Point Racing
undated
87
Henry William Bunbury, 1750–1811, British
An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
undated
88
Robert Dighton, 1752–1814, British
"The King and Noblemen Before the Stag is Turn'd Out"
undated
89
Edward Duncan, 1803–1882, British
Pheasant Shooting
1825
90
Edward Duncan, 1803–1882, British
Wild Duck Shooting
1825
91
William Heath, 1795–1840, British
Woodcock Shooting
undated
92
Samuel Howitt, 1756–1822, British
Coursing: Setting Out
1794
93
Samuel Howitt, 1756–1822, British
Coursing: The Kill
1794
94
James Pollard, 1792–1867, British
Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
undated
95
Thomas Rowlandson, 1756–1827, British
'How to Twist Your Neck'
undated
96
Thomas Rowlandson, 1756–1827, British
The Annual Sculling Race for Doggett's Coat and Badge
between 1805 and 1810
97
Thomas Rowlandson, 1756–1827, British
Breakfast before the Hunt
between 1785 and 1790
98
James Seymour, 1702–1752, British
Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left