Medium: wove paper / Genre: marine art / Height [cm]: 28 - YCBA Collections Search Search Results

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Calm

1812

Etched and engraved by Joseph Mallord William Turner, 1775–1851, British

Flounder Fishing, Battersea

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851, British

Picture in the Possession of Sir John Mildmay, Bart

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Marine Dabblers

1811

Henry Swinburne, 1743–1803, British

Coastal Landscape

undated

Henry Swinburne, 1743–1803, British

Dordogne, France

undated

Henry Swinburne, 1743–1803, British

Menars, France

undated

Henry Swinburne, 1743–1803, British

Palace, Surrounded by, Fortification Walls,with Sea and Sailboat in the Foreground

undated

Henry Swinburne, 1743–1803, British

View from Klein Zicker, Thiessow, Germany

undated

Henry Swinburne, 1743–1803, British

Coastal Landscape

undated

Michel Jean Cazabon, 1813–1888, Trinidadian

Corbeaux Town, Port of Spain

1857

Print made by George Cooke, 1781–1834, British

Brighton

1825

Print made by Edward Goodall, 1795–1870, British

A Tempest – Voyage of Columbus

1834

Print made by Edward Goodall, 1795–1870, British

Datur Hora Quieti

1834

Print made by Edward Goodall, 1795–1870, British

Traitor's Gate - Tower of London

1834

Print made by Edward Goodall, 1795–1870, British

Shipbuilding (An Old Oak Dead)

1834

Print made by Edward Goodall, 1795–1870, British

Tantallon Castle

1822

William Williamson, active 1803

Bombay from Malabar Point, the Night of 17th February 1803

1803

Print made by James C. Allen, active 1821–1831, British

Orfordness

ca. 1830

unknown artist

Ships and Hulks Moored in an Estuary

undated

Michel Jean Cazabon, 1813–1888, Trinidadian

Custom House and St. Vincent's Wharf

1851

Michel Jean Cazabon, 1813–1888, Trinidadian

Port of Spain, from the Harbour

1851

Michel Jean Cazabon, 1813–1888, Trinidadian

King's Wharf, and South Quay-Port of Spain

1851

Michel Jean Cazabon, 1813–1888, Trinidadian

San Fernando, and Naparima Hill

1851

Print made by William Bernard Cooke, 1778–1855, British

Dartmouth, Devon

1814 to 1826

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Dock, from Mount Edgecumbe

1816

$William Bernard Cooke Ilfracombe, North Devon$

Print made by William Bernard Cooke, 1778–1855, British

Ilfracombe, North Devon

1818

Print made by William Miller, 1796–1882, British

Clovelly Bay and Lundy Island

1814 to 1826

Print made by Edward Goodall, 1795–1870, British

The Landing of Columbus

1834

Print made by Henry Le Keux, 1787–1868, British

St. Herbert's Chapel

1834

Print made by Edward Goodall, 1795–1870, British

The Landing of Columbus

1834

Print made by James C. Allen, active 1821–1831, British

Dunbar

1824

Print made by James C. Allen, active 1821–1831, British

Dunbar

1824

Print made by William Miller, 1796–1882, British

Bass Rock

1826

Michel Jean Cazabon, 1813–1888, Trinidadian

Cedros Bay

1857

Michel Jean Cazabon, 1813–1888, Trinidadian

Los Gallos, Icacos Bay

1857

Print made by Edward Goodall, 1795–1870, British

Shipbuilding (An Old Oak Dead)

1834

Print made by John Horsburgh, 1791–1869, British

Folkstone: Harbour, and Coast to Dover, Kent

1831

Print made by Robert Wallis, 1794–1878, British

St. Germain-en-Laye

1831

Print made by J. Carwitham, active 1720–1740

An East Perspective View of the City of Philadelphia, in the Province of Pensylvania, in North America, taken from the Jersey Shore..

1778

Print made by Edward Goodall, 1795–1870, British

The Vision of Columbus

1834

Print made by Edward Goodall, 1795–1870, British

Columbus Setting Sail

1834

Print made by Edward Goodall, 1795–1870, British

The Vision of Columbus

1834

Print made by Edward Goodall, 1795–1870, British

A Tempest – Voyage of Columbus

1834

Print made by James T. Willmore, 1800–1863, British

Ullswater, Cumberland

1835

Michel Jean Cazabon, 1813–1888, Trinidadian

Caledonia and Craig Islands

1857

William Edward Dighton, 1822–1853, British

Somerset House and Waterloo Bridge

undated

Print made by William Bernard Cooke, 1778–1855, British

Plymouth Citadel

1823

Print made by Robert Wallis, 1794–1878, British

Virginia Water. No. I

1828

Print made by Robert Wallis, 1794–1878, British

Saumur

1830

Print made by John Pye, 1782–1874, British

Ehrenbreitstein

1828

Print made by William Bernard Cooke, 1778–1855, British

The Mew Stone. Entrance of Plymouth Sound

1815

Print made by Thomas Jeavons, ca. 1800–1867, British

Devonport and Dockyard, Devonshire

1830

Print made by John Horsburgh, 1791–1869, British

Laugharne Castle

1833

Print made by W. R. Smith, active 1819–1851

Whitehaven, Cumberland

1837

Print made by S. Fisher, active 1831–1844

Crickieth Castle, North Wales

1837

Print made by James C. Allen, active 1821–1831, British

Dunwich, Suffolk

1819-1826

Print made by James Baylis Allen, 1803–1876, British

Castle Upnor

1833

Print made by William Bernard Cooke, 1778–1855, British

Nottingham

1833

Print made by James T. Willmore, 1800–1863, British

Penmaen Mawr

1834

Print made by James H. Kernot, active early 19th century

Flint Castle, North Wales

1836

Print made by S. Fisher, active 1831–1844

Mount St. Michael, Cornwall

1838

Print made by James C. Allen, active 1821–1831, British

Aldborough

1819-1826

Print made by Thomas Jeavons, ca. 1800–1867, British

Worcester, Worcestershire

1836

Print made by Robert Wallis, 1794–1878, British

Margate, Kent

1832

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Joseph Cartwright, c.1789–1829, British

Several Battleships at Battle: Row Boats with Figures

undated

Joseph Cartwright, c.1789–1829, British

Single Frigate, Stern Forward 1813

1813

unknown artist

Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan

undated

Print made by James C. Allen, active 1821–1831, British

Aldborough

ca. 1830

Moses Griffith, 1747–1819, British

Barmouth Bay

undated

Joseph Cartwright, c.1789–1829, British

Side View of Single Barque

undated

Henry Swinburne, 1743–1803, British

Landscape with Ruins in the Foreground, Harbor and Village, in Background

undated

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

Print made by James T. Willmore, 1800–1863, British

The Old Téméraire

1845

James Godby, 1767–1849, British

Admiral William Carnegie, 7th Earl of Northesk

1806

William Bernard Cooke, 1778–1855, British

The Little Bell Breaking up at Battersea

1819

Print made by Henry Le Keux, 1787–1868, British

Simmer Lake, near Askrig

1821

Print made by James T. Willmore, 1800–1863, British

Fire at Sea - from various 'Annuals' 1826-1837; 'The Keepsake' 1828-1837

1835

Print made by Henry Griffiths, 1835–1849, British

The Wreck

1826-1837

Print made by Thomas Jeavons, ca. 1800–1867, British

Exeter

1829

Print made by W. R. Smith, active 1819–1851

Tynemouth, Northumberland

1831

Print made by Robert Brandard, 1805–1862, British

Gosport, Entrance to Portsmouth Harbor

1831

Sir Robert Smirke the younger, 1781–1867, British

Patras, Greece

1803

Sir Robert Smirke the younger, 1781–1867, British

Arch of Trajan, Ancona, Italy

1804

Print made by John Thomas Serres, 1759–1825, British

Harbour Scene

1803, published 1806

Edward Francis Finden, 1791–1857, British

Yarmouth, Norfolk

1837

Print made by Sir Frank Short, 1857–1945, British

The Victory coming up Channel with the body of Nelson on Board

1891

Print made by Charles Tomkins, 1757–1823, British

A French Second Rate, An:1670

1801

Print made by Sir Frank Short, 1857–1945, British

The "Victory" Coming Up Channel

1891

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Medium wove paper

Genre marine art

Height [cm] 28

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Medium wove paper

Genre marine art

Height [cm] 28

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