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Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Bellman
1879
William Blake Romeo and Juliet, Act IV, Scene V
Print made by William Blake, 1757–1827, British
Romeo and Juliet, Act IV, Scene V
1799
William Blake Jerusalem, Plate 26, "Such Visions Have...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake The First Book of Urizen, Plate 18 (Bentley 21)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 18 (Bentley 21)
1794
William Blake The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
William Blake The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)
1794
William Blake The First Book of Urizen, Plate 25 (Bentley 26)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 25 (Bentley 26)
1794
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
William Blake The Peasants' Nest: Cowper's tame Hares
Print made by William Blake, 1757–1827, British
The Peasants' Nest: Cowper's tame Hares
1802
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807, British
Unidentified Periodical / Play Illustration
undated
Thomas Grieve Design for Love's Labour's Lost
Thomas Grieve, 1799–1882, British
Design for Love's Labour's Lost
1839
Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Robert Smirke, 1752–1845, British
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
Robert Smirke Lysander Awakening to See Helena
Robert Smirke, 1752–1845, British
Lysander Awakening to See Helena
1825
Richard Parkes Bonington Portia and Bassanio
Richard Parkes Bonington, 1802–1828, British
Portia and Bassanio
ca. 1826
Edward Francis Finden St. Sophia, Constantinople
Print made by Edward Francis Finden, 1791–1857, British
St. Sophia, Constantinople
1833
William Miller An Old Manor House
Print made by William Miller, 1796–1882, British
An Old Manor House
1834
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre, March 12, 1857 - Act 5, Scene 2
undated
George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1
undated
George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
George Richmond The Fatal Bellman
Print made by George Richmond, 1809–1896, British
The Fatal Bellman
1827
Edward Francis Finden The Castellated Rhine
Print made by Edward Francis Finden, 1791–1857, British
The Castellated Rhine
1833
Edward Francis Finden The School of Homer
Print made by Edward Francis Finden, 1791–1857, British
The School of Homer
1833
Edward Goodall Smailholm Tower (Vignette)
Print made by Edward Goodall, 1795–1870, British
Smailholm Tower (Vignette)
1834
George Cruikshank Jonathan Wild Discovers Darrell in the Loft
Print made by George Cruikshank, 1792–1878, British
Jonathan Wild Discovers Darrell in the Loft
1835
Henry Le Keux Abbotsford, Vignette Title
Print made by Henry Le Keux, 1787–1868, British
Abbotsford, Vignette Title
1834, reprinted 1851
George Vertue William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North.
Print possibly made by George Vertue, 1684–1756, British
William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North
1713
unknown artist William Cavendish, first Duke of Newcastle-upon-Tyne
Print made by unknown artist
William Cavendish, first Duke of Newcastle-upon-Tyne
undated
George Cruikshank Hamlet and the Ghost
George Cruikshank, 1792–1878, British
Hamlet and the Ghost
ca. 1825
George Cruikshank Macbeth and the Witch
George Cruikshank, 1792–1878, British
Macbeth and the Witch
undated
Robert Smirke Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
Robert Smirke, 1752–1845, British
Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
undated
Robert Smirke Scenes from an Eastern Romance [Arabian Nights]
Robert Smirke, 1752–1845, British
Scenes from an Eastern Romance [Arabian Nights]
undated
William Miller Loch Katrine
Print made by William Miller, 1796–1882, British
Loch Katrine
1834
Robert Smirke Hotspur and the Plotters at Bangor
Robert Smirke, 1752–1845, British
Hotspur and the Plotters at Bangor
1825
Florence Claxton L'Allegro
Florence Claxton, active 1855–1889, British
L'Allegro
undated
Robert Smirke Viola and Olivia
Robert Smirke, 1752–1845, British
Viola and Olivia
1822
Robert Smirke Feste, as Sir Topas, addressing Malvolio
Robert Smirke, 1752–1845, British
Feste, as Sir Topas, addressing Malvolio
1822
Robert Smirke Juliet About to Take her Sleeping Draught
Robert Smirke, 1752–1845, British
Juliet About to Take her Sleeping Draught
1825
Robert Smirke Scene from Shakespeare's, Romeo and Juliet
Robert Smirke, 1752–1845, British
Scene from Shakespeare's, Romeo and Juliet
undated
Charles Knight Edmond Malone, Esqr.
Charles Knight, 1743–c.1826, British
Edmond Malone, Esqr
undated
Robert Cooper Reverend William Mason
Robert Cooper, ca. 1800–1836, British
Reverend William Mason
undated