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Medium wove paper

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Genre cityscape

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Creator Willmore, James Tibbits, 1800–1863

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Search Results

1. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1828-1837
Medium:
Line engraving, engraver's proof on moderateny thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1828-1837
Medium:
Line engraving, engraver's proof
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1835
Medium:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1828-1837
Medium:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/8 × 16 7/8 inches (31.4 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1828-1832
Medium:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1835
Medium:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1831
Medium:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1826-1837
Medium:
Line engraving, 1st state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 11/16 inches (28.6 × 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bedford, Bedfordshire
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1831
Medium:
Line engraving, 1st state on thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Nantes

Nantes
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1826-1837
Medium:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Saumur

Saumur
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1833
Medium:
Etching and line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

12. Le Havre

Le Havre
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1833
Medium:
Line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 7 × 10 5/8 inches (17.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Ancient Italy - Ovid Banished from Rome
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1842
Medium:
Etching and line engraving, with scraping out and touched with graphite and white chalk; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 26 3/4 × 38 1/2 inches (67.9 × 97.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Saumur

Saumur
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1833
Medium:
Etching and line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire [From the Moors]
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1828
Medium:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ancient Italy - Ovid Banished from Rome
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1842
Medium:
Etching and line engraving; engraver's proof (II, Moon's Impressions) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 1/8 × 36 1/8 inches (66.4 × 91.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by James T. Willmore, 1800–1863, British
Date:
1858
Medium:
Etching and line engraving; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 7/8 × 31 3/4 inches (60.6 × 80.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection