pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
5
William Blake, 1757–1827, British
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
6
William Blake, 1757–1827, British
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
7
Print made by William Bernard Cooke, 1778–1855, British
The Observatory at Rosehill, Sussex
1816
8
Print made by William Bernard Cooke, 1778–1855, British
Dartmoor; Source of the Tamar and the Torridge
1816
9
Print made by Charles Heath, 1785–1848, British
Kirkby Lonsdale Churchyard
1818-1823
10
Frederick Catherwood, 1799–1854, British
Maya Stela at Copan, Honduras
1843
11
unknown artist, nineteenth century
Shanklin Church/ Isle of Wight
undated
12
James Bruce, 1730–1794, British
Temple of Jupiter and Minerva, Thugga
undated
13
Print made by John Le Keux, 1783–1846, British
St. Agatha's Abbey, Easby
1818-1823
14
Print made by John Pye, 1782–1874, British
Wycliffe, near Rokeby
1818-1823
15
Print made by John Horsburgh, 1791–1869, British
Folkestone: Harbour, and Coast to Dover, Kent
1831
16
Studio of Thomas Telford, 1757–1834, British
Plan of a Chain Bridge Now Being Erected over the Menai at Bangor Ferry
1819
17
Print made by Samuel Rawle, 1771–1860, British
Hylton Castle, County of Durham
1816 to 1823
18
Print made by George Cooke, 1781–1834, British
Antiquities at Pola, Frontispiece
1818
19
John Varley, 1778–1842, British
Chiswick
1814
20
Print made by Edward Goodall, 1795–1870, British
Cologne
1824
21
William May, active 19th century, British
Long Ships Lighthouse off the Land’s End, Cornwall
1860s
22
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c., taken from Pont Marie
1802
23
Thomas Girtin, 1775–1802, British
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
24
Studio of Sir Jeffry Wyatville, 1766–1840, British
Longleat, Somerset: Elevation
ca. 1810
25
William Turner of Oxford, 1789–1862, British
The Exeter College Eight on the Isis, Oxford
1824
26
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
27
Thomas Girtin, 1775–1802, British
View of the City with the Louvre &c. taken from Pont Marie
1802
28
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
29
Justinian Gantz, 1802–1862
The Ootacamund Hunt Meeting at Mr. Chalmers' House at Gindy, Madras, 1845
1845
30
Print made by James Basire the younger, 1769–1822, British
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
31
Thomas Girtin, 1775–1802, British
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
32
Possibly Henry Thomas Alken, 1785–1851, British
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
undated
33
Sir Thomas Lawrence, 1769–1830, British
The Wellesley-Pole Sisters
1814
34
John William North, 1842–1924, British
Forest Landscape
ca. 1834
35
Print made by Miles Edmund Cotman, 1810–1858, British
The Red House on the Lake near Norwich Oct. 7th, 1841
1847
36
Print made by Miles Edmund Cotman, 1810–1858, British
Marsham Ch. | Nov. 9th 1841
1847
37
Print made by Miles Edmund Cotman, 1810–1858, British
Col. Harvey's Meadow Thorpe and Norwich Oct. 2nd 1841
1847
38
Print made by Miles Edmund Cotman, 1810–1858, British
The Red House on the Lake near Norwich Oct. 7th, 1841
1847
39
Rev. Edward Thomas Daniell, 1804–1842, British
Summit of Mount Sinai or Jebel Musa
1840
40
Studio of Sir Jeffry Wyatville, 1766–1840, British
Wollaton Park, Nottingham: South Elevation
ca. 1801
41
Thomas Rowlandson, 1756–1827, British
The Ivory Coast, West Africa
between 1810 and 1815
42
Sir Francis Seymour Haden, 1818–1910, British
A Lancashire River
1881
43
Print made by Samuel William Reynolds, 1773–1835, British
Georgiana Elizabeth Duchess of Newcastle
1825
44
George Bryant Campion, 1796–1870, British
Camp at Chobham, 1853 with Officers and Sentry
1853
45
Charles Rosenberg, active 1828–1848
Harwich
1841
46
William Ward, 1766–1826, British
Sailors Conversation
1802
47
Print made by Thomas Girtin, 1775–1802, British
View of the Pantheon taken from the Arsenal
1803
48
William Ward, 1766–1826, British
Sailors Conversation
1802
49
after unknown artist, ( F. J. Sargent )
Glen Crowe, Western Highlands, Scotland
1811
50
Print made by John West Giles, active 1827–1865
Mr. Jonas Webb, of Babraham, and his Three Rams
1842
51
Print made by John Porter, active 1838
The Chillington Oxen
1838
52
Henry Papprill, 1816–d.after 1883, American
This View of the Capture of Amoy on the Coast of China, on the 26th August, 1841, by Her Majesty's Combined Forces, under Vice Admiral Sir William Parker K.C.B. and Lieut. General Sir Hugh Gough... Plate 1
1842
53
Thomas Hartley Cromek, 1809–1873, British
The Parthenon
ca. 1834
54
John Raphael Smith, 1752–1812, British
"William and Margaret"
1802
55
Print made by Henry Walter, 1786–1849, British
Londres. Vue Prise de la Tour de l'Eglise de St. Paul
1860
56
unknown artist, ( F. J. Sargent )
Carlinan Mill, Iverary, Scotland
1811
57
Richard Banks Harraden, 1778–1862, British
Christ's College, Cambridge
ca. 1836
58
Richard Banks Harraden, 1778–1862, British
Corpus Christi College, Cambridge
1836
59
Richard Ansdell, 1815–1885, British
Rabbit Shooting
undated
60
Print made by William Turner Davey, 1818–ca. 1884
Home Again
1861
61
Nevil Story - Maskelyne, 1823–1911, British
One-Arch Bridge, Breconshire
1849
62
Thomas Hartley Cromek, 1809–1873, British
Casa di Rienzi, Rome
1842
63
Nevil Story - Maskelyne, 1823–1911, British
One-Arch Bridge, Breconshire
1849
64
R. Noble, active 19th century, British
Interior of a Drawing Room in the Rococo Revival Style
1846
65
Thomas Cundy, 1790–1867, British
Design for Grosvenor House, London: Chamber Floor Plan