Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Rising Moon
1857
2
Etched by Joseph Mallord William Turner, 1775–1851, British
Jason
1807
3
Edward Lear, 1812–1888, British
North Stoke. Oct. 21.1834
1834
4
Edward Lear, 1812–1888, British
View Across a Meadow to a Church
ca. 1834
5
Edward Lear, 1812–1888, British
Amada, 9:30 am, 12 February 1867
1867
6
Edward Lear, 1812–1888, British
Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)
1867
7
Edward Lear, 1812–1888, British
Tapha, 7:50 a.m., February 17, 1867
1867
8
Edward Lear, 1812–1888, British
El Luxor
1867
9
Edward Lear, 1812–1888, British
Albogasio
1837
10
Edward Lear, 1812–1888, British
Segni, 6 October 1838
1838
11
Edward Lear, 1812–1888, British
Wied Zurrik (Malta)
1848
12
Edward Lear, 1812–1888, British
Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
1866
13
William Blake, 1757–1827, British
The Parable of the Wise and Foolish Virgins
ca. 1825
14
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
15
William Blake, 1757–1827, British
Illustrations to Dante's Divine Comedy
1827
16
Sir Robert Smirke the younger, 1781–1867, British
Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
1802-1804
17
Sir Robert Smirke the younger, 1781–1867, British
Study of the Capital of a PIllar
1802-1804
18
Sir Robert Smirke the younger, 1781–1867, British
Study of the Capital of a Pillar
1802-1804
19
Sir Robert Smirke the younger, 1781–1867, British
Ruins at Capua
1802-1804
20
Sir Robert Smirke the younger, 1781–1867, British
View From Cori Towards Villetri
1802-1804
21
Samuel Henry Baker, 1824–1909, British
Pont Mallwyd
1863
22
Print made by Sir Frank Short, 1857–1945, British
Huntsmen in a Wood
1891
23
Print made by George Cruikshank, 1792–1878, British
Fitting out. - Plate 1
1820
24
William James Muller, 1812–1845, British
Study of a Cottage by a lane
undated
25
James Duffield Harding, 1798–1863, British
Naples from the Strada Nouva, Nov.26, 1830
1830
26
John Frederick Lewis, 1804–1876, British
Interior of an Eastern House
between 1840 and 1851
27
John Frederick Lewis, 1804–1876, British
The Valley of Lutscheuen
1827
28
attributed to William James Muller, 1812–1845, British
Cleeve, Somerset, with Bridgewater Bay in the Distance
1841
29
unknown artist
Rusthill Common near Tunbridge Wells, Kent
ca. 1840
30
John Varley, 1778–1842, British
Mountainous Landscape with Lake
1840
31
William Simpson, 1823–1899, British
Graves of the Officers in the Fort on Cathcart's Hill
1854
32
Print made by William Bernard Cooke, 1778–1855, British
Plymouth Citadel
1821
33
Print made by John Byrne, 1786–1847, British
Rome, Tomb of Cecilia Metella
1818-1820
34
Samuel De Wilde, 1748–1832, British
The Satirist
1807
35
James Holland, 1799–1870, British
Interior of the Church of San Giovanni e Paolo, Venice
1835ated
36
Henry Barlow Carter, 1804–1868, British
Scarborough Harbour, Yorkshire - Moonlight
1850
37
unknown artist
Culraven and Broadfield
undated
38
unknown artist
Townhead and Drummore
undated
39
unknown artist
Culdoch
undated
40
unknown artist
Senwick
undated
41
unknown artist
Mayfield
undated
42
unknown artist
Nuntons
undated
43
unknown artist
Little Kirkland
undated
44
unknown artist
Balgreddan and Whinny Liggate
undated
45
unknown artist
Netherthird
undated
46
attributed to John Middleton, 1826–1856, British
Woodland Scene with a Path Across a Stream
undated
47
Octavius Oakley, 1800–1867, British
A Gypsy Encampment
undated
48
Aaron Edwin Penley, 1807–1870, British
Cloud Study
undated
49
Sir David Young Cameron, 1865–1945, British
Venice from the Lido [North Italian Set: No. 17]
1896
50
Joseph Murray Ince, 1806–1859, British
An unidentified Gothic Mansion: Side View of the House with Garden
undated
51
unknown artist, nineteenth century
Balmangan
undated
52
Print made by William Bernard Cooke, 1778–1855, British
Martello Towers at Bexhill
1817
53
Print made by James C. Allen, active 1821–1831, British
St. Mawes, Cornwall
1814 to 1826
54
Thomas William Wood, 1855–1872, British
A Lion
undated
55
William Simpson, 1823–1899, British
The Governor-General's and Commander-in-Chief's Camp at Jalandhar, 1 Febuary 1860
ca. 1860
56
attributed to William Henry Hunt, 1790–1864, British
Beauvais
ca. 1831
57
unknown artist, nineteenth century
River Landscape with Men Fishing and Cattle
undated
58
William James Muller, 1812–1845, British
Study of a Rustic Interior Scene
undated
59
unknown artist, nineteenth century
Man with Hood and Landscape
undated
60
Sir Horace Jones, 1819–1887, British
Part of Goodrich Castle
1842
61
Print made by George Cooke, 1781–1834, British
Land's End, Cornwall
1814-1826
62
Print made by James C. Allen, active 1821–1831, British
Ehrenbreitstein
1824
63
Print made by James C. Allen, active 1821–1831, British
Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz
1824
64
Sir Jeffry Wyatville, 1766–1840, British
Lilleshall, Shropshire: East View
1826
65
Thomas Rowlandson, 1756–1827, British
Register Office for the Hiring of Servants
between 1800 and 1805
66
John Ruskin, 1819–1900, British
The Great Square at Torcello
1850
67
Thomas Rowlandson, 1756–1827, British
Serving Punch
between 1815 and 1820
68
James Anderson, 1813–1877, British
Base of the Column of Antoninus Pius, Vatican
ca. 1857
69
David Roberts, 1796–1864, British
Lambeth
1861
70
David Roberts, 1796–1864, British
Sidmouth
1845
71
David Roberts, 1796–1864, British
Linlithgow Palace Courtyard, West Lothian
undated
72
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
73
Print made by John Doyle ('H.B.'), 1797–1868, Irish
A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant
1847
74
Print made by John Doyle ('H.B.'), 1797–1868, Irish
The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure
1849
75
Print made by John Doyle ('H.B.'), 1797–1868, Irish
Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short
1849
76
Henry Bright, 1810–1873, British
Cottages at Oxford
undated
77
Edward Duncan, 1803–1882, British
Notre Dame, Paris, from the Left Bank
1840
78
Charles Dyce, active 1848, British
View of Gibraltar
ca. 1849
79
Charles Dyce, active 1848, British
Mediterranean Port (or Aden?)
1848
80
Charles Dyce, active 1848, British
View of Malta
ca. 1849
81
Charles Dyce, active 1848, British
View on the Nile
ca. 1849
82
Charles Dyce, active 1848, British
View of Malta
1848
83
Charles Dyce, active 1848, British
Elysium Row, Calcutta
ca. 1849
84
Charles Dyce, active 1848, British
A Mediterranean Port (or Aden?)
ca. 1849
85
Charles Dyce, active 1848, British
Passengers aboard the Nile steamer
ca. 1849
86
Print made by John Luard, 1790–1875, British
Simla
between 1832 and 1838
87
Print made by John Luard, 1790–1875, British
Pilgrims
undated
88
William Alfred Delamotte, 1775–1863, British
View from Stokenchurch Hill, Buckinghamshire
1821
89
François Louis Thomas Francia, 1772–1839, French, active in Britain
A French Canal Scene
1810
90
John Hill, 1770–1850, British
St. Sepulchres, The Round Church
1814
91
Rev. James Bulwer, 1794–1879, British
[One from] A Volume of Drawings and Prints
1837
92
unknown artist
Fish Market, Boulogne
undated
93
Samuel Francis Marryat, 1826–1855
Scene at the City of Bruni, Bornia
1848
94
Sir Edwin Henry Landseer, 1802–1873, British
Huntsman with Hounds
undated
95
Print made by Matthew Dubourg, active 1786–1838, British
Grouse Shooting
1822
96
Print made by Matthew Dubourg, active 1786–1838, British
Partridge Shooting
1822
97
Print made by Remi Parr, active 1723–1750, British
The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds
undated
98
James Gillray, 1756–1815, British
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
99
Henry Thomas Alken, 1785–1851, British
A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"
1821
100
James Gillray, 1756–1815, British
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"