Medium: wove paper / Period: 18th century - YCBA Collections Search Search Results

Benjamin Green, ca. 1736–ca. 1800, British

North-West View of the Reverend Mr. Wesley's School at Kingswood, Near Bristol

undated

Rev. James Bulwer, 1794–1879, British

[One from] A Volume of Drawings and Prints

undated

unknown artist, (J. H.)

Man with a Stick, Seen From Behind

1755

Print made by John Robert Cozens, 1752–1797, British

Palm

1789

Samuel Howitt, 1756–1822, British

The Kill

1792

James Seymour, 1702–1752, British

Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In

undated

unknown artist

East View of the Cast Iron Bridge Over the River Wear at Sunderland in the County of Durham

1796

Thomas Malton the Younger, 1748–1804, British

Newgate

1799

Paul Sandby, 1731–1809, British

A Castle on a River

undated

Isaac Johnson, 1754–1835, British

The South Farm at Earlham

1754

unknown artist, eighteenth century

Design after a Greek Vase

undated

unknown artist, eighteenth century

Design after a Greek Vase

undated

unknown artist, eighteenth century

Design after a Greek Vase

undated

unknown artist, eighteenth century

Design after a Greek Vase

undated

unknown artist, eighteenth century

Design after a Greek Vase

undated

Isaac Johnson, 1754–1835, British

An Estate in Naughton, Bricett, Bildeston and Offton, Suffolk

1781

Robert Dodd, 1748–1816, British

Howe's Victory off Ushant

1795

George Vertue, 1684–1756, British

Charles I and Henrietta

1742

Print made by James Basire, 1730–1802, British

Plate XII: St Stephen's Chapel

1795

Print made by George Barret Jr., 1767–1842, British

Marriage of Henry the seventh

1796

Thomas Rowlandson, 1756–1827, British

Embarkation at Southampton, June 20th 1794

1794

Thomas Rowlandson, 1756–1827, British

Comforts of Bath: Gouty Gourmands at Dinner

1798

Thomas Rowlandson, 1756–1827, British

Comforts of Bath: The Ball

1798

Print made by James Mason, 1710–1783, British

A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r

1778

Thomas Rowlandson, 1756–1827, British

Female Dancer with a Tambourine

between 1790 and 1795

Thomas Gaugain Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Print made by Thomas Gaugain, 1748–1812, French

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

1796

Print made by Charles Grignion, 1717–1810, British

Illustrations for 'Gil Blas', plate VII

1781

Print made by unknown artist

Leeds Castle, Kent

undated

Print made by unknown artist

Sir John Evelyn's Plan for Rebuilding the City of London after the Great Fire in 1666

1775

Print made by John Thomas Smith, 1766–1833, British

Clarendon House

1798

Print made by Robert Pollard, 1755–1838, British

View of Brest Harbour

1799

Print made by John Thomas Smith, 1766–1833, British

Savoy Prison

1793

Print made by John Thomas Smith, 1766–1833, British

The Savoy in 1650

1792

Print made by George Vertue, 1684–1756, British

William Shakespeare

1719

Print made by Thomas Holloway, 1748–1827, British

The Daughter of Herodias

1798

Print made by Jacobus Houbraken, 1698–1780, Dutch

Cardinal Wolsey

1738

Print made by Jacobus Houbraken, 1698–1780, Dutch

Robert Carr, Earl of Somerset

1749

Print made by George Vertue, 1684–1756, British

Francis Earl of Bedford

1737

Print made by George Vertue, 1684–1756, British

Edmond Waller Esquire

1727

Print made by William Thomas, active 1783– died 1800

Gallion near Vernon the Palace of the Archbishop of Rouen

1793

Print possibly made by George Vertue, 1684–1756, British

William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North

1713

Print made by unknown artist

William Cavendish, first Duke of Newcastle-upon-Tyne

1799

Print made by unknown artist

William Cavendish, first Duke of Newcastle-upon-Tyne

undated

Print made by unknown artist

William Cavendish, first Duke of Newcastle-upon-Tyne

1797

Print made by unknown artist

The Surrender of Landrecies

undated

Print made by J. Barlow, active 1791

Defeat of the French Army at Landrecies by the British Light Horse & Dragoon Guards

1794

Print made by J. Pass, active 1796–1800

An Exact Representation of the Boarding and Taking the Cleopatra French Frigate

undated

Print made by J. Pass, active 1796–1800

Defeat of the French Carracks, by the Earl of Warwick

undated

Print made by unknown artist

Elevation of the New East India House now Building in Leadenhall Street

1798

Print made by John Cousen, 1804–1880, British

Fécamp

1834

Print made by Samuel Ireland, active 1760–died 1800, British

Pershore, Worcestershire

1795

Print made by unknown artist

Valenciennes

1795

Print made by J. Barlow, active 1791

Conversation in the Manner of Van Dyck

1799

Print made by Isaac Taylor, 1759–1829, British

The Imposture of the Holy Maid of Kent

1796

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat

1794

Print made by A. M. Ireland, active before 1801

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by A. M. Ireland, active before 1801

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by A. M. Ireland, active before 1801

Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery

1794

Print made by Thomas Ryder, 1746–1810, Irish

Falstaff Examining His Recruits

1799

Print made by Thomas Ryder, 1746–1810, Irish

First Design for the Enraged Musician

1799

Print made by Thomas Ryder, 1746–1810, Irish

First Design for the Enraged Musician

1799

Print made by Thomas Ryder, 1746–1810, Irish

First Design for the Enraged Musician

1799

Print made by Thomas Ryder, 1746–1810, Irish

First Design for the Enraged Musician

1799